| 2020 | A.20 | The Commonplaces of Creative Writing |
| 2020 | G.12 | The Art of Evaluation: Poetry Dynamic Criteria Mapping in Practice |
| 2020 | G.50 | Creative Writing and Composition Collaboration |
| 2020 | H.50 | Writing Creatively with New Spaces, Places, and Objects |
| 2020 | I.51 | We Belong Together: Creative Writing Departmental Partnerships |
| 2020 | J.51 | Throw a Punch/Write a Poem: Composing Embodied |
| 2020 | K.33 | Reclaiming and Rediscovering Relationships to Food and Family through Communal Experiences |
| 2020 | M.15 | What Life Writing Helps Us Learn from Others |
| 2020 | MW.8 | Commonplaces in Creative Writing and Composition: Reimagining Sites of Craft, Pedagogy, Identity, and Community |
| 2020 | TSIG.26 | Weaving Memoir and History: Creative Nonfiction |
| 2020 | TSIG.31 | Creative Writing Standing Group Business Meeting: Walker Room (Hilton) |
| 2020 | W.3 | Writing Creative Nonfiction: Finding the Extraordinary in the Ordinary |
| 2023 | A.8 | Secrets of the Creative Writing Scholar: Fiction, Nonfiction, and Poetry as Theoretical Methods |
| 2023 | C.25 | Ethical Eating: Conflicts, Collaborations, and Commitments |
| 2023 | I.17 | Creative Writing as Doing Hope: Self-Inquiry, Pedagogy, and Sharing Narratives |
| 2023 | K.13 | Innovations in Creative Writing Studies: Methods, Methodologies, Practices |
| 2023 | OD.23 | Crises of Love, Crises of Grief: Exploring the Uses of Autotheory in Composition Studies |
| 2023 | SW.8 | Writing Creative Nonfiction: A Day of Writing and Ideas |
| 2023 | TSIG.10 | Creative Writing |
| 2023 | TSIG.9 | Creative Nonfiction |
| 2024 | B.01 | Abundance in Compression: Writing and Sharing Tiny Teaching Stories |
| 2024 | B.08 | Abundance and Scarcity in Creative Writing Pedagogies and Research |
| 2024 | F.26 | Publishing in the CCCC Studies in Writing and Rhetoric Book Series |
| 2024 | FSIG.23 | Creative Writing Standing Group Business Meeting |
| 2024 | G.27 | Academic Publishing: The State of Professional Peer Review in Rhetoric and Composition |
| 2024 | H.12 | Bridging an Abundance of Stories: Reflections on an Inside-Outside Prison Writing Initiative |
| 2024 | SW.09 | Writing Freely against Scarce Time: A Creative Nonfiction Writing Workshop |
| 2024 | TSIG.08 | Creative Nonfiction Standing Group Business Meeting |
| 2025 | BA.8 | Remixing Multimodality with Webcomics |
| 2025 | C.2 | Transforming Creative Writing Spaces into Sites of Radical Queer Belonging |
| 2025 | D.17 | Less Is More: Teaching and Writing Tiny Texts |
| 2025 | D.26 | Creative Composition: A Remix |
| 2025 | DA.4 | Chronic Narratives: Exploring Methodological Complexities in Illness Memoirs |
| 2025 | DA.6 | From Ways of Being/Knowing/Doing to Ways of Writing: Neuroqueering Academic Writing in the First-Year Writing Classroom |
| 2025 | E.21 | The Present and Future State of Editing and Publishing in Writing Studies |
| 2025 | F.3 | Already Mixed: Conceptualizing Advancements in Creative Writing Across the Curriculum |
| 2025 | FSIG.5 | Creative Nonfiction Standing Group Business Meeting |
| 2025 | FSIG.6 | Creative Writing Standing Group |
| 2025 | J.4 | Building the Community Mixtape through the TYC Creative Writing Classroom |
| 2025 | JA.11 | Sensorial Literacy and Gastro Lexicon: Exploring the Role of Food Rhetoric as Cultural Metaphor in Creative Writing Praxis Canceled |
| 2025 | JA.2 | “An Unforeseen Detour: How Music Saved My Writing”: A Contemplative Pedagogy for Writing through Chimeka Garricks’ A Broken People’s Playlist |
| 2025 | K.21 | Sijo Workshop: Learning and Writing Korea’s Poetry |
| 2025 | L.23 | An Intradisciplinary Publishing Project: Storying the Development of a Graduate-Level Academic and Literary Journal about Reproductive Justice |
| 2025 | M.14 | Resisting Closure: Three Late-Career Projects on Life-Writing and Trauma |
| 2025 | SW.7 | Shared Dancing at the Silent Disco: A Creative Nonfiction Writing Workshop |
| 2025 | W.3 | Feminist Workshop: Can I Get a Beat? Or, Collaboration and Publication in the Field |
| 2026 | A.7 | A Case for Creative Grammar: Initiating and Sustaining Conversations about Language, Style, and Agency |
| 2026 | D.9 | Expansion in Compression: Composing and Conversing about Tiny Literacy Narratives |
| 2026 | FSIG.12 | Food for Thoughts (and Essays): Creative Nonfiction Standing Group Annual Business Meeting |
| 2026 | FSIG.4 | Annual Meeting of the Creative Writing Standing Group |
| 2026 | G.1 | Editing and Publishing in Writing Studies: Practical and Ethical Considerations in Scholarly Reviewing Practices |
| 2026 | G.20 | Making Creative Writing Visible through Our Work, Artist Statements, and Our Conversations |
| 2026 | GB.15 | Barriers to Transmedia and Storyworld Literature |
| 2026 | I.2 | Publishing in the CCCC Studies in Writing and Rhetoric Book Series |
| 2026 | KB.11 | Student-Centered, Justice-Oriented: Responding to Creative Writing |
| 2026 | SW.1 | Now You Must Write Your Own: Creative Nonfiction Writing in Community |