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2025 · Baltimore

April 9-12, 2025 · Baltimore, MD · Program chair Kofi J. Adisa

Theme: ’Computer Love’: Extended Play, B-sides, Remix, Collaboration, and Creativity

300 of this year's 979 session and paper titles (30.6%) use a word from the theme (collaboration, computer, creativity, extended, remix, sides). In other years the same words appear in 2.7% of titles. All themes.

About this year's source. Read from NCTE's eShow listing, with paper titles copied from the PDF program.
867sessions
1,957people listed
31%first listed in this corpus
5.7%at two-year colleges
3.0%at institutions outside the US
12%of listings from ten institutions

Roles

  • speaker: 2,807

Proposal areas

As the program printed them. How the areas changed over time.

Formats

  • Individual 30-Minute Presentation: 352
  • Concurrent Panel: 233
  • Special Interest Group/Business Meeting: 61
  • Roundtable Session: 60
  • Engaged Learning Experience: 39
  • Standing Group-Sponsored Panel: 32
  • Poster: 28
  • Workshop: 27
  • Standing Group-Sponsored Workshop: 12
  • Event: 9
  • Session: 4
  • Open Rooms: 4
  • Committee Meeting: 3
  • General/Keynote Session: 2
  • Registration/Exhibit Hall Hours: 2

Source files

Links go to NCTE's own copy where it is still online, or to the Wayback Machine.

Most-listed institutions

Sessions (885)

CodeTitleFormatPeople
Anzaldúa Award ReceptionEvent0
Scholars for the Dream ReceptionEvent0
Sober AcademicsEvent0
Reception for Late Career and Retired Teacher-ScholarsEvent1
Report on 4C Virtual InstituteSession2
Newcomers’ Coffee Hour0
All-Attendee Event—Stitch & Spin: A Craft Slam/Record Nite ExtravaganzaEvent0
Muslim/Arab Prayer RoomOpen Rooms0
Let’s Talk about It: Coalitional Conversations We Need to Have
Institutions: Labor Issues, Professional Lives, and Survival
Standing Group-Sponsored Workshop4
Gaming/Play Studies RoomOpen Rooms0
Documentarians’ ReceptionEvent2
CCCC Annual Business Meeting and Awards PresentationEvent0
Friday All-Attendee Session with Tracy K. SmithGeneral/Keynote Session1
Workshop: Developing Equitable Corequisite Programs within Institutional Realities
Open-Access Education/TYCA
1
Teaching Reading in Open-Access Contexts: A Community Conversation
Open-Access Education/TYCA
1
Spilling Tea for Graduate StudentsSession1
Trivia NightEvent0
Community College Teaching: Q&A Session for Graduate Students
Open-Access Education/TYCA
3
Multimodal and Multilingual: Photo Essays for Linguistic Justice
Open-Access Education/TYCA
2
Opening General SessionGeneral/Keynote Session2
TYCA Leadership Retreat
Open-Access Education/TYCA
3
The Publication Journey: Reviewing for a Journal and Creating Projects that Make it Through Review (NOW IN ROOM 311)
Open-Access Education/TYCA
1
Conversation on Two-Year College Writing Centers
Open-Access Education/TYCA
2
A Student-Centered Approach to Deepening and Documenting Reading Strategies and Goal Setting
Open-Access Education/TYCA
1
The Future of Writing Placement
Open-Access Education/TYCA
2
Preparing Graduate Students for Community College Careers (NOW IN ROOM 338)
Open-Access Education/TYCA
2
Drop-In Help for Writing Placement Projects
Open-Access Education/TYCA
0
Developing a TYCA Guide to Community College Teaching
Open-Access Education/TYCA
3
Holding Space in the Post-Pandemic World: Trauma Informed Teaching in Higher Education
Open-Access Education/TYCA
1
Committee for Decolonizing Writing, Rhetoric, and Communication Curriculum, Pedagogy, and Organizational CultureCommittee Meeting0
Creating Sustainable Two-Year/Four-Year College Partnerships
Open-Access Education/TYCA
0
Newcomers’ Welcoming CommitteeCommittee Meeting1
Newcomers’ OrientationEvent1
Committee on Disability Issues on College CompositionCommittee Meeting2
Family RoomOpen Rooms0
Registration HoursRegistration/Exhibit Hall Hours0
Exhibit Hall/Action Hub HoursRegistration/Exhibit Hall Hours0
Workshop: Teaching Literacy Online
Open-Access Education/TYCA
1
Neurodivergent/Quiet RoomOpen Rooms0
Planning for Next Year’s CCCC ConventionSession1
A.1Advocating for Students in Corequisite English Programs through the Collection and Use of Data
Inclusion and Access
Concurrent Panel7
A.2Contemplating Multiple Systems Perspectives: Is a Writing Program an Ecology, an Information Flow, or a Set of Power Relations?
Writing Programs
Concurrent Panel2
A.3Developing Rhetorical Reasoning for Critical Generative AI Tool Literacy
Approaches to Teaching and Learning
Concurrent Panel5
A.4From Cool Reads to Academic Feeds: Bridges and Boundaries between Domains of Writing
College Writing and Reading
Concurrent Panel3
A.5Glimmering “Nows”: Communal Writing and Storying as Un/Stable Liberatory Collaboration
Community, Civic, and Public Contexts of Writing
Concurrent Panel6
A.6Jamming with Administrative AI: Automated Writing Center Session Notes as Case Study
Writing Centers (including Writing and Speaking Centers)
Concurrent Panel5
A.7Library Instruction as Extended Play: Writing Teachers, Libraries, and Research Skills in Concert
Information Literacy and Technology
Concurrent Panel4
A.8Nuanced Melodies in Drug Narratives: Policy Writing, Ketamine Clinics, and Psychedelic Playlists
Community, Civic, and Public Contexts of Writing
Concurrent Panel5
A.9Perception and Uptake of AI in Workplace, Educational, and Creative Contexts—and Implications for Writing Programs
Information Literacy and Technology
Concurrent Panel6
A.10Profiteers, Bad-Faith Actors, and Democracy: The Urgent Need for Rhetorical Education beyond the University
Community, Civic, and Public Contexts of Writing
Concurrent Panel5
A.11Remixing First-Year Writing and Contesting Standardized English: Music as Inspiration in the Classroom
First-Year Writing
Concurrent Panel5
A.12Remixing Retóricas de México Antiguo: Comparative Religions, Oral Traditions, and Pedagogies of Liberation
Histories of Rhetoric
Concurrent Panel5
A.13Social Media’s B-side: Activism through Social Media Affordances
Community, Civic, and Public Contexts of Writing
Concurrent Panel4
A.14Student Goals as Culturally Sustaining Literacy Pedagogy and Assessment in Developmental and First-Year Composition Contexts
College Writing and Reading
Concurrent Panel2
A.15Supporting International Students and Multilingual Experiences: Studies of Immigration, Policy, and Translingual Writing Pedagogy
Inclusion and Access
Concurrent Panel4
A.16The Labor of Extended Play: Reflections on “Edutainment” and Access in the Writing and Rhetoric Classroom
Approaches to Teaching and Learning
Concurrent Panel4
A.17Translanguaging from Two- to Four-Year Track: Remix, Replay, Revise
Language, Literacy, and Culture
Concurrent Panel5
A.18Recursive, Remixed, Reflective Scavenging: Making and the Writer’s Identity Vulnerability in Multimodality
Approaches to Teaching and Learning
Engaged Learning Experience5
A.19Singing in the (Acid) Rain: Musical Ways to Write about Climate Crises
College Writing and Reading
Engaged Learning Experience1
A.20Where Policy Meets Position: Articulating Usable Disciplinary Knowledge for Administrative Spaces
Institutions: Labor Issues, Professional Lives, and Survival
Engaged Learning Experience3
A.21“Which Side Are You On?”: Anti-Capitalist Composition Pedagogy at the Neoliberal University
Antiracism and Social Justice
Roundtable Session7
A.22Collaborating beyond Comfort: Risk-Taking, Writing, and Teaching in High School and College
Approaches to Teaching and Learning
Roundtable Session5
A.23Computer Love in Rhetorics of Health and Medicine
Theory, Research Methodologies, and Praxis
Roundtable Session8
A.24Rhetoric of Science in (Times of) Crisis
Community, Civic, and Public Contexts of Writing
Roundtable Session7
A.25Storytelling and Engaging with Indigenous Stories in Scholarly Writing Practice: A Story Circle
Theory, Research Methodologies, and Praxis
Roundtable Session8
A.26Strategic Illegibility: Rhetorics of Nontranslation
Language, Literacy, and Culture
Roundtable Session10
A.27Social Justice for Classroom Instructors: Contingent Labor Organizing Roundtable
Institutions: Labor Issues, Professional Lives, and Survival
Roundtable Session5
A.28(Re)Generative Moments with Writing Minors and Writing-Related Minors (MOVED to 12:15 pm Thursday Room 334)
Writing Programs
Standing Group-Sponsored Panel5
A.29Teaching for Transfer (TFT) Sponsored Panel: Research & Adaptations
Approaches to Teaching and Learning
Standing Group-Sponsored Panel6
AA.1"The Money Grows on Trees": Remixing, Reconstituting, and Reclaiming Country Music
Language, Literacy, and Culture
Individual 30-Minute Presentation1
AA.2"Music That Moves Us”: An Innovative Framework for a Music-Focused FYC Experience Promoting Student Engagement, Creativity, and Success
First-Year Writing
Individual 30-Minute Presentation1
AA.3"Remixing" Socially Just Writing Pedagogy through Digital Archives
Antiracism and Social Justice
Individual 30-Minute Presentation1
AA.4“Is Linguistic Justice a Privileged Pursuit?”: Tutors’ Beliefs and Insights on Linguistic Justice Praxis Canceled
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation0
AA.5“More Meaningful, Less Stressful”: Collaborative Grading as a B-side to Writing Assessment
First-Year Writing
Individual 30-Minute Presentation1
AA.6“Stop, Collaborate, and Listen”: Remastering K–12 Reading Literacy Assessments Canceled
College Writing and Reading
Individual 30-Minute Presentation0
AA.7Decadent AI and "Draft Aesthetics" in First-Year University Writing
First-Year Writing
Individual 30-Minute Presentation1
AA.8Preparing Writing Studies and English Department Graduate Students for Successful Two-Year-College Teaching Careers
Institutions: Labor Issues, Professional Lives, and Survival
Individual 30-Minute Presentation3
AA.9Reciprocal Mentoring for Career Readiness: A Remixed Model for Faculty and Students in Writing Programs
Writing Programs
Individual 30-Minute Presentation1
AA.10Recomposing Student Perceptions of First-Year Writing: Creating Space for Introspective Engagement Canceled
First-Year Writing
Individual 30-Minute Presentation0
AA.11Remixing Multimodality in WAC Discourses: Conversations in Technology and Community Engagement in the Writing Classroom
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
AA.12The Darwin (Typing) Mixtape: Remixing Structured Authoring with Generative Artificial Intelligence
Professional and Technical Writing
Individual 30-Minute Presentation1
AA.13True Crime Podcasts: Remediating Discourses on Justice
Language, Literacy, and Culture
Individual 30-Minute Presentation1
AA.14When the Band Breaks Up: Remixing Service-Learning into Opportunities for Critical AI Literacy
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
AB.1Cross-Cultural FYW as the B-side: Cultivating Diversity through Course Design Play
Antiracism and Social Justice
Individual 30-Minute Presentation1
AB.2Punk Rock Pedagogies: Facilitating Clash in the Classroom
Approaches to Teaching and Learning
Individual 30-Minute Presentation2
AB.3ChatGPT as Bootleg Recording: Key Rhetorical Differences between LLM-generated and Human-authored Texts
College Writing and Reading
Individual 30-Minute Presentation1
AB.4Faculty-Driven Writing Assessment Re-Visioning: From Single Piece to Portfolio
Writing Programs
Individual 30-Minute Presentation2
AB.5Never Being Bored: ADHD Cognitive Styles as a Model Forms of Intrinsic Motivation and Active Learning
Inclusion and Access
Individual 30-Minute Presentation1
AB.6Non-Tenure-Track Writing Center Directors at Small Liberal Arts Colleges: The Overlooked B-side of Writing Studies Administration
Institutions: Labor Issues, Professional Lives, and Survival
Individual 30-Minute Presentation1
AB.7Queerly Imagined: Women Claiming Public Space
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
AB.8Remixing Literacy through the Sonic Intervention of High-End Country
Language, Literacy, and Culture
Individual 30-Minute Presentation1
AB.9Remixing Modes, Languages, and Cultures: Translanguaging in Digital Storytelling
Language, Literacy, and Culture
Individual 30-Minute Presentation1
AB.10Reviving Classics, Inciting Rage: Classical Education and Rhetorics of Grievance
Histories of Rhetoric
Individual 30-Minute Presentation1
AB.11Unveiling Digital Deceptions: An Interdisciplinary Approach to Analyzing Conspiracy Theories in the Age of AI for Gen Z Advanced Writing Classes
College Writing and Reading
Individual 30-Minute Presentation1
AB.12We Bees Da Heart: Tracking Sponsorship across 826Valencia and Beyond
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation2
AB.13Writing about Writing, Embedded Writing Consultants, and Laboratory Teaching: Centerpieces to Developing a WID Program at SUNY Polytechnic
First-Year Writing
Individual 30-Minute Presentation1
AW.1“Play at Your Own Risk”: Workshopping Risk and Failure Pedagogies
Approaches to Teaching and Learning
Workshop4
AW.2Demystifying AI: How Large Language Models Call Us toward More Focused Attention to Language in Writing Classrooms
Language, Literacy, and Culture
Workshop7
AW.3Generative AI and More: Wrestling with Controversial Issues in and around Multilingual Writing
Approaches to Teaching and Learning
Standing Group-Sponsored Workshop27
AW.5Liberation through Writing: Remixing First-Year Composition through Unique Lenses
First-Year Writing
Workshop3
AW.6NNESWIs’ Remixing: Integrating Professional (A-Side) and Transnational, Cross-cultural Knowledge (B-Side) of Teaching and Research
Theory, Research Methodologies, and Praxis
Standing Group-Sponsored Workshop10
AW.7Persuasive Games: Rhetorically Remixing Games and Writing Assignments
Approaches to Teaching and Learning
Workshop2
AW.9Reclamation: A Handcrafted Rhetorics Approach to Remix
Community, Civic, and Public Contexts of Writing
Workshop4
AW.10Remixing Peer Review: Playful and Liberatory Pedagogies to Maximize Student Engagement
Approaches to Teaching and Learning
Workshop7
AW.11Remixing Prison Literacies and Pedagogies
Community, Civic, and Public Contexts of Writing
Standing Group-Sponsored Workshop8
B.1Incarceration, Music, and Writing: The Playlist of a Collaborative Writing Workshop with Former Lifers
Community, Civic, and Public Contexts of Writing
Concurrent Panel5
B.2A Critical Language Awareness Approach to AI Literacy
Information Literacy and Technology
Concurrent Panel5
B.3B-side Tracks: Making, Performing, Archiving, and Sustaining a Feminist Writing Group
Community, Civic, and Public Contexts of Writing
Concurrent Panel4
B.4B-side(s) Text(books): Remixing First-Year Writing with Textbook-Free Strategies
First-Year Writing
Concurrent Panel4
B.5Computer Meh: Posthuman Writing and the Politics of Ugly Feelings
Information Literacy and Technology
Concurrent Panel5
B.6Cutting-Edge Practices for Crafting Clear, Meaningful, and Supportive Responses to Student Writing
College Writing and Reading
Concurrent Panel7
B.7Hermanas Escritoras: Autohistoria Mixtapes of Undergraduate Chicana/Latinas in STEM
Language, Literacy, and Culture
Individual 30-Minute Presentation1
B.8Leaning into the B Side: Lessons from Online Writing Instructors and Students with Disabilities
Inclusion and Access
Concurrent Panel4
B.10Linguistic Justice on Shuffle (and Repeat): Remixing Writing Center Pedagogy and Curricula
Writing Centers (including Writing and Speaking Centers)
Concurrent Panel2
B.11Now That Generative AI Is Here, Is Translingualism Dead?
Language, Literacy, and Culture
Concurrent Panel7
B.12Promesas del Sur, Revealing B-side Tracks: Migrant Histories of Solitary Confinement, Gender Violence, Erasure, and Creativity
Antiracism and Social Justice
Concurrent Panel5
B.13Remixing and Revitalizing First-Year Writing: An Experiential and Multimodal Approach
First-Year Writing
Concurrent Panel4
B.14Remixing Student Self-Placement Research for Diverse Student and Institutional Identities
Writing Programs
Concurrent Panel7
B.15Remixing the War on Drugs
Histories of Rhetoric
Concurrent Panel4
B.16Risk, Play, Remix: The B-side Approach to Innovative Writing Pedagogy
Approaches to Teaching and Learning
Concurrent Panel4
B.17The A-sides and B-sides of Tutor Education: Seeking Harmony and Embracing Discord among Multiple Training Modalities
Writing Centers (including Writing and Speaking Centers)
Concurrent Panel6
B.18When Linguistic Diversity and Technology Intersect in Writing Programs: Implications for Assessment, Graduate-level Writing, and Multilingual Writing Placement
Inclusion and Access
Concurrent Panel4
B.19Writing Placement Listening Party: Rhythms and Harmonies in an L2 Placement Process
Language, Literacy, and Culture
Concurrent Panel6
B.20Feedback Fusion: Blending Business Practicality, Composition Peer-Response Instruction, and Question-Based Pedagogy to Improve Student Agency
Professional and Technical Writing
Engaged Learning Experience4
B.21Practice What You Teach: Remixing and Enacting Antiracist Pedagogies
Antiracism and Social Justice
Engaged Learning Experience3
B.22Rhetorics of Kinky Hair (MOVED to Thursday 4:00 Room 333)
Antiracism and Social Justice
Individual 30-Minute Presentation1
B.23This Programming Language Does Not Exist: Designing Coding Languages as Queer Creative Practice
Information Literacy and Technology
Engaged Learning Experience1
B.24“Meet Them Where They’re At” . . . and Then What? Remixing First-Year-Composition Courses with/for/in Concurrent and Dual-Credit Settings
First-Year Writing
Roundtable Session6
B.25Coalition as Remix: How the CFSHRC Blends Teaching, Scholarship, and Advocacy
Institutions: Labor Issues, Professional Lives, and Survival
Roundtable Session6
B.26Feminist B-side: The Cultural Awakening of Menopause Rhetorics
Language, Literacy, and Culture
Roundtable Session8
B.27Remixing Recruitment, Retention, and Career Readiness: National Initiatives to Support the Academic Workforce in English, Writing, and Languages
Institutions: Labor Issues, Professional Lives, and Survival
Roundtable Session7
B.28Remixing the English Essay: A Literary-Composition Collaboration
First-Year Writing
Roundtable Session5
B.29Toward a Rhetoric of the Religious Left in the United States
Antiracism and Social Justice
Roundtable Session5
B.30Jewish Modes of Meaning-Making in College Composition
Language, Literacy, and Culture
Standing Group-Sponsored Panel4
BA.1A WAC Remix: Integrating Community-Based Social Justice, Antiracism, and Public Digital Humanities into Writing-Intensive Courses
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
BA.2Access to the Profession and the Trans WPA
Inclusion and Access
Individual 30-Minute Presentation1
BA.3Digital Narratives: Amplifying the Voices of Early Onset Alzheimer’s Patients
Professional and Technical Writing
Individual 30-Minute Presentation1
BA.4Dysfluency, Imitation, and AI in the FYC Classroom
First-Year Writing
Individual 30-Minute Presentation1
BA.5Let’s Play the B-side: Healing the Sistahs in Academia
Language, Literacy, and Culture
Individual 30-Minute Presentation1
BA.6Live on the Ground: Contemporary Youth Resistance and Public Media
Antiracism and Social Justice
Individual 30-Minute Presentation1
BA.7No Time like the Present: The Influence of Temporal Experiences on Writing Processes and Identities
College Writing and Reading
Individual 30-Minute Presentation1
BA.8Remixing Multimodality with Webcomics
Creative Writing and Publishing
Individual 30-Minute Presentation1
BA.9Remixing Reflections: Illuminations from the “B-side” Track of Students’ Writing Process
First-Year Writing
Individual 30-Minute Presentation2
BA.10Remixing Technical Writing Pedagogy with Git Canceled
Professional and Technical Writing
Individual 30-Minute Presentation0
BA.11The “B” Side Is for “Belongs Here”: A Study of Inclusive (or Not-So-Inclusive) Practices in Recruiting and Hiring Writing Center Tutors
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation1
BA.12The B-side of Traditional Assessment Methods: Analyzing and Enhancing the FYW Experience through Analysis of Students’ FYW Exit Reflections
First-Year Writing
Individual 30-Minute Presentation2
BA.13The Use of Multimodality across Cultures in Remix: A Virtual Course Link between First-Year Writing and Technical Communication
First-Year Writing
Individual 30-Minute Presentation1
BA.14Visual Rhetorics in First-Year Writing: Collaborating on a Curricular Exhibition for First-Year Writing in the University Art Museum
First-Year Writing
Individual 30-Minute Presentation2
BB.1Child Language Brokers: B-sides of Translation
Language, Literacy, and Culture
Individual 30-Minute Presentation1
BB.2Complete Upheaval: A New Assignment Sequence for Teaching the Literacy Narrative Canceled
First-Year Writing
Individual 30-Minute Presentation0
BB.3Critical Genre Awareness in the AI Age
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
BB.4Equitable, Sustainable Feedback Loops in the Technical Writing Classroom
Professional and Technical Writing
Individual 30-Minute Presentation1
BB.5Interdisciplinarity in Public Health and Science Communication
Professional and Technical Writing
Individual 30-Minute Presentation1
BB.6Recuerdame/Mis Noches Sin Ti, Communicating Memory Canceled
Approaches to Teaching and Learning
Individual 30-Minute Presentation0
BB.7Remixing Scholarship Hits: Humanistic Digital Literacies for Today’s Classroom
Information Literacy and Technology
Individual 30-Minute Presentation1
BB.8Student Experiences with AI Assessment Prior to College
First-Year Writing
Individual 30-Minute Presentation1
BB.9Student Peer Review: A Collaborative Remix
First-Year Writing
Individual 30-Minute Presentation1
BB.10Teaching like Lives Depend on It: Using Service Learning to Teach about Human Atrocities Canceled
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation0
BB.11The “Monster Mash”: A B-side to FYW Research Projects
First-Year Writing
Individual 30-Minute Presentation1
BB.12The Hidden Curriculum’s B-side: Documenting Graduate Students’ Reading Practices
Inclusion and Access
Individual 30-Minute Presentation2
BB.13The Rise of AI: The Rise of Linguistic Justice, Too?
Language, Literacy, and Culture
Individual 30-Minute Presentation1
BB.14Tuning in to Touch: First-Year Writing and the Haptic Mode
First-Year Writing
Individual 30-Minute Presentation1
C.1Confronting Radiohead’s “Detuned Radio”: Mitigating Anxiety and Empowering Well-Being in the 2020s FYW Classroom
First-Year Writing
Concurrent Panel5
C.2Transforming Creative Writing Spaces into Sites of Radical Queer Belonging
Creative Writing and Publishing
Concurrent Panel2
C.3A Different Kind of Love: AI, Affect, and Authenticity
Language, Literacy, and Culture
Concurrent Panel5
C.4Auditing Generative AI as a Foil for Metacognition in the Composition Classroom
Information Literacy and Technology
Concurrent Panel4
C.5Collaboration (Intentional and Serendipitous) as Wayfinding and Remix
Theory, Research Methodologies, and Praxis
Concurrent Panel4
C.6Composition Is Not Writing Studies: Remixing Disciplinary Boundaries Yet Again
Theory, Research Methodologies, and Praxis
Concurrent Panel5
C.7Crafting Expertise: Student Engagement with GenAI in Engineering Curricula
Professional and Technical Writing
Concurrent Panel4
C.8Don’t Forget This Tune: Memory, Writing, and Pedagogy
Community, Civic, and Public Contexts of Writing
Concurrent Panel4
C.9Engaging Personal and Cultural Narratives through Sonic Autoethnographies in Health Science Writing
Approaches to Teaching and Learning
Concurrent Panel2
C.10In Search of Interstitiality: Finding Peace in Dissonance
Inclusion and Access
Concurrent Panel6
C.11Promoting the B-side of Learning (about) Writing: Self-Assessment, Narrative Argument, Creativity, and Counterstory
Approaches to Teaching and Learning
Concurrent Panel5
C.12Reimagining Writing Instruction in an Era of AI: How Can the Theory of Growth Mindset Motivate First-Year Writing Students?
First-Year Writing
Concurrent Panel4
C.13Remixing the Job Market: Necessary Changes for Equity
Institutions: Labor Issues, Professional Lives, and Survival
Concurrent Panel6
C.14Singing in Harmony: Exploring Diverse Pathways in Institutional Approaches to Preparing Writing Instructors and Tutors to Work with Students Online
Information Literacy and Technology
Concurrent Panel7
C.15Storying Writing Center Labor for Anti-Capitalist Futures
Writing Centers (including Writing and Speaking Centers)
Concurrent Panel3
C.16The Meaningful Writing Project: Extensions, Adaptations, and Remixes
Approaches to Teaching and Learning
Concurrent Panel7
C.17Spirituality as B-Side to Academic Writing
Approaches to Teaching and Learning
Concurrent Panel5
C.18Translanguaging as A-sides: Establishing the Anti-Hegemonic, Linguistically Plural, Decolonial Home
Language, Literacy, and Culture
Concurrent Panel2
C.19B-side Insights: Using AI-Powered Remixes to Critically Examine Text, Genre, and Language
College Writing and Reading
Engaged Learning Experience3
C.20Remixing Approaches to Professionalization: Threshold Concepts as Rubrics to Identify Leadership Development Opportunities in Writing Centers
Writing Centers (including Writing and Speaking Centers)
Engaged Learning Experience3
C.21The B-side of Teaching: Making an Environment of Hope
Approaches to Teaching and Learning
Engaged Learning Experience3
C.22Writing to Learn in the Age of AI: Making the Case for a Writing-Enriched Curriculum
Writing Programs
Engaged Learning Experience1
C.23Composition as Commons: Creativity, Collaboration, and the University We Need Now
First-Year Writing
Roundtable Session6
C.24Making It Mainstream: Honoring Students’ Language Diversity and Experiences by Cultivating Program-wide Language Equity Initiatives
Writing Programs
Roundtable Session9
C.25Remixing First-Year Writing with a Critical Disability and Arts-Based Focus: First-Hand Accounts and Examples from Students
First-Year Writing
Roundtable Session5
C.26Rocking the B-side: The Soundtrack of Low-Stakes Assignments
First-Year Writing
Roundtable Session5
C.27Writing Program Remixes at Hispanic-Serving Institutions (HSIs) and Emerging Hispanic-Serving Institutions (eHSIs)
Writing Programs
Roundtable Session3
C.28Remixing the Knowledge Playlist: Wikipedia-Based Education in an AI World
Information Literacy and Technology
Standing Group-Sponsored Panel6
C.29The B-sides of Assignment Sequences: Experimental, Nuanced, and Lesser Seen Coursework
First-Year Writing
Roundtable Session6
CA.1The Genealogy of Respectability Politics and Perceptions across Time and Space: From Colonization to Afrofuturism
Language, Literacy, and Culture
Individual 30-Minute Presentation2
CA.2The B-side of Research: Valuing Lived Experience through Community-Based Writing, Global Learning, and Design Thinking
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
CA.3“The Cycle Will Continue”: Challenging the University’s Will to Assimilation through the Cyborg
Inclusion and Access
Individual 30-Minute Presentation1
CA.4Digital Diversity: How Students Navigate Online Information in the Age of AI Canceled
Information Literacy and Technology
Individual 30-Minute Presentation0
CA.5Digital Duets: AI and Student Writers in Harmony
First-Year Writing
Individual 30-Minute Presentation1
CA.6Framing Interest-Driven Sites through a Public Lens and Remixing Public Writing Pedagogy through the Mundane and Everyday
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
CA.7Free Jazz and Interdisciplinary Collaborative Course Design: Reenvisioning the Tech Comm Service Course
Professional and Technical Writing
Individual 30-Minute Presentation1
CA.8How Can We Make WAC Neuroinclusive?
Information Literacy and Technology
Individual 30-Minute Presentation2
CA.9I Can’t Stand the Rain: Remixing Afrofuturism and Missy Elliott into Classroom Soundscapes toward Imaginative and Playful Cultural Literacy Praxis
Language, Literacy, and Culture
Individual 30-Minute Presentation1
CA.10Remix, Collaboration, & Creativity as DEI: Designing a Bilingual WAC Program at an HSI
Writing Programs
Individual 30-Minute Presentation1
CA.11Remixing Intertext: AI as Facilitator of Undergraduate Research
Information Literacy and Technology
Individual 30-Minute Presentation1
CA.12The B-side of Indigenous Rhetoric: An Analysis of the Rhetorical Approaches of Black Hawk and Lydia Maria Child
Histories of Rhetoric
Individual 30-Minute Presentation1
CB.1Finding the Right Beat: Understanding Student Motivation and Classroom Experiences through Kelly’s Story
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
CB.2Playing in Dissonance: Approaches to Valuing Collaboration, Diversity, and Difference in a Technical and Professional Writing Program
Writing Programs
Individual 30-Minute Presentation2
CB.3“What’s Going On” with “Born in the USA”? Using Protest Songs to Teach Rhetorical Analysis in FYC
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
CB.5An Opportunity for Antiracist Practices in the Peer Review Process
Antiracism and Social Justice
Individual 30-Minute Presentation1
CB.6Conjurings of the Literacy Self: Afro-Latiné Youths’ Offline Ordinary Writing Practices
Language, Literacy, and Culture
Individual 30-Minute Presentation2
CB.7From Models to Modals: Protest Music in the FYW Classroom to Engage Media Literacy in the Precarious Media Landscape
First-Year Writing
Individual 30-Minute Presentation1
CB.8Mentoring beyond the Classroom, Remixing Research: Structured Discussions into Diversity and Languaging with Students at an Urban R1
Inclusion and Access
Individual 30-Minute Presentation2
CB.9Reengaging Everyday Writing: Emphasizing Space/Place in the First-Year Writing Classroom
First-Year Writing
Individual 30-Minute Presentation1
CB.10Remixing FYW for Transfer Students through Rhetorical Listening
First-Year Writing
Individual 30-Minute Presentation2
CB.11Remixing the Narrative: Teaching the Researched Family Profile Essay as Meaningful Culturally Sustaining Pedagogy and Counterstory
Theory, Research Methodologies, and Praxis
Individual 30-Minute Presentation1
CB.12Soundreading/Soundwriting: Remix, Agency, and Multimodal Presentation
Language, Literacy, and Culture
Individual 30-Minute Presentation2
CB.13Under Pressure: Neuroscience Behind the Neurodivergent Procrastination-Burnout Cycle
Inclusion and Access
Individual 30-Minute Presentation1
CB.14WPA Gentleness as a Strategy for Two-Year College Writing Program Leadership
Writing Programs
Individual 30-Minute Presentation1
D.1Remixing the Genre Function: Antiracist Approaches to Remix and Genre in the Age of Generative AI
Approaches to Teaching and Learning
Concurrent Panel4
D.2Composition’s B-side: Advanced Writing as a Site of Pedagogical Improvisation
College Writing and Reading
Concurrent Panel5
D.3Empowering Student Choice: an Assessment of a Guided Placement Program for Freshman Writing
First-Year Writing
Concurrent Panel5
D.4Expanding Theory and Practice of Multilingual, Mobile Genres
Theory, Research Methodologies, and Praxis
Concurrent Panel6
D.5Health Narrative B-sides: Hidden Risks of Storying Health
Theory, Research Methodologies, and Praxis
Concurrent Panel5
D.6Hidden Tracks in Writing Classes: The Place of Students’ Cultures in Writing Pedagogy
Approaches to Teaching and Learning
Concurrent Panel3
D.7Is the First Cut the Deepest? Scratching beyond the Surface of Methodological Assumptions
Theory, Research Methodologies, and Praxis
Concurrent Panel6
D.8Linguistic Diversity in STEM Writing: Inclusive Pedagogies for Scientific and Technical Writing Genres
Approaches to Teaching and Learning
Concurrent Panel5
D.9Methodological Deep Cuts
Theory, Research Methodologies, and Praxis
Concurrent Panel5
D.10Mixing it Up: How Multiracial Scholars across the Curriculum Understand Disciplinarity and Identity
Approaches to Teaching and Learning
Concurrent Panel5
D.11More than Personal: Three Studies of Affect, Collaboration, and Embodiment in the Practice and Rhetorical Analysis of Life-Writing
Language, Literacy, and Culture
Concurrent Panel4
D.12Placing Public Problems: Approaches to Rhetoric, Materiality, and Community Engagement
Community, Civic, and Public Contexts of Writing
Concurrent Panel6
D.13Reclaiming Side B: Creating Remixes and Collaborative Connections between High School and College Writing Teacher
College Writing and Reading
Concurrent Panel4
D.14Remixing Approaches to Studying and Facilitating Writing Self-Efficacy in New University Students Canceled
College Writing and Reading
Concurrent Panel0
D.15Remixing Trauma-Informed Pedagogies: Grief, Incarceration, and Disclosures of Sexual Violence in the Writing Classroom
Approaches to Teaching and Learning
Concurrent Panel5
D.16Signal, Pitch, and Reverb: Remixing Professional Communication for Engineers at Johns Hopkins University
Professional and Technical Writing
Concurrent Panel5
D.17Less Is More: Teaching and Writing Tiny Texts
Creative Writing and Publishing
Engaged Learning Experience2
D.18Remix Epistemology: Creating Spaces for Translingual Praxis in the First-Year Composition Classroom
Language, Literacy, and Culture
Engaged Learning Experience3
D.19Remixing SAE Stock Stories: Understanding Multilingualism through Counterstory Composition
Language, Literacy, and Culture
Engaged Learning Experience5
D.20Remixing the Résumé Workshop: Sampling the Corporate and the Artificially Intelligent in a Brooklyn Writing Center
Approaches to Teaching and Learning
Engaged Learning Experience5
D.21The Archive in Your Closet: Remixing Archival Research with Personal Collections, Found Objects, and Everyday “Stuff”
Theory, Research Methodologies, and Praxis
Engaged Learning Experience1
D.22Remixing Research Projects: Sampling and Synthesizing FYC, AP Lit, the Library, and the Writing Center into a Master Mixtape
First-Year Writing
Roundtable Session4
D.23Stayin’ Alive: Collaborative Writing as a Lifeline
Institutions: Labor Issues, Professional Lives, and Survival
Roundtable Session5
D.24“Solidarity Forever!”: Academic Labor, University Austerity, and the Student Movement for a Free Palestine
Institutions: Labor Issues, Professional Lives, and Survival
Standing Group-Sponsored Panel5
D.25The B-side of Graduate Education
Writing Programs
Roundtable Session9
D.26Creative Composition: A Remix
Creative Writing and Publishing
Standing Group-Sponsored Panel8
D.27Taking Up WAC Challenges in the Current Moment: AI, Antiracism, and Sustainability
Writing Programs
Standing Group-Sponsored Panel6
D.28The “B-sides” of Religious Rhetorics
Community, Civic, and Public Contexts of Writing
Standing Group-Sponsored Panel7
DA.1Glitching the Machine: Queer Experimentation as Pedagogical Praxis with Generative AI
Information Literacy and Technology
Individual 30-Minute Presentation1
DA.2All Tangled Up: The Impact of Emotions, Race, and Language on Writing Center Tutorials
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation1
DA.3B-side Blues: Teacher-Scholars Under Attack by the Far Right
Antiracism and Social Justice
Individual 30-Minute Presentation1
DA.4Chronic Narratives: Exploring Methodological Complexities in Illness Memoirs
Creative Writing and Publishing
Individual 30-Minute Presentation1
DA.5Fat Phobia, Weight Stigma, and the Persistence of Diet Culture in First-Year Writing
First-Year Writing
Individual 30-Minute Presentation1
DA.6From Ways of Being/Knowing/Doing to Ways of Writing: Neuroqueering Academic Writing in the First-Year Writing Classroom
Creative Writing and Publishing
Individual 30-Minute Presentation1
DA.7Interrogating Justice: Pauli Murray and Embodied Inquiry
Histories of Rhetoric
Individual 30-Minute Presentation1
DA.8Presenting Oneself: Rhetoric, the Disabled Body, and Healthcare Students
Inclusion and Access
Individual 30-Minute Presentation1
DA.9Remixing Digital Writing: Transforming Digital Writing with AI and Human-Machine Collaboration
Professional and Technical Writing
Individual 30-Minute Presentation1
DA.10Remixing Narratives in Community Writing
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
DA.11Remixing Peer Review: A Posthuman Praxis for Peer Review
Theory, Research Methodologies, and Praxis
Individual 30-Minute Presentation1
DA.12Remixing Peer Review: Using Generative AI (GAI) as a Tool for Negotiation in the Introductory Composition Classroom
First-Year Writing
Individual 30-Minute Presentation2
DA.13The Multivocal Self: Remixing Multilingual Stories through Autoethnography
Language, Literacy, and Culture
Individual 30-Minute Presentation1
DA.14Transmodal Bodies: Toward a Queer and Trans Framework for Multimodal Composition in First-Year Writing
First-Year Writing
Individual 30-Minute Presentation1
DB.1Remixing the B Side: Leveraging Sampling and Culturally Responsive Pedagogies from HBCUs in the 60s to Enhance Corequisite Program Success
First-Year Writing
Individual 30-Minute Presentation2
DB.2AI behind the Walls: A Curriculum for Introducing Incarcerated Students to Critical AI Literacy
Inclusion and Access
Individual 30-Minute Presentation2
DB.4Listening to the Flip Side: Why Students Don’t Use the Writing Center
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation1
DB.5Re-Tuning Language Models or: How I Learned to Stop Worrying and Love the Algorithm
Information Literacy and Technology
Individual 30-Minute Presentation1
DB.6Remixing Old-School: Writing Collaboratively to Reanimate the College Essay
First-Year Writing
Individual 30-Minute Presentation1
DB.8Supporting Digital Literacy Development with Social Media in First-Year Composition
Information Literacy and Technology
Individual 30-Minute Presentation1
DB.9The B-side of Translingualism as a Decolonial Initiative: Translignualism in Predominantly Monolingual Writing Classes
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
DB.10This Is a Team Challenge: Building a Bridge Program to Empower Incoming Community College Nursing Students
Inclusion and Access
Individual 30-Minute Presentation2
DB.11What the Jason M. Allen Midjourney Court Case Means for FYC: What Is Original and Authentic Work?
First-Year Writing
Individual 30-Minute Presentation1
DB.12Writing Centers as Sites for Public Writing and Undergraduate Publishing: The Liner Notes
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation2
DB.13Writing, Meaning, and Music: the Voices of Multilingual Students in Community College
First-Year Writing
Individual 30-Minute Presentation1
DB.14Toward the Furtherance of Rhetorical Listening and Civic Engagement through Music and Fandom Canceled
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation0
DB.15Peer Review Remix: Remastering Demonstrations from the Writing Center
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation2
E.1Collaboration and Creativity: Extended Play in Playful and Arts-Based Pedagogies
Approaches to Teaching and Learning
Concurrent Panel4
E.2Disconnects and Tensions: Exploring Student and Faculty Talk about Writing vs. Textual Practices
Approaches to Teaching and Learning
Concurrent Panel4
E.3From Audio Engineering to Playlists: Diversifying Literacies, Reprogramming Writing
First-Year Writing
Concurrent Panel4
E.4Fun Scary: Community-Engaged Learning as First-Year Writing Remix
Community, Civic, and Public Contexts of Writing
Concurrent Panel5
E.5Get Up Offa That Thing! Black Music, Language, Liberation and the Writing Classroom, Writing Centre, and Writing Program Administration
Antiracism and Social Justice
Concurrent Panel7
E.6Griots in the House: Representatives Pearson and Jones of the Tennessee Three at the Table
Antiracism and Social Justice
Concurrent Panel2
E.7Multimodality and Use of AI in Digital Definitions of Scientific Terms: Recent Trends and Challenges Canceled
Professional and Technical Writing
Concurrent Panel0
E.8Potentialities and Challenges When Constructing AI as a Coauthor for FYC Students
First-Year Writing
Concurrent Panel5
E.9Progressive-Era Florida Clubwomen and the Royal Palm State Park: Collaborative and Creative Rhetorical Practices to Save the Everglades Canceled
Histories of Rhetoric
Concurrent Panel0
E.10Remixing Composition to Amplify Students’ Voices amid Antiracist Program Transformation
First-Year Writing
Concurrent Panel5
E.11Remixing Our Photos and Videos: Social Media in Higher Education, AI, and the Challenges of Digital Asset Management
Writing Programs
Concurrent Panel1
E.12Remixing the “Why” of Feminist Rhetorical History
Histories of Rhetoric
Concurrent Panel5
E.14The B-side Collaboration: Remixing STEM and Education Tools in the Writing Classroom to Study Student Genre Awareness
Theory, Research Methodologies, and Praxis
Concurrent Panel4
E.15The Sounds of Change: The Rhetorical Power of Music in the Social Sphere
Community, Civic, and Public Contexts of Writing
Concurrent Panel5
E.16Twentieth-Century Countercultural Music Movements and Recontextualization in the Writing Classroom
Language, Literacy, and Culture
Concurrent Panel4
E.17Duel, Dual, or Duet?: Harmonizing Instructor Choices and Student Approaches to Synchronous and Asynchronous Learning in Hybrid Writing Courses
Information Literacy and Technology
Engaged Learning Experience4
E.18Global Writing Partners: Uniting, Collaborating, and Composing through Technology! Canceled
Approaches to Teaching and Learning
Engaged Learning Experience0
E.19Let’s [not] Just ChatGPT Our Way Through: Harnessing Accidents, Genre Play, and Peer Feedback for Student Growth in FYW Classrooms
First-Year Writing
Engaged Learning Experience3
E.20Remixing Writing Pedagogies with Writing Code and Data through Exploratory Data Analysis
Information Literacy and Technology
Engaged Learning Experience1
E.21The Present and Future State of Editing and Publishing in Writing Studies
Creative Writing and Publishing
Roundtable Session12
E.22Welcome to Our Anxiety Playlist: Writing Obsession, Rumination, and Intrusive Thoughts into the Curriculum
Inclusion and Access
Roundtable Session8
E.23“Sound and Body”: At the Intersections of Music and Writing in Black Expressive Culture Canceled
Histories of Rhetoric
Standing Group-Sponsored Panel0
E.24Everything Is Connected: Indigenous Material, Digital, and Cultural Rhetorics in Classrooms, AI, and Online
Language, Literacy, and Culture
Standing Group-Sponsored Panel2
E.25Global Rhetorics, Linguistic Justice, and Cultural “Co-optation” In Writing Studies
Language, Literacy, and Culture
Standing Group-Sponsored Panel7
E.26Identity, Connections, and Intersections: Pedagogical Remixes to Better Serve Military-Affiliated Students
Approaches to Teaching and Learning
Standing Group-Sponsored Panel4
E.27Remixing Legal Writing & Rhetoric Classrooms
Professional and Technical Writing
Standing Group-Sponsored Panel8
E.28Transnationalism and Translingualism in Writing Research and Education: The Legacies of Bruce Horner
Language, Literacy, and Culture
Standing Group-Sponsored Panel5
E.29Rhetorics at the End of the Word: A Case for Non-Scalability in Rhetorical Studies
Professional and Technical Writing
Individual 30-Minute Presentation2
E.30Extending Literacy Narratives: B-Sides in Kinship, the Unconscious, and Alternative Temporalities
Language, Literacy, and Culture
Concurrent Panel5
EA.1GitHub Remixed for "996ICU Movement": How Chinese Programmers "Play" against Tech Industry Overwork Culture with Interest-Driven Networks
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
EA.2Playing It by Ear: Community Listening and Visual Composition in Water Conservation Messaging
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
EA.3Deciphering the Role of Artificial Intelligence in Archival Research: A Student-Focused Inquiry into Challenges and Possibilities of Using ChatGPT
Information Literacy and Technology
Individual 30-Minute Presentation1
EA.4A Punk Rock Attitude: Media Archaeology, “B-side Technologies,” and Composition Canceled
Theory, Research Methodologies, and Praxis
Individual 30-Minute Presentation0
EA.6Creative Conversations in the Recording Studio: What Music Production May Teach Us about Composing with Sound
Information Literacy and Technology
Individual 30-Minute Presentation1
EA.7From Destiny’s Child to Beyoncé: Using Group Work to Establish Skills for Strong Solo Writing
First-Year Writing
Individual 30-Minute Presentation2
EA.8Leveraging AI Technology to Support Learning in Writing: A Constructivist Approach with a DIY Ethic
Information Literacy and Technology
Individual 30-Minute Presentation1
EA.9Managing Projects, Managing Emotions: Understanding Student Dispositions toward Collaboration in Technical Communication Canceled
Professional and Technical Writing
Individual 30-Minute Presentation0
EA.10Mapping Genre Systems in a Union Bargaining Team
Institutions: Labor Issues, Professional Lives, and Survival
Individual 30-Minute Presentation1
EA.11Multilingual Repertoire and Rhetorical Choices: Transcending Multimodality as a Trans-Literacy Approach in Composition Classrooms
First-Year Writing
Individual 30-Minute Presentation1
EA.12Remixing Expertise: Using Familiar Genre Distinctions to Teach Essay Structure
First-Year Writing
Individual 30-Minute Presentation1
EA.13Undergraduate Writing Consultants Remixing Activity Systems: Exploring the B-side of WAC/WID Work through an Engineering First-Year Design Class
Writing Programs
Individual 30-Minute Presentation2
EB.1A vs. B vs. Alphabet Soup: Mashups, Patchwriting, and Renewing the Genre of the Scholarly Essay
Information Literacy and Technology
Individual 30-Minute Presentation1
EB.2Cite Lines: Faculty Perceptions of Citation Instruction in Disciplinary Courses
Writing Programs
Individual 30-Minute Presentation1
EB.3Composition Instructors’ Perspective and Experiences with Generative AI in the College Composition Classroom
First-Year Writing
Individual 30-Minute Presentation2
EB.4Developing Audience Awareness in Translingual Writing: A Study of Chinese International Students’ Perceptions and Practices in First-Year Writing Canceled
First-Year Writing
Individual 30-Minute Presentation0
EB.5Helping Students Develop as Readers: Assumptions, Options, and Pesky Questions
College Writing and Reading
Individual 30-Minute Presentation1
EB.6Mixing and Memeing: Encouraging Remix and Stylistic Creativity with Internet Memes
First-Year Writing
Individual 30-Minute Presentation1
EB.7Playing Rhetcomp Youtube’s Greatest Hits: Reflections on the Field through a Video Lens
Information Literacy and Technology
Individual 30-Minute Presentation1
EB.8Preset Playlists: Rehearsing the Performance of Military Deference through Classroom Letter Writing
Language, Literacy, and Culture
Individual 30-Minute Presentation1
EB.9Remixing Reflection: Using Extended and Directed Reflection as Professional Development for Graduate TAs to Reveal Dynamism and Complexity
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
EB.10Remixing Understandings of Reading: Harmonizing Literacy Studies Approaches to Developmental and Corequisite Courses
College Writing and Reading
Individual 30-Minute Presentation4
EB.11Remixing with a Purpose: Cultural Preservation and Invitation to Active Multimodal Listening
Language, Literacy, and Culture
Individual 30-Minute Presentation1
EB.12Resisting the Surveillance Classroom: A Framework for Remixing AI and Writing
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
EB.13Teaching through Technologies: Reflections of Digital Technofeminist Pedagogies Canceled
Approaches to Teaching and Learning
Individual 30-Minute Presentation0
EB.14The Side B of Scientific & Technical Writing: Teaching Future Clinicians the Importance of Remixing Discourse for Accessibility
Professional and Technical Writing
Individual 30-Minute Presentation1
F.1“Performances of Pleasure”: A Collective Ode to Higher Ed’s B-side
Writing Abundance
Concurrent Panel6
F.2"Heart Work": How Community-Accountable, Black Feminist Love Ethics Guide the Community Literacies Collaboratory
Community, Civic, and Public Contexts of Writing
Roundtable Session4
F.3Already Mixed: Conceptualizing Advancements in Creative Writing Across the Curriculum
Creative Writing and Publishing
Concurrent Panel4
F.4Can Students Enjoy Their Writing Classes?: Ludic Learning as Antidote to Apathy
College Writing and Reading
Concurrent Panel5
F.5Creative Play with AI: Building Space for Artificial Intelligence Initiatives across a Writing Program
Writing Programs
Concurrent Panel6
F.6Cross-Campus Co-Mentoring: A Remix of DEIA Innovations at the University of California
Institutions: Labor Issues, Professional Lives, and Survival
Concurrent Panel5
F.7Exploring Genre Approaches to Science Communication Pedagogy
Professional and Technical Writing
Concurrent Panel4
F.8Getting from “B” to “Z”: The Possibility of B-side Literacies in the Classroom and Beyond
Language, Literacy, and Culture
Concurrent Panel4
F.9How Writing Studies Can Address the Challenges of Faculty Writing Support
Writing Programs
Concurrent Panel4
F.10Playing Literacy’s "B-side": Multiliteracies and Multimodalities in First-Year Writing
Language, Literacy, and Culture
Concurrent Panel4
F.11Remixing a Culinary Icon: Tracking the Rhetorical Futurity of Julia Child
Histories of Rhetoric
Concurrent Panel2
F.12Remixing Exposition: Storymaking through Space and Time
Community, Civic, and Public Contexts of Writing
Concurrent Panel2
F.14Remixing Professional Development to Enhance Post-COVID Online Writing Instruction (OWI)
Approaches to Teaching and Learning
Concurrent Panel5
F.15Remixing Reversion: Using Lyrics, Music, and Songwriting to Disrupt Language Homogeneity in the Diverse Writing Classroom
College Writing and Reading
Concurrent Panel6
F.16Repurposing Women, Race and Class by Angela Y. Davis as Inspiration for Rhetorical B-sides
Theory, Research Methodologies, and Praxis
Concurrent Panel4
F.17Soundwriting and Publics
Community, Civic, and Public Contexts of Writing
Concurrent Panel5
F.18Soundwriting First-Year Compositions
First-Year Writing
Concurrent Panel4
F.19The B-sides of Christian Rhetorics:(Trans)National Discourses of Spirituality and the Politics of Place
Community, Civic, and Public Contexts of Writing
Concurrent Panel5
F.20Writing Courses, Syllabi, Assignments and the Genre of the GenAI Prompt
Approaches to Teaching and Learning
Concurrent Panel5
F.21Writing in Concert: Remastering Narrative, Analysis, and Research Assignments in College Composition
First-Year Writing
Concurrent Panel5
F.22From Niche Article to Public Pitch: Remixing Scholarly Research to Reach Popular Audiences
Community, Civic, and Public Contexts of Writing
Engaged Learning Experience5
F.23What the _____ Is That? Institutional Remixing for Resilience and Resistance
Institutions: Labor Issues, Professional Lives, and Survival
Engaged Learning Experience8
F.25Abundant Knowledge about Writing: Amplifying Student and Faculty Voices through Coauthorship
Writing Abundance
Roundtable Session10
F.26Boss(y) Genres and the Embodied Rhythms of Rhetoric and Composition
Theory, Research Methodologies, and Praxis
Roundtable Session6
F.27First-Year Writing and Technical Communication Courses: A Shared Departmental Response to Generative AI
Information Literacy and Technology
Roundtable Session6
F.28Intertextuality as Collaborative Remix: Theory, Research, Praxis
Theory, Research Methodologies, and Praxis
Roundtable Session8
F.29Exploring the Role of Generative AI in Approaches to Writing about Writing
Approaches to Teaching and Learning
Standing Group-Sponsored Panel8
F.30Mentoring for Publication: How We Can Help Our Undergrads through Research
Theory, Research Methodologies, and Praxis
Standing Group-Sponsored Panel11
FA.1(Don’t) Trust the Process: Unspooling Software-Based Arguments across the Curriculum through Critical Applications of Procedural Rhetoric
Writing Programs
Individual 30-Minute Presentation1
FA.2An Investigation of Learning Transfer in Multilingual Writers’ Digital Multimodal Composing (DMC) Tasks and Academic Writing
College Writing and Reading
Individual 30-Minute Presentation1
FA.3Coffee-Shop Graffiti: A Strategy for Transformation and Community Engagement
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
FA.4Crying Is a Free Action: Playing through Tutor Training
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation1
FA.5Exploring the B Side of AI Public Rhetoric Research Assignments in First-Year Writing
Information Literacy and Technology
Individual 30-Minute Presentation2
FA.6Human Remains, Humanizing Language, and Bioarchaeological Reports
Professional and Technical Writing
Individual 30-Minute Presentation1
FA.7Incorporation of AI into Policy and Practice
College Writing and Reading
Individual 30-Minute Presentation1
FA.8Challenges and Opportunities of Developing a Writing Course: A Collaborative Auto-ethnographic Study
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
FA.9Playing on Loop: Justice, Equity, and the Possibilities of Online (Inter)Professional Development through the Baltimore Writing Center Project
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation2
FA.10Question Formulation Technique: A Cohesion of Music, Advocacy, and Protest
Approaches to Teaching and Learning
Individual 30-Minute Presentation2
FA.11Remixing History: Multimodality and Student Curatorial Work Canceled
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation0
FA.12Remixing Pedagogies of Research Writing in Corequisite Composition
First-Year Writing
Individual 30-Minute Presentation1
FA.13Remixing the Discipline: Data Visualization, Rhetoric, and Reciprocal Learning in an English Course
Information Literacy and Technology
Individual 30-Minute Presentation2
FB.1Being Human: Remixing Post-GAI Authorship
Theory, Research Methodologies, and Praxis
Individual 30-Minute Presentation2
FB.2Bring in da Folk: The High Stakes of Professional Writing, AI, and English Language Learners in a Community Writing Center
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation1
FB.3College EFL Writers’ Engagement with Social Advocacy through Digital Multimodal Composing Practices
Information Literacy and Technology
Individual 30-Minute Presentation1
FB.4Does Generative Artificial Intelligence Love Our Writing? A Study of Gen AI as Coach, Grader, and Peer Reviewer
Information Literacy and Technology
Individual 30-Minute Presentation1
FB.5Filling the Gap with Digital Platforms: Self-Published and Indie Children’s Literature about Breast Cancer
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation2
FB.6First-Year Students’ Experiences with Writing and AI: A Gender-based Analysis
Theory, Research Methodologies, and Praxis
Individual 30-Minute Presentation1
FB.7La Sad Girl; Lejos de mi Tierra (The Sad Girl; Far From my Land): Connecting Mexican and Mexican Indigenous Music to FYW
Language, Literacy, and Culture
Individual 30-Minute Presentation2
FB.8Remixing Instructor Evaluation: Formative Learning Ecology Assessment
Writing Programs
Individual 30-Minute Presentation1
FB.9Remixing the Lab: Reflections on Research Groups and Applications for Writing Studies Mentorship
Institutions: Labor Issues, Professional Lives, and Survival
Individual 30-Minute Presentation1
FB.10Resilience in the Writing Center
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation1
FB.11Teaching Students to Write Effective AI Prompts in Higher Education
College Writing and Reading
Individual 30-Minute Presentation1
FB.12The B-Side of DEI and Access to Graduate Education at a Texas Institution
Inclusion and Access
Individual 30-Minute Presentation1
FB.13The B-side of Teaching: Teaching in Collaboration with CART Captioning
Inclusion and Access
Individual 30-Minute Presentation1
FB.14Visualizing the (Net)Work of RCWS Journals: Quantitative Research as a B-side to Discipliniography Canceled
Institutions: Labor Issues, Professional Lives, and Survival
Individual 30-Minute Presentation0
FSIG.1Appalachian Rhetorics and Literacies Standing Group Business Meeting
Language, Literacy, and Culture
Special Interest Group/Business Meeting1
FSIG.2Asian/Asian American Caucus Annual Business Meeting
Inclusion and Access
Special Interest Group/Business Meeting3
FSIG.3Business Meeting of the Standing Group for Senior, Late Career, and Retired Scholars in Rhetoric and Writing Studies (SGSLR)
Institutions: Labor Issues, Professional Lives, and Survival
Special Interest Group/Business Meeting3
FSIG.4CCCC Latinx Caucus Annual Meeting
Community, Civic, and Public Contexts of Writing
Special Interest Group/Business Meeting3
FSIG.5Creative Nonfiction Standing Group Business Meeting
Creative Writing and Publishing
Special Interest Group/Business Meeting3
FSIG.6Creative Writing Standing Group
Creative Writing and Publishing
Special Interest Group/Business Meeting2
FSIG.7Feminist Caucus Open Meeting
Institutions: Labor Issues, Professional Lives, and Survival
Special Interest Group/Business Meeting3
FSIG.8Graduate Student Standing Group Business Meeting
Institutions: Labor Issues, Professional Lives, and Survival
Special Interest Group/Business Meeting4
FSIG.9Handcrafted Rhetorics SIG Meeting
Community, Civic, and Public Contexts of Writing
Special Interest Group/Business Meeting3
FSIG.10Independent Scholars SIG
Institutions: Labor Issues, Professional Lives, and Survival
Special Interest Group/Business Meeting3
FSIG.11International Researchers Consortium SG Business Meeting
Theory, Research Methodologies, and Praxis
Special Interest Group/Business Meeting10
FSIG.12LLW Standing Group Business Meeting
Language, Literacy, and Culture
Special Interest Group/Business Meeting4
FSIG.13Prison Writing and Pedagogy Collective SIG Meeting
Community, Civic, and Public Contexts of Writing
Special Interest Group/Business Meeting3
FSIG.14Queer Caucus Meeting
Antiracism and Social Justice
Special Interest Group/Business Meeting3
FSIG.15Revealing the Power of the B-side: Rhetorical Grammar as a Meaning-Making Tool in the Writing Classroom
Language, Literacy, and Culture
Special Interest Group/Business Meeting2
FSIG.16Rhetoric and Religious Traditions Standing Group Business Meeting
Community, Civic, and Public Contexts of Writing
Special Interest Group/Business Meeting6
FSIG.17SIG for Writing Analytics
Theory, Research Methodologies, and Praxis
Special Interest Group/Business Meeting2
FSIG.18SIG: International Student Pathway Programs
Language, Literacy, and Culture
Special Interest Group/Business Meeting3
FSIG.19Sound Studies and Writing Collective (SSWC) Business Meeting
Information Literacy and Technology
Special Interest Group/Business Meeting3
FSIG.20Special Interest Group on the Writing and Rhetorics of Code: Sharing Our “Computer Love” Canceled
Information Literacy and Technology
Special Interest Group/Business Meeting0
FSIG.21Standing Group Business Meeting: Independent Writing Departments and Programs Affiliate (IWDPA)
Writing Programs
Special Interest Group/Business Meeting1
FSIG.22Studio PLUS SIG
Approaches to Teaching and Learning
Special Interest Group/Business Meeting2
FSIG.23The Assembly for Expanded Perspectives on Learning (AEPL) Business Meeting
Approaches to Teaching and Learning
Special Interest Group/Business Meeting2
FSIG.24Transnational Composition Group Business Meeting
Language, Literacy, and Culture
Special Interest Group/Business Meeting2
FSIG.25Working-Class Culture and Pedagogy Standing Group Business Meeting
College Writing and Reading
Special Interest Group/Business Meeting2
FSIG.26Writing about Writing Standing Group Business Meeting
First-Year Writing
Special Interest Group/Business Meeting2
FSIG.27Writing and STEM SIG Business Meeting
Professional and Technical Writing
Special Interest Group/Business Meeting6
FSIG.28Writing Assessment SIG: Annual Meeting
College Writing and Reading
Special Interest Group/Business Meeting2
FSIG.29Writing through the Lifespan Standing Group Business Meeting
Language, Literacy, and Culture
Special Interest Group/Business Meeting6
FSIG.30Writing with Current, Former, and Future Members of the Military Standing Group Business Meeting
Inclusion and Access
Special Interest Group/Business Meeting1
FSIG.31Postdoctoral Teaching FellowsSpecial Interest Group/Business Meeting2
G.1From "Brown Skin Girl" to Cowboy Carter: Integrating Beyoncé’s Discography into the FYW Classroom Canceled
First-Year Writing
Concurrent Panel0
G.2From Stories to Systems: Rhetorical Emergence through Small Actions, Lived Experiences, and Cultural Practices
Theory, Research Methodologies, and Praxis
Concurrent Panel5
G.3“Deep in the Heart:” Confronting Texas in Student Writing
Antiracism and Social Justice
Concurrent Panel5
G.4AI as B-side: Four Creative Takes on AI in First-Year Writing
First-Year Writing
Concurrent Panel5
G.5Archive Building as a Collaborative, Creative, and Community Process: Constructing the bell hooks Digital Archive, with Love
Approaches to Teaching and Learning
Concurrent Panel4
G.6B-side Remix: Downloading Student Interests, Streaming Student Voices
First-Year Writing
Concurrent Panel5
G.7Bridging the Gap: Remixing First-Year Writing through Technology Literacy Assessment
First-Year Writing
Concurrent Panel5
G.8Cyborg Writing as Dangerous Knowledging
Theory, Research Methodologies, and Praxis
Concurrent Panel1
G.9Decolonizing Epistemology through Nyaya Epistemology
Theory, Research Methodologies, and Praxis
Concurrent Panel2
G.10Lip-Syncing Academic Realities: Literacy Studies, Imposter Syndrome, and the Authentic but Academic Text
Language, Literacy, and Culture
Concurrent Panel5
G.11Post-Pandemic Co-Req + FYW Remix: Potentials, Barriers, and Revisions to Support Students in First-Year Writing
Inclusion and Access
Concurrent Panel5
G.12Rage against the Machine: Disassembling a Scientific Management Approach to First-Year Writing
First-Year Writing
Concurrent Panel3
G.13Remixing Data and Values for Institutional Arguments/Advocacy
Institutions: Labor Issues, Professional Lives, and Survival
Concurrent Panel2
G.14Remixing Writing Classrooms with Public Narratives, Roleplaying Games, and Video Essays
College Writing and Reading
Concurrent Panel4
G.15Sites of Faculty-Undergraduate Coauthorship: Students as Partners (SaP) Initiatives, First-Year Writing, and the Archives Canceled
Inclusion and Access
Concurrent Panel0
G.16Stick Figures, Side Convos, and Collaboration: Cultivating Community and Student Relationships in FYW
First-Year Writing
Concurrent Panel4
G.17The B-side of Equity: Opening Up New Conversations and Developing Interventions to Support Marginalized Populations
Inclusion and Access
Concurrent Panel4
G.18The Post-WPA Playlist: Songs and Stories to Help You Navigate What Is Next
Institutions: Labor Issues, Professional Lives, and Survival
Concurrent Panel4
G.19Tuning in “Left of the Dial”: From Underground Radio to Writing Studies
Community, Civic, and Public Contexts of Writing
Concurrent Panel7
G.20Writing Responsibility: Revisioning a Writing Program’s Work in a Contested Urban Context
Writing Programs
Concurrent Panel5
G.21Language Love + Computer Love: Critical Language Awareness Meets Critical AI Literacy
Information Literacy and Technology
Engaged Learning Experience3
G.22Modeling the Integration of Generative Artificial Intelligence Tools into the First-Year-Composition Class
Information Literacy and Technology
Engaged Learning Experience4
G.23Tunes and Tales: Crafting Literacy Narratives in Concept Albums
Language, Literacy, and Culture
Engaged Learning Experience1
G.24Absence’s B-side: Surveying Students’ Attendance Patterns, Identifying Paths toward Greater Student Engagement
Writing Programs
Roundtable Session5
G.25Coarticulating Pedagogies: Multiauthorship and Multimodality in the STEM Composition Classroom
Approaches to Teaching and Learning
Roundtable Session6
G.26Community Listening: A Mixtape of Language, Literacy, and Culture
Community, Civic, and Public Contexts of Writing
Roundtable Session9
G.27Reflections on the Reverb: Echoing a Rhetoric of Collaboration and Negotiation in the College Writing Classroom
College Writing and Reading
Roundtable Session6
G.28The B-side to Writing Center Lore: How Critical Language Awareness Mixes with WC Identity to Create a Language Justice Beat We Can All Dance To
Writing Centers (including Writing and Speaking Centers)
Roundtable Session7
G.29On the Distinct Material Conditions and Needs of International Graduate Students Enrolled in US Institutions
Institutions: Labor Issues, Professional Lives, and Survival
Standing Group-Sponsored Panel13
G.31CWPA Cultural Assessment Report: Sharing Themes, Seeking Feedback
Writing Programs
Roundtable Session7
GA.1“I Can Fix Them (No, Really I Can)”: Teaching Students Synthesis and Source Use through Music Metaphors
Approaches to Teaching and Learning
Individual 30-Minute Presentation3
GA.2A Melodious Approach to Anger: Seneca and Ancient Life Lessons for the Contemporary Composition Course
Histories of Rhetoric
Individual 30-Minute Presentation1
GA.3Bringing New Voices to the Mix: What Adult Students Can Offer and How Theory Should Come from Community Colleges
College Writing and Reading
Individual 30-Minute Presentation2
GA.4Development and Validation of a Questionnaire on Meta-Awareness about Composition
Theory, Research Methodologies, and Praxis
Individual 30-Minute Presentation1
GA.5Instructor Roles, Student Perceptions, and Remixing Pedagogical Approaches in Online Peer Reviews
Information Literacy and Technology
Individual 30-Minute Presentation2
GA.6Listening in the Age of AI
College Writing and Reading
Individual 30-Minute Presentation1
GA.7On the B-side Is Belonging
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation3
GA.8Remixing Approaches to Learning Support: One Writing Center’s Assessment Story
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation1
GA.9Remixing Assessment Methods: Partnering with Undergraduate Researchers to Understand Student Agency in Self-Placement
Theory, Research Methodologies, and Praxis
Individual 30-Minute Presentation1
GA.10Rhetotropism: Writing Outer and Inner Landscapes toward Ecocultural Literacy in the College Writing Classroom
Language, Literacy, and Culture
Individual 30-Minute Presentation1
GA.11Supporting College Composition TAs’ Efforts to Enhance Writing Engagement
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
GA.12Supporting Culturally and Linguistically Diverse Students in First-Year Writing Program through Inclusive Formative Assessment
First-Year Writing
Individual 30-Minute Presentation1
GA.13The Value of Digital Multimodal Composition in First-Year Composition Courses
First-Year Writing
Individual 30-Minute Presentation1
GA.14Tinker Bell Got Towed: Using Songs to Introduce the Professional Report Writing Genre
Professional and Technical Writing
Individual 30-Minute Presentation1
GB.1Challenging "What We Are Hard-Wired to Do": A Study of How and Why Students Participate in Writing Classrooms
Inclusion and Access
Individual 30-Minute Presentation1
GB.2“Pile on More, Right?”: Exploring Faculty Perceptions of the Labor and Resources Needed to Teach in the Context of Generative AI
Institutions: Labor Issues, Professional Lives, and Survival
Individual 30-Minute Presentation3
GB.3Beyond Monotones: Investigating Professional Identity Construction in Mixed-Race and Interracial Language and Writing Instructors
Antiracism and Social Justice
Individual 30-Minute Presentation1
GB.4Distorted Gaze: Settler Colonialism’s Illegal Remixes
Writing Abundance
Individual 30-Minute Presentation1
GB.5Engaging Writing Students with Mental Disability Knowledge and Theory as a B-side to Writing Pedagogy
Inclusion and Access
Individual 30-Minute Presentation1
GB.6Generative Artificial Intelligence in Second Language Writing: A Systematic Review of Pedagogical Applications and Impacts
Information Literacy and Technology
Individual 30-Minute Presentation2
GB.7Genre Harmonics: Reimagining Grant-Writing Pedagogy
Professional and Technical Writing
Individual 30-Minute Presentation1
GB.8Practicing Computer Love with Neurodiverse Writers
Inclusion and Access
Individual 30-Minute Presentation2
GB.9Remixing GAI: Playing with Genre and Linguistic Features to Preserve Agency and Voice in a Time of ChatGPT
First-Year Writing
Individual 30-Minute Presentation1
GB.10Remixing Peer Review through Standards Based Assessment and Proficiency Scales
First-Year Writing
Individual 30-Minute Presentation1
GB.11Remixing Ungrading: Flipping Alternative Assessment toward Greater Inclusion and Accessibility
Inclusion and Access
Individual 30-Minute Presentation1
GB.12The A and B Sides and Extended Play Versions of Singular "They": Challenging Hegemonic Notions of Gender in Our Classrooms
Antiracism and Social Justice
Individual 30-Minute Presentation1
GB.13The B-side of Writing Assessment: Student Experiences with Feedback Modalities and Practices in Graduate Education Canceled
Approaches to Teaching and Learning
Individual 30-Minute Presentation0
GB.14The Role of Audience Conjectures in Standard Language Ideologies: Critically Examining Writing Advice to Promote Linguistic Justice Canceled
Antiracism and Social Justice
Individual 30-Minute Presentation0
H.1A Playlist for Editing Courses: Scaffolding Course Content across Three Levels of Professional Editing
Professional and Technical Writing
Concurrent Panel4
H.2Attitudes toward GenAI and Writing: Student Perspectives and Faculty Perceptions of Student Perspectives at an R1 Research University
Information Literacy and Technology
Concurrent Panel5
H.3Coach Me if You Can: Embedding Academic Coaches into the First-Year Writing Classroom
College Writing and Reading
Concurrent Panel5
H.4Cutting through the Noise: Data-Driven Research on Generative AI and the Teaching of Writing
Information Literacy and Technology
Concurrent Panel6
H.5Expanding Access to Undergraduate Research Publishing
Inclusion and Access
Concurrent Panel6
H.6Extended Play: When the Listening Ain’t Easy
Theory, Research Methodologies, and Praxis
Concurrent Panel6
H.7Flipping the Student Voice from the B Side to the A Side: A Collaborative Remix between Question-Based Pedagogy and Peer Review
Approaches to Teaching and Learning
Concurrent Panel5
H.8Human-Centered AI Feedback: A Peer Review Remix
Information Literacy and Technology
Concurrent Panel5
H.9Introducing “Image Events” in the FYC Classroom: Teaching Composition by Combating Racial and Social (In)justice
Antiracism and Social Justice
Concurrent Panel2
H.10Language, Teaching, and Learning in Time of War: Voices of Ukraine
Language, Literacy, and Culture
Concurrent Panel5
H.11Let’s Agree to Disagree: Extended Play with AI and Intertextuality
Information Literacy and Technology
Concurrent Panel5
H.12Mail Call: Prison and the Complexity of Navigating Rhetorical and Physical Barriers of “Justice” Systems
Community, Civic, and Public Contexts of Writing
Concurrent Panel5
H.13Playing Sounds of College Literacies: Dialing In to Sonic Teaching
College Writing and Reading
Concurrent Panel5
H.14Preparing for Today’s Tomorrow: Systematic Professional Development for Recent PhDs
Writing Programs
Concurrent Panel4
H.15Rage against the Machine: Remixing Writing Center Working Conditions and Worker Identity
Writing Centers (including Writing and Speaking Centers)
Concurrent Panel4
H.16Remixing Math and Writing: Coalitional Learning in a Fellowed Class
Writing Centers (including Writing and Speaking Centers)
Concurrent Panel5
H.17Resounding Histories: Remixing Archival Historiography through Sensory Methods
Theory, Research Methodologies, and Praxis
Concurrent Panel5
H.18Resounding Response: Sonic Compositions, Rhetorical Identity, and Extended Remix
Approaches to Teaching and Learning
Concurrent Panel6
H.19The B-Side of Enacting Racial and Linguistic Justice in the Writing Classroom: The Hidden Ways Raciolinguistic Ideologies Impact College Writing Instruction
Antiracism and Social Justice
Concurrent Panel5
H.20Think Tank Pedagogy: Using a Critical Race Methodology to Advance Student Expertise and Research
Antiracism and Social Justice
Concurrent Panel2
H.21Together in Electric Dreams: (Re)Mixing Design, Assessment, and Equity
Approaches to Teaching and Learning
Concurrent Panel5
H.22Developing Capstone Experiences in Rhetoric and Writing Curricula
Writing Programs
Engaged Learning Experience10
H.24BIPOC Writing Instructors’ Teaching and Learning B-sides: Extending the Conversation on Mitigating Bias in SEIs
Approaches to Teaching and Learning
Roundtable Session10
H.25Keeping Crip Company: Stories of Disabled Intimacies and In/accessibility
Inclusion and Access
Roundtable Session6
H.26Reframed, Reimagined: Embracing Creativity in First-Year Writing Instruction
First-Year Writing
Roundtable Session4
H.27The B-sides of Writing Pedagogy: Decolonial, Disability, and Embodied Approaches to Teaching
Approaches to Teaching and Learning
Roundtable Session7
H.28There Are Writing Emergencies: Composing (Ourselves) in Times of Crisis
Institutions: Labor Issues, Professional Lives, and Survival
Roundtable Session11
H.29Interrogating Oppression Enacted in the Academy and Beyond through Technology
Information Literacy and Technology
Standing Group-Sponsored Panel8
HA.1Artificial Memories: A Framework for Composing and Examining Text Generating Systems
College Writing and Reading
Individual 30-Minute Presentation1
HA.2Cultural Literacy Narratives: Remixing Reflection and Autoethnography
Language, Literacy, and Culture
Individual 30-Minute Presentation2
HA.3From Screens to Skills: Enhancing Critical Reading in First-Year Writing with Digital Texts
College Writing and Reading
Individual 30-Minute Presentation1
HA.4Hot Licks and Rhetoric: Collecting, Community, and Disruptive Literacies
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
HA.5Making Meaning with the Invisible Girlfriend: Media and the Logics of (Dis)Ability and Carework in the Context of Traumatic Brain Injury
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation3
HA.6Noises, Signals, and Feelings: The Upside of Accessible, Embodied Soundwriting
Inclusion and Access
Individual 30-Minute Presentation1
HA.7Reclaiming Rhetorical Sovereignty in the Era of GenAI
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation1
HA.8Remixing Assessment Practices in First-Year Writing
First-Year Writing
Individual 30-Minute Presentation1
HA.9Remixing Infrastructural Energies: Solar Computing in the Writing Classroom
Information Literacy and Technology
Individual 30-Minute Presentation1
HA.10Remixing Latina Students’ Traumatic Literacy Experiences
Antiracism and Social Justice
Individual 30-Minute Presentation1
HA.11The B-side of Developmental Education: The College Reading Classroom
College Writing and Reading
Individual 30-Minute Presentation1
HA.12The Rhetoric of Songwriting: Multimodal Listening, Bakhtin, and Literacy
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
HA.13To Staci M. Perryman-Clark, Thanks for the WPA/WAC/DEI Integration for Faculty Development!–SLACs
Institutions: Labor Issues, Professional Lives, and Survival
Individual 30-Minute Presentation2
HA.14What Medical Writing Teams Really Think and Do: Findings from an Observational Study of a Global Medical Communications Agency
Professional and Technical Writing
Individual 30-Minute Presentation2
HA.15Writing Studies Cries Power: Drafting an Autobiographical Set List to Sustain Writing Studies Administrators, Faculty, and Students
Institutions: Labor Issues, Professional Lives, and Survival
Individual 30-Minute Presentation1
HB.1(Re)Mixing Methods to Make Music Canceled
Theory, Research Methodologies, and Praxis
Individual 30-Minute Presentation0
HB.2Composing an AI Policy as an Ensemble Piece
First-Year Writing
Individual 30-Minute Presentation4
HB.3Inventing Rhetorical Collaboration among Diverse Political Opinions: Some Strategies for Learning to Read and Write about Public Controversies
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
HB.4Parents’ Perspectives on Infant-Feeding Messages in Baby-Friendly Hospitals
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
HB.5Remixing a Second Sequenced First-Year-Writing Course: Curriculum Revision and the Collaborative Issues at Play at an HSI
First-Year Writing
Individual 30-Minute Presentation1
HB.6Remixing a Writing Program: Composing a Rubric Collaboratively
Writing Programs
Individual 30-Minute Presentation2
HB.7Remixing Basic Writing: Toward New Disciplinary Frameworks
Inclusion and Access
Individual 30-Minute Presentation1
HB.8Remixing Expectations under Pressure: Graduate Instructor Training as Mentoring and Professional Development in MA-Only Programs
Institutions: Labor Issues, Professional Lives, and Survival
Individual 30-Minute Presentation1
HB.9Remixing Writing: Experimental Writing from “Academic” to AI
College Writing and Reading
Individual 30-Minute Presentation1
HB.10Sound and Vision: Remixing a FYC Course for a New Era
First-Year Writing
Individual 30-Minute Presentation1
HB.11Spotlight: Developing Interdisciplinary Faculty Programming in the Absence of a WAC Program
Approaches to Teaching and Learning
Individual 30-Minute Presentation2
HB.12The Essay Reimagined: Remixing First-Year Composition with Multimodal Composition
First-Year Writing
Individual 30-Minute Presentation2
HB.13Toward a Rhyme or Reason: Big Ten Policies on Generative AI and Academic Integrity in Writing Centers and Liberal Arts & Sciences Colleges
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation2
HB.14Writing Program Administration the Ted Lasso/Richmond Way
Writing Programs
Individual 30-Minute Presentation2
I.1“All by Myself": Collaboration and Connection for Dissertating Distance Learners
Approaches to Teaching and Learning
Concurrent Panel8
I.2Baltimore Rhetorics and the Reimagination of Place
Community, Civic, and Public Contexts of Writing
Concurrent Panel4
I.3Collaborative Leadership to Remix and Revalue Writing Studies: Programmatic Boundary Work during Austerity
Writing Programs
Concurrent Panel4
I.4Critical Access-Making: Remixing Disability Access in the Writing Classroom
Inclusion and Access
Concurrent Panel5
I.5Dub Side Literacies: A Tidalectical Approach to Caribbean Composition
Language, Literacy, and Culture
Individual 30-Minute Presentation1
I.6Exploring the B-side of AI’s Impact on Health and Wellness in Varying Rhetorical Spaces
Community, Civic, and Public Contexts of Writing
Concurrent Panel7
I.7Horizontalidad as a Cultural Rhetorics Theory and Practice
Theory, Research Methodologies, and Praxis
Concurrent Panel4
I.8Listening to the B-side of Academic Labor: Grad Orgs on Twitter
Institutions: Labor Issues, Professional Lives, and Survival
Concurrent Panel4
I.9Nontraditional Reading: Uncovering B-side Pedagogy through Cross-Institutional Use of Hypothesis
College Writing and Reading
Concurrent Panel5
I.10Remixing Class Size: Active Learning and Collaborative Teaching in Large First-Year Writing Courses
Writing Programs
Concurrent Panel4
I.11Remixing First-Year Writing: Artificial Intelligence, Student Voices, and Writing Program Administration
First-Year Writing
Concurrent Panel4
I.12Remixing Online Communities: Publication and Collaboration in an Academic Digital Rhetorical Space
Information Literacy and Technology
Concurrent Panel5
I.13Remixing Rhetorical Education: Interdisciplinary Collaboration in First-Year Composition
First-Year Writing
Individual 30-Minute Presentation2
I.14Responding to Writers "Under Pressure": Building Collaborations to Promote Well-Being and Create Abundance in Graduate Writing Support
Writing Abundance
Concurrent Panel4
I.15Stop, Collaborate, and Listen, the College Writing Program is Here with a Brand-New Edition: Remixing CWP Curriculum through UDL for Inclusion and Access
Inclusion and Access
Concurrent Panel5
I.16Stories in the Key of Life: Remixing the First-Year Writing Classroom to Promote Personal and Academic Success
First-Year Writing
Concurrent Panel5
I.17Surviving on the B-side: Reflections on the Complex Act of Composing Audiences
Theory, Research Methodologies, and Praxis
Concurrent Panel5
I.18The B-side of the Violence of Literacy: Case Studies of Resistance
Language, Literacy, and Culture
Concurrent Panel4
I.19The B-sides of Assessment: Centering Neuro-Atypical and Neuro-Marginalized Experiences and Access in Writing Assessment
Inclusion and Access
Concurrent Panel5
I.20Traditional Black Church Rhetorical Practices: Remix as Invention
First-Year Writing
Concurrent Panel2
I.21Why Take Writing in the Age of Generative AI? Material, Transmodal, and Sensory Methods for Thinking and Making
First-Year Writing
Concurrent Panel5
I.22Community Collaboration as B-side: Remixing Praxis for Linguistic Justice
Theory, Research Methodologies, and Praxis
Engaged Learning Experience5
I.23Using a Pencil to Adjust the Cassette Tape: Rewinding and Recording over Dominant Western Rhetorical Practices in First-Year Writing Classrooms
Approaches to Teaching and Learning
Engaged Learning Experience6
I.24Unlocking Access: Remixing First-Year Writing for Justice and Opportunity
Inclusion and Access
Engaged Learning Experience20
I.25Antinormative Writing Centers: Remix as Tutor Training
Writing Centers (including Writing and Speaking Centers)
Roundtable Session5
I.26Feedback Mixtape: Why Linguistic Justice and Response Need to Come Together
Antiracism and Social Justice
Roundtable Session11
I.27Students’ Rights to Generative AI: Remixing GTA and Writing Center Consultant Training through Justice-Based Multiliteracies
Information Literacy and Technology
Roundtable Session4
I.28IWCA Sponsored Research
Writing Centers (including Writing and Speaking Centers)
Standing Group-Sponsored Panel6
I.29Our Collaborative Mixtape of Alternate Tracks: The Untenured and/or Alternative-Academic WPA Standing Group-Sponsored Panel
Writing Programs
Standing Group-Sponsored Panel9
IA.1"Is It Worth It? Let Me Work It": Reimagining, Remixing, and "Epistemologizing" Writing Transfer Paradigms
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
IA.2Framing away Failure: Essaying, Experimenting, Trying, Guessing
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
IA.3Remixing Writing Center Strategies by Utilizing Kendrick Lamar’s "Not Like Us"
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation1
IA.5Becoming Besides Ourselves: Architecting Imaginative Experiences at a Mid-Sized Natural Science Museum
Professional and Technical Writing
Individual 30-Minute Presentation2
IA.6Data Wrangling in the Digital Wilds of the West
Writing Programs
Individual 30-Minute Presentation1
IA.7Digital Badging, Interactivity, and Transmediation
Information Literacy and Technology
Individual 30-Minute Presentation1
IA.8Epistemological Pedagogy: Truth and Rhetoric in the Private Religious University Writing Classroom
First-Year Writing
Individual 30-Minute Presentation1
IA.9Examining the Circulation of Activist Rhetoric: Pitfalls and Possibilities of Data Collection on TikTok and Other Social Media Platforms
Theory, Research Methodologies, and Praxis
Individual 30-Minute Presentation1
IA.10From Sampling to Auto-Tune to Improv: Student/Machine Collaborations in First-Year Writing
First-Year Writing
Individual 30-Minute Presentation2
IA.12The Music Changes but the Beat Stays the Same: Preparing Professional/Technical Writing Students for Ethical Challenges in Generative AI
Professional and Technical Writing
Individual 30-Minute Presentation2
IA.13To Beg, Borrow, or Steal: A Pedagogical Exploration of Originality vs. Plagiarism in the (Creative) Writing Classroom Canceled
Approaches to Teaching and Learning
Individual 30-Minute Presentation0
IA.14What Can I Do With My Major?: Professionalization in the English and Writing Majors
Writing Programs
Individual 30-Minute Presentation1
IA.15From Tasks to Texts: Enhancing College-Level Students’ Writing Skills through Task-Based Language Teaching
First-Year Writing
Individual 30-Minute Presentation1
IB.1R-R-R-Reeeemixxxx: Diggin’ in the Comments, Flippin' the Spreadsheets, Cuttin' the Racial Ideologies, Amplifyin' the Antiracist Strategies (Insert Airhorn Here)
Theory, Research Methodologies, and Praxis
Individual 30-Minute Presentation1
IB.2(Re)mixing Citational Justice: Synthesizing the Rhetorical Moves that Make Academic Writing Just
First-Year Writing
Individual 30-Minute Presentation1
IB.4A-side, Meet B-side: Pedagogical Inquiries into University Self-Presentation and Student Activism
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation2
IB.5Advocating for the Growth of Writing Programs among Questions of Value and Need: A Case Study for Collaborative Program Development
Writing Programs
Individual 30-Minute Presentation1
IB.6Aesthetic Remix in Technical Communication: How the YIMBY (Yes-In-My-Backyard) Movement Remixes Aesthetics to Advocate for More Inclusive Urban Spaces
Professional and Technical Writing
Individual 30-Minute Presentation1
IB.7Equitable Source Use Instruction Remastered
Inclusion and Access
Individual 30-Minute Presentation1
IB.8Expert Play: Preliminary Reflections on a Longitudinal Study of Undergraduate STEM Writing
College Writing and Reading
Individual 30-Minute Presentation1
IB.9Finding Faith: Honoring Belief and Remixing the Secular Writing Classroom
Inclusion and Access
Individual 30-Minute Presentation2
IB.10Reconstructing Simulated Environments: Using Digital Student Projects and Play in Writing Classrooms to Analyze Different Modes of Composition in Video Games Canceled
Approaches to Teaching and Learning
Individual 30-Minute Presentation0
IB.11Rhetoric in a Republic: Composition and Democracy’s B-side
Histories of Rhetoric
Individual 30-Minute Presentation1
IB.12Where We Come From: Rarely Heard Stories and Voices
Histories of Rhetoric
Individual 30-Minute Presentation1
IB.13Writing Fellows Remixed: "Sampling" Mindfulness in an Undergraduate Writing Fellows Training Course
Approaches to Teaching and Learning
Individual 30-Minute Presentation2
IB.14Writing to Remember: How Adults Use Self-Sponsored Writing to Preserve, Export, Celebrate, and Mitigate Loss
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation2
J.1When Our Literature Colleagues Become Our Students: Remixing Writing Pedagogy for Departmental Healing
First-Year Writing
Concurrent Panel4
J.2Breakdowns & Breakthroughs: Remixing the Research Process as a Tabletop Role Playing Game
Information Literacy and Technology
Engaged Learning Experience3
J.3Remixing, Repurposing, and Returning to “Objects” in a Digital Age
First-Year Writing
Concurrent Panel4
J.4Building the Community Mixtape through the TYC Creative Writing Classroom
Creative Writing and Publishing
Concurrent Panel4
J.5Composing a Vision for Their Life’s Work: Studying ePortfolio Projects across an Upper-Division General Education Writing Course
Writing Programs
Concurrent Panel10
J.6Cultivating Empathy in the Age of AI: Technical Editing Pedagogy and the Ethics of Care
Professional and Technical Writing
Concurrent Panel6
J.7Cultivating Future Grant Artists: Innovating Grant Writing Skills in Technical Communication
Professional and Technical Writing
Concurrent Panel4
J.8Digital Media Remixes in First-Year Writing: How Repurposing Computer Technology Provides Agency and Serves Justice to Students from Nepalese and African Roots
Inclusion and Access
Concurrent Panel2
J.9Extending Assessment: Labor-Based Contract Grading and Beyond
Approaches to Teaching and Learning
Concurrent Panel5
J.10Mixtapes and Overlapping Playlists: The Politics of Language, Equity, and AI
Antiracism and Social Justice
Concurrent Panel5
J.11New Black City: Life Writing, Literacies, Healing and Restorative Practices
Language, Literacy, and Culture
Concurrent Panel5
J.12Preserving Milagros: Archiving Latinx Art Histories as Social Resistance
Antiracism and Social Justice
Concurrent Panel2
J.13Publishing in the CCCC Studies in Writing and Rhetoric Book Series
Writing Abundance
Concurrent Panel5
J.14Remixing and Collaborating to Create a Mixtape for the Workplace: Using Employers’ Writing Expectations to Realign Writing Course Pedagogy Canceled
Professional and Technical Writing
Concurrent Panel0
J.15Remixing Narratives in FYC through Indigenous Storytelling, Afghani Narratives, Music, and Translanguaging: Four Strategies
First-Year Writing
Concurrent Panel5
J.16Remixing Technologies: Handcrafting the Page as a Writing Stage
Approaches to Teaching and Learning
Concurrent Panel4
J.18Transfer-Encouraging Curriculum Development for Multilingual Writers in First-Year Writing
First-Year Writing
Concurrent Panel6
J.19"Human Interaction" as a Threshold Concept: Initiating the "AI Talk" in FYC
Approaches to Teaching and Learning
Engaged Learning Experience2
J.20“What’s love got to do with it?” Ethically Remixing Writing Pedagogy with GenAI
Information Literacy and Technology
Engaged Learning Experience3
J.21Remixing Discord and Reddit: Incorporating Digital Platforms into the Writing Classroom
Information Literacy and Technology
Engaged Learning Experience4
J.23An Aesthetic of Unfolding: Jazz, Writing, and the Rhythm of Collaboration
Language, Literacy, and Culture
Roundtable Session5
J.24Different Drum: A B-side Byway to Healthy Mentorship
Institutions: Labor Issues, Professional Lives, and Survival
Roundtable Session5
J.25GSOLE Principles & Tenets Revision: Remix 2.0 featuring AI, IDEA, and COVID-19
Information Literacy and Technology
Roundtable Session9
J.26Remixing Peer Review: Adding Pre-Reflection and Post-Reflection to Enhance Purpose and Direction
First-Year Writing
Roundtable Session5
J.27The Archived and Un-Archived: Listening to Abundance, Amplifying Silence, and the Rhetorical Analysis of Archival Materials
Writing Abundance
Roundtable Session7
J.28Remixing with AI: Pedagogical and Rhetorical Implications
Information Literacy and Technology
Standing Group-Sponsored Panel5
JA.1"The City Has Evolved": Rewriting Space in a Community Writing Group
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
JA.2“An Unforeseen Detour: How Music Saved My Writing”: A Contemplative Pedagogy for Writing through Chimeka Garricks’ A Broken People’s Playlist
Creative Writing and Publishing
Individual 30-Minute Presentation3
JA.3“The Message”: One Researcher’s Experience Coding Black Undergraduates’ Futures-Conscious Interviews with Feminist Listening
Theory, Research Methodologies, and Praxis
Individual 30-Minute Presentation1
JA.4“They’ll fit right in!” East Tennessee’s MAGA Church, Social Media Response, and Appalachian Identity
Language, Literacy, and Culture
Individual 30-Minute Presentation1
JA.5“What’s practical?” Remixing Literacies in Teaching Business Communication at a STEM University
Professional and Technical Writing
Individual 30-Minute Presentation1
JA.6A “Switched-On” FYW Classroom: Music Videos, Collaborative Remix, Posthumanism, and a Journey toward Transdisciplinarity
First-Year Writing
Individual 30-Minute Presentation3
JA.7A Generative AI, Personalized Learning Experience Remix, or, How I Used Chat GPT to Turn My Writing Classroom into an All Ages Nightclub
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
JA.8Accommodation Work, Disidentification, and the Haziness of Disability Identity
Inclusion and Access
Individual 30-Minute Presentation1
JA.9Remixing Conceptions of Sponsorship and Literacy Narratives through New Materialism
Language, Literacy, and Culture
Individual 30-Minute Presentation1
JA.10Risking Remix: The First-Year Writing Classroom as a Place of Queer(ly) Becoming
First-Year Writing
Individual 30-Minute Presentation1
JA.11Sensorial Literacy and Gastro Lexicon: Exploring the Role of Food Rhetoric as Cultural Metaphor in Creative Writing Praxis Canceled
Creative Writing and Publishing
Individual 30-Minute Presentation0
JA.12Revision Decisions
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
JA.13A Decolonial Method of Multimodal Resistance: Writing Narrative through Street Art in the Las Cruces Community
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
JB.1Artificial Intelligence—Artificial Hindrance? College Students’ Experiences and Perceptions of Using Generative AI in Writing
Information Literacy and Technology
Individual 30-Minute Presentation2
JB.2B-side Methods for A-side (Journal) Issues: A Bibliometric Analysis of Collaborative Writing Trends
Theory, Research Methodologies, and Praxis
Individual 30-Minute Presentation2
JB.3Beyond the “Accessibility Unit”: Practical Suggestions
First-Year Writing
Individual 30-Minute Presentation1
JB.4Border Loves: Remixing Transfer Composition and Reading with Pedagogical Abundance in Multimodal Visualizations
First-Year Writing
Individual 30-Minute Presentation2
JB.5Causes for the Failure in Taking a Side in Argumentative Writing and Its Possible Solutions in First-Year Composition Courses in an EFL Context Canceled
First-Year Writing
Individual 30-Minute Presentation0
JB.6Centering BIPOC Students: Lessons from Co-Creating a Podcast
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
JB.7Coauthoring across University-Community Boundaries: Expanding the Purpose of Publishing
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
JB.8Co-intelligence in the EMI University: Second-Language Writers & Generative AI
Information Literacy and Technology
Individual 30-Minute Presentation1
JB.9Collaborating with Creative Writing: Sampling across Genres in FYW
First-Year Writing
Individual 30-Minute Presentation1
JB.10Colorism and Composition: Advancing Critical Color Theory in Digital and Cultural Rhetorics
Theory, Research Methodologies, and Praxis
Individual 30-Minute Presentation1
JB.11Remixing Critical Technological Literacies in the Age of AI
Information Literacy and Technology
Individual 30-Minute Presentation1
JB.12Standardized Language Proficiency Tests: Unequal Access, Marginalization, and Troubleshooting
Language, Literacy, and Culture
Individual 30-Minute Presentation1
JB.13Strategies for Course-Embedded Tutoring: Insights from Faculty and Student Perceptions
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation2
JB.14Teaching In while Out: Designing a Queer Rhetorics Curriculum for the Classroom and the Encampment
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
K.1New Perspectives on Ubuntu and Composition
First-Year Writing
Concurrent Panel4
K.2A Is for Audience but "U" Is B-side It: Using the Personal to Remix Pedagogical Approaches to Audience
College Writing and Reading
Concurrent Panel5
K.3A Writing Program of B-sides: Practicing the Literate Activity Research We Teach
Writing Programs
Concurrent Panel5
K.4AI as Writing Companion: AI Teaching Practices to Center Working With
Theory, Research Methodologies, and Praxis
Concurrent Panel2
K.5Charting New Frontiers: Navigating Grant Writing Rhetoric across Local, Business, and Federal Agencies Canceled
Professional and Technical Writing
Concurrent Panel0
K.6Composing Subversion: Flipping the Record on the Writing Status Quo
Approaches to Teaching and Learning
Concurrent Panel5
K.7Digital Harmonies: Innovations and Challenges of Generative AI in Online Writing Education
Writing Programs
Concurrent Panel6
K.8Exploring the “B-side” of Rhetorical Education: Rhetorical Exercises in Alternative Forms
Histories of Rhetoric
Concurrent Panel8
K.9Heritage Tracks: Heritage Rhetoric and the Selective Listening of History
Histories of Rhetoric
Concurrent Panel3
K.10Imagining Both Here AND There: Literacy Narratives in Transnational Contexts
Language, Literacy, and Culture
Concurrent Panel6
K.11Invention and Reinvention in the Writing Classroom: A Writing Professor, Music Therapist, and Professional Musician “Come Together, Right Now”
First-Year Writing
Concurrent Panel4
K.12Literate Transgressions: Remixing Pathways through/against Community Spaces
Community, Civic, and Public Contexts of Writing
Concurrent Panel5
K.13Negotiating Dissensus: Interdisciplinary Collaboration in Technical and Professional Communication and Computer Science (MOVED from Saturday at 9:30 am)
Professional and Technical Writing
Individual 30-Minute Presentation1
K.14Remixing Methods for Writing Research across Writers’ Lifespans
Theory, Research Methodologies, and Praxis
Concurrent Panel4
K.15Remixing WPA: Understanding the Queer Neurodivergent Graduate Student Experience
Inclusion and Access
Concurrent Panel2
K.16The Noise Is Not Just Noise: Strategies for Representing Affective and Nondiscursive Sounds through Captions
Inclusion and Access
Concurrent Panel2
K.17The Shapes and Sounds of Writing Instruction
Approaches to Teaching and Learning
Concurrent Panel4
K.18What Your Music Playlist Says about Your Teaching Practices: Remixing Methodologies
Approaches to Teaching and Learning
Concurrent Panel5
K.19Listen: Synthesizers, Feedback Loops, and Sampling as Models in Composition
Writing Abundance
Engaged Learning Experience1
K.20Reading to Belong and Connect: Making Material Graduate Readers’ Positions and Practices
Approaches to Teaching and Learning
Engaged Learning Experience5
K.21Sijo Workshop: Learning and Writing Korea’s Poetry
Creative Writing and Publishing
Engaged Learning Experience3
K.22“You Don’t Own Me”: Examining the Ownership of Classroom Materials
Approaches to Teaching and Learning
Roundtable Session6
K.23Collaboration Is Key: Remixing Critical Thinking within Institutional Cultures of Writing
College Writing and Reading
Roundtable Session7
K.24Remixing Peer-Assisted Learning: Incorporating Learning Assistants in First-Year Writing
First-Year Writing
Roundtable Session6
K.25The B-side of Labor-Based Grading: Policies, Procedures, and Systems
First-Year Writing
Roundtable Session4
K.26Empathy across the Curriculum: Shaping the Framework for Discipline-Specific Writing and Thinking
College Writing and Reading
Standing Group-Sponsored Panel4
K.27Remixing Prison Writing: Overcoming Limits by Engaging the Political, Exploring Abolitionism, Accommodating Trauma, and Liberating Technology
Inclusion and Access
Standing Group-Sponsored Panel6
K.28Restorative Storytelling and Embodied Technocultural Praxis across Asian/Asian American Communities
Language, Literacy, and Culture
Standing Group-Sponsored Panel8
KA.2Connecting with “Cultural Glue”: Remix as a Catalyst for Curricular Changes in the First-Year Writing Classroom
First-Year Writing
Individual 30-Minute Presentation1
KA.3Cooperatively Teaching the Requisite Composition Course Library Session: A Collaborative Approach to Instructional Design and Implementation
Information Literacy and Technology
Individual 30-Minute Presentation1
KA.4Covering, Remixing, and Sampling Workshop Elements: How the Multiple Versions of Our Supplemental Writing Workshop Illuminate Its Value
First-Year Writing
Individual 30-Minute Presentation2
KA.5Data Security in an Unsecured Classroom: The Ethical Dilemma of AI Inclusion in First-Year Composition
First-Year Writing
Individual 30-Minute Presentation1
KA.8Echoes of the Past: Considering Current Artificial Intelligence Writing Pedagogies with Insights from the Era of Computer-Aided Instruction
Information Literacy and Technology
Individual 30-Minute Presentation1
KA.9Embracing Students’ B-sides of Composing: Generative AI, Prompt Engineering, and Active Learning Pedagogy
Information Literacy and Technology
Individual 30-Minute Presentation1
KA.10Enabling Learners’ Voices: Librarian and Faculty Alliances for Empowered Student Authorship through Open Pedagogical Practices
Information Literacy and Technology
Individual 30-Minute Presentation2
KA.11Remixing Cultural Narratives: Integrating International Ghost Stories in First-Year Composition
First-Year Writing
Individual 30-Minute Presentation1
KA.12Teaching Writing as a Networked Activity
Approaches to Teaching and Learning
Individual 30-Minute Presentation2
KA.13The A-side of WID: Valuing Diverse Student Perspectives in STEM Writing
Writing Programs
Individual 30-Minute Presentation1
KA.14The B-side of Contract Grading: Listening to Student Experiences across a University Writing Program
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
KB.1Engaging the B-side of FYC: Creativity, Playful Pedagogy, Alternative Narratives, and Strange Texts
First-Year Writing
Individual 30-Minute Presentation1
KB.3Epistemology in the Composition Classroom: Centering the Human
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
KB.4Equity, Inclusion, and Diversity: A Rhetorical Remix of the “Bad” Words
Institutions: Labor Issues, Professional Lives, and Survival
Individual 30-Minute Presentation1
KB.5Expert Audience Strategies for Distinguishing between Human- and AI-generated Reports: A Progress Report on a Mixed-Methods Research Project
Information Literacy and Technology
Individual 30-Minute Presentation3
KB.6Exploring the Perspectives of Employing Artificial Intelligence in First-Year Composition Courses for Multilingual Writers in Asian Context Canceled
First-Year Writing
Individual 30-Minute Presentation0
KB.7Facilitating Inclusive Group Discussions to Enhance Engagement and Diversity in FYW Classes. Canceled
First-Year Writing
Individual 30-Minute Presentation0
KB.8Femme Beat-Making: Amplifying Femme Technological Creativity for Self-Expression and Belonging
Inclusion and Access
Individual 30-Minute Presentation1
KB.9Fractured Praxis: Disability’s Absence from Rhetoric and Writing Studies’ Social Justice Efforts
Antiracism and Social Justice
Individual 30-Minute Presentation1
KB.10Frederick Douglass as Extended Play in the Composition Classroom: Visual Rhetoric, Transnational Language, and Racial Remix
First-Year Writing
Individual 30-Minute Presentation1
KB.11Remixing Mentorship in Prison Literacy: Embracing the Slow Agency of Letter Exchanges
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
KB.12The Impact of ChatGPT on Higher Education: Perspectives of Students and Faculty (MOVED from Saturday 10:15)
First-Year Writing
Individual 30-Minute Presentation2
KB.14The Tyranny of Auto-Tune: First Year Composition under the Promise of Perfection
First-Year Writing
Individual 30-Minute Presentation1
L.1Academic B-sides: Literate Lives at the Intra-section of Academic, Musical, and Sonic Practices
Language, Literacy, and Culture
Concurrent Panel5
L.2Artificial Intelligence as an Approach to Ease Emotions and Affects of Email Writers
Theory, Research Methodologies, and Praxis
Concurrent Panel2
L.3Collaborative Online International Learning in the Research Writing Classroom
Language, Literacy, and Culture
Concurrent Panel4
L.4Collaborative Remixing for Pedagogical Reformation: B-sides Activism in First-Year Composition Classrooms
First-Year Writing
Concurrent Panel6
L.5Distributed Endeavors: Analyzing Models of Collective Voice and Change
Histories of Rhetoric
Concurrent Panel4
L.6Does First-Year Composition Actually Help Writers Later On? Assessing the Perceived Efficacy of FYC on Postgraduate Writers
Writing Programs
Concurrent Panel3
L.7Expanding Access and Inclusion in Writing Classrooms: Attending to Students with Substance Use Disorders
Inclusion and Access
Concurrent Panel6
L.8GenAI Remix: Researching Alumni Writing Practices beyond the University
Information Literacy and Technology
Concurrent Panel4
L.9Generative AI and the End(s) of Style
Approaches to Teaching and Learning
Concurrent Panel5
L.10Expressive Becoming: Deleuze, Multimodal Composition, and First-Year Writers (MOVED from Saturday 11:00 am)
First-Year Writing
Concurrent Panel2
L.11Open Educational Resources (OER) in First-Year Composition: The B-side of Composition Textbooks
First-Year Writing
Concurrent Panel4
L.12Remixing Community, Sampling Innovations: New Collaborations to Foster Belonging in a First-Year Writing Program at an Urban Public College
Approaches to Teaching and Learning
Concurrent Panel5
L.13Remixing Grammar Instruction for Linguistic Diversity and Rhetorical Agency: Progressive Approaches to Language in Writing Pedagogy
Approaches to Teaching and Learning
Concurrent Panel5
L.14Resisting the Panel: Remixes, Polemics, Poems, and Counterstories
Antiracism and Social Justice
Concurrent Panel6
L.15The B-side of Classroom Technology: Centering the Human within the Technology-mediated Composition Classroom
Approaches to Teaching and Learning
Concurrent Panel5
L.16Time, Tempo, and Extended Play in Dual Enrollment Composition
First-Year Writing
Concurrent Panel8
L.17Two Sides, One Record: Addressing Rigid Conceptions of Writing/Language in Translation (in Both Directions) of Postsecondary and Secondary Education
College Writing and Reading
Concurrent Panel4
L.18Y’all Can’t Ban It, Languaging Like a Bandit: Linguistic & Literacy Networks of Fugitive Black Joy
Language, Literacy, and Culture
Concurrent Panel4
L.19Reimagining Postsecondary Reading and Writing for All Students: Building a Community for Equity-Minded Pedagogies
College Writing and Reading
Engaged Learning Experience3
L.20The Ideal-Self as Peer Reader: Cultivating Descriptive Workshopping Skills
Language, Literacy, and Culture
Engaged Learning Experience1
L.22"We’ll Do It Live!" Embodied Play in the Writing Classroom
Approaches to Teaching and Learning
Roundtable Session5
L.23An Intradisciplinary Publishing Project: Storying the Development of a Graduate-Level Academic and Literary Journal about Reproductive Justice
Creative Writing and Publishing
Roundtable Session5
L.24Resisting AI Hype and Remixing Critical and Creative Resistances to GenAI in Writing Classrooms and Programs
Information Literacy and Technology
Roundtable Session10
L.25Two WPAs, a Science Librarian, Art Historian, and Creative Writer Walk into a Classroom: Remixing WAC Disciplinary Expectations through Multimodality
Writing Programs
Roundtable Session6
L.26Appalachian Mixtape: Multimodalities, Technologies, and Identities
Language, Literacy, and Culture
Standing Group-Sponsored Panel4
L.27Expanding the Reach of Writing through the Lifespan: A Research Mixtape
Language, Literacy, and Culture
Standing Group-Sponsored Panel9
L.28Queer Caucus Sponsored Panel
Theory, Research Methodologies, and Praxis
Standing Group-Sponsored Panel2
L.29Reworking Labor-Based Grading Contracts for Historically Marginalized Students
Antiracism and Social Justice
Concurrent Panel6
LA.1From Passive Learners to Co-Creators: A Case Study on Open Pedagogy in First-Year Writing
First-Year Writing
Individual 30-Minute Presentation2
LA.3Getting at the B-sides of Black and Latinx Agency: Uniting Literacy History Interviews and Discourse Based Interviews to Explore Tacit Writing Practices
Theory, Research Methodologies, and Praxis
Individual 30-Minute Presentation1
LA.4Going Platinum on Techne Forge: The AI-generated B-side of Seminal 4Cs Rhetoric
Professional and Technical Writing
Individual 30-Minute Presentation2
LA.5Gossip on the (Quilted) Borders
Histories of Rhetoric
Individual 30-Minute Presentation1
LA.6Harmonizing Ethics and AI: Remixing Pedagogy for Linguistically Diverse FYC Students
First-Year Writing
Individual 30-Minute Presentation2
LA.7In the Year 2025: A Shift in Pedagogical Strategies to Ensure Rhetorical Intelligence Can Survive
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
LA.8Remixing the AI Conversation: Using AI as the Model to Imitate and Not Fear
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
LA.9Remixing the Research Project: Teaching Video Essays to Help Students Develop Transferable Writing Skills
Information Literacy and Technology
Individual 30-Minute Presentation2
LA.10Remixing the Role of Aesthetics in Technical and Professional Communication
Professional and Technical Writing
Individual 30-Minute Presentation1
LA.11Remixing Writing Center Practices: Tutors’ AI Stories
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation1
LA.12The Integration of Multimodal Assignments in Rhetoric and Composition Courses to Enhance Multilingual Students’ Genre Awareness and Digital Literacy Skills
First-Year Writing
Individual 30-Minute Presentation2
LA.13The Mixtape as Narrative: Exploring Collage and Multivocality in the First-Year Writing Classroom
Language, Literacy, and Culture
Individual 30-Minute Presentation1
LA.14To Make and To Heal: Writing about Music in the First-Year Composition Classroom
First-Year Writing
Individual 30-Minute Presentation1
LB.1Maybe ChatGPT Can Finally Drag Writing Instruction Kicking and Screaming into the 1970s
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
LB.2Innovative Strategies for AI Tools in Writing Classrooms: Balancing Ethics and Effectiveness
Information Literacy and Technology
Individual 30-Minute Presentation2
LB.3Is Workplace Writing Remixing with GAI? Exploring Potential Implications for Undergraduate Writing Instruction
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
LB.4It’s All Music: The Power of Song in/for Rhetorical Analysis
Language, Literacy, and Culture
Individual 30-Minute Presentation1
LB.5Linguistic Justice, Self-Placement, and Local Writing Constructs: Aligning Programmatic Practices, Institutional Mission, and Classroom Pedagogy
Antiracism and Social Justice
Individual 30-Minute Presentation2
LB.6Love the Game and the Player: Using Students’ Value of Video Games to Develop Rhetorical and Genre Skills
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
LB.7Making Meaning through Musical Traditions: Documenting and Preserving Cultural Heritage in the Landscape of Refugee Camps and Beyond
Language, Literacy, and Culture
Individual 30-Minute Presentation1
LB.8Making Space for Métis: Remixing Writing Assignments
Inclusion and Access
Individual 30-Minute Presentation1
LB.9Melodies of Our Mothers: Lullabies and Children’s Songs as Bearers of Cultural Memories in Immigrant Populations
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
LB.10Remixing the Semester: Building a First-Year Writing Curriculum around the Concept of Remix Canceled
First-Year Writing
Individual 30-Minute Presentation0
LB.11Remixing Writing Instruction with GAI: Strategies for Brainstorming and Peer Review
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
LB.12Modes of Racial Representation: Racial Literacy and Multimodality in the Digital Age of Anti-Black and Anti-Asian Racism during the COVID-19 Pandemic
Antiracism and Social Justice
Individual 30-Minute Presentation1
LB.13Transcend the Boundary of Genres and Languages: Multilingual Genre Knowledge in Cross-Genre and Cross-Language Writing
Language, Literacy, and Culture
Individual 30-Minute Presentation1
LB.14Transnational Citizenship-Making and Emotional Mixing: How Taiwanese Americans Emotionally Fashion Transnational Citizenship
Language, Literacy, and Culture
Individual 30-Minute Presentation1
M.1The "ai" ["love" in Chinese] of AI in the Writing Classroom, Workplace, and Public Sphere
Language, Literacy, and Culture
Concurrent Panel5
M.2A New Song on the Border: Remixing Writing Pedagogy and Assessment
First-Year Writing
Concurrent Panel4
M.3B-side, Be Heard: Voice Development, Virtual Spaces, and Vulnerability in the Feedback Process
First-Year Writing
Concurrent Panel3
M.4Black Girl Literacies, Black Girl Futures, and Black Girl Remix: Exploring Black Feminist Sonic Rhetoric
Language, Literacy, and Culture
Concurrent Panel5
M.5Can AI Talk Like a Writing Tutor? An Exploration
Writing Centers (including Writing and Speaking Centers)
Concurrent Panel4
M.6Dance as Multimodal Communication in First-Year Composition: Celebrating Students’ Sociocultural Identities and Diversities
Language, Literacy, and Culture
Concurrent Panel2
M.7Extending Play in Composition: An Album in Four Tracks
Approaches to Teaching and Learning
Concurrent Panel6
M.8Methodological Remixes in Women’s Rhetorical History
Histories of Rhetoric
Concurrent Panel5
M.9Multiliteracy Center B-side: Collaborative and Creative Programming with Technology That Extends “Play” across Disciplines
Writing Centers (including Writing and Speaking Centers)
Concurrent Panel3
M.10Program and State Learning Outcomes (Re)Mix: Centering Play and Inclusion through Assessment (Re)Design
First-Year Writing
Concurrent Panel4
M.11Remixing Disruption: Amplifying Marginalized Multimodal Knowledges in First-Year Writing
First-Year Writing
Concurrent Panel5
M.12Remixing Pedagogy: Ethical Approaches to Flexible, Inclusive, and Transferable Writing Instruction
Approaches to Teaching and Learning
Concurrent Panel5
M.13Remixing Writing as Resistance to “Grind Culture”
Approaches to Teaching and Learning
Concurrent Panel2
M.14Resisting Closure: Three Late-Career Projects on Life-Writing and Trauma
Creative Writing and Publishing
Concurrent Panel4
M.15Safe Spaces, Echo Chambers, and the Rhetorical Space of the First-Year Composition Classroom
First-Year Writing
Concurrent Panel5
M.16Strengths and Challenges in the Brave New World of AI: Student Performances Analyzed in Controlled and AI Classrooms
Information Literacy and Technology
Concurrent Panel2
M.17The B-side of the Student Body: How International Students and Immigrants Nuance Writing and Knowledge Production
Language, Literacy, and Culture
Concurrent Panel5
M.18Writing Center B-sides: Extending to Students, Technologies, Writings
Writing Centers (including Writing and Speaking Centers)
Concurrent Panel4
M.19Toward a B-side Research Collective: Meeting the Urgency of our Moment in Higher Education with Transformative, Transgressive Methodological Remixes
Theory, Research Methodologies, and Praxis
Engaged Learning Experience4
M.20Writing a New Song for Composition: An Engaged Musical Learning Experience
Approaches to Teaching and Learning
Engaged Learning Experience4
M.21“Remixing” Faculty Development: Working Groups as a Model for Inclusivity
Approaches to Teaching and Learning
Roundtable Session7
M.22AI and Embodiment: Laboring, Feeling, and Sensing with Automated Writing Machines
Information Literacy and Technology
Roundtable Session7
M.23Not Beyoncé: We Are the Invisible, B-side Teachers and Writers of Rhetoric to Remix, Report, and Risk for Playing against the Norm
Language, Literacy, and Culture
Roundtable Session4
M.24Retrospective: Research in Writing Assessment and the Impact of the Journal of Writing Assessment
Approaches to Teaching and Learning
Roundtable Session11
M.25Environmental Rhetoric Remix: Sampling Interdisciplinary Concepts of Place, Sustainability, and Ethics
Community, Civic, and Public Contexts of Writing
Standing Group-Sponsored Panel4
M.26Much to Love and Much to Loathe in Our Leave-Takings: Navigating Professional and Personal Transitions in a Digital Environment
Institutions: Labor Issues, Professional Lives, and Survival
Standing Group-Sponsored Panel6
M.27Remixing Assignments for Working-Class Students: Charrette as Collaborative Redesign
Approaches to Teaching and Learning
Standing Group-Sponsored Panel8
M.28Spirituality in the Writing Classroom
Approaches to Teaching and Learning
Standing Group-Sponsored Panel9
MA.1Movement Music: Distinguishing Meaning and Perception
Community, Civic, and Public Contexts of Writing
Individual 30-Minute Presentation1
MA.2Moving Source Evaluation from the B-side to the A-side: Building Students’ Digital Literacy Skills for an Information Landscape with Bias and Misinformation
Information Literacy and Technology
Individual 30-Minute Presentation1
MA.3Narrative, Community, and Student Experience: Revising First-Year Writing Objectives and Assignments for Student Engagement and Success
First-Year Writing
Individual 30-Minute Presentation2
MA.4Negotiating Polycentric Power Dynamics through Digital Multimodal Composing
Language, Literacy, and Culture
Individual 30-Minute Presentation2
MA.5Oblique Strategies in the Classroom Canceled
Approaches to Teaching and Learning
Individual 30-Minute Presentation0
MA.7PEUMO: A Computational Tool to Support the Writing of Technical Engineering Reports in Spanish
College Writing and Reading
Individual 30-Minute Presentation1
MA.8Public Access in Brazilian Higher Education: Describing the Edital Genre as a Bureaucratic Remix
Professional and Technical Writing
Individual 30-Minute Presentation1
MA.9Public Speaking and the Research Essay: Remixing and Looping Back
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
MA.10Remixing Writing Pedagogy: Bridging Cultural Identities and Nonstandard Genres in Multilingual Classrooms Canceled
First-Year Writing
Individual 30-Minute Presentation0
MA.11The Rhythms of Rhetoric in the Writing Center
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation1
MA.12Understanding Epistemic Injustice and Epistemic Rights: A Holistic Approach
Inclusion and Access
Individual 30-Minute Presentation1
MA.13Voice in AI-Assisted Multimodal Writing: Stories from Two Sides
College Writing and Reading
Individual 30-Minute Presentation1
MB.1Remixing Citation Assessment: A Computational-Rhetorical Approach
First-Year Writing
Individual 30-Minute Presentation1
MB.2Remixing “Resistance”: Centering Critical Literacy in GTA Practicum Courses Canceled
Writing Programs
Individual 30-Minute Presentation0
MB.3Remix and Generative AI as Interdisciplinary Creative Exploration in a Visual Rhetoric Course
Information Literacy and Technology
Individual 30-Minute Presentation1
MB.4Rebranding the General Education B-side through Abundance
Writing Abundance
Individual 30-Minute Presentation1
MB.5Reflective Writing as Composition’s B-side: Integrating, Instructing, and Assessing Metacognitive Writing as a Foundational Skill
Approaches to Teaching and Learning
Individual 30-Minute Presentation2
MB.6Relevant Implications of Hybrid Contract Grading as a B-side Approach in First-Year Composition Courses during the COVID-19 Pandemic
Approaches to Teaching and Learning
Individual 30-Minute Presentation2
MB.7Remix: Global South Vibes
Language, Literacy, and Culture
Individual 30-Minute Presentation1
MB.8Remixing a Classic: Janet Emig’s “Writing as a Mode of Learning” in the AI Moment
Theory, Research Methodologies, and Praxis
Individual 30-Minute Presentation1
MB.9Remixing a Rural Health Framework for Writing Courses
Writing Abundance
Individual 30-Minute Presentation2
MB.10Remixing and Extending Our Pedagogy: Promoting Collaboration between TESOL and Writing Studies to Support Multilingual Students in First-Year Writing
Approaches to Teaching and Learning
Individual 30-Minute Presentation1
MB.11Responding to the Machines: Remixing Policy and Pedagogy in Reaction to AI
Writing Programs
Individual 30-Minute Presentation2
MB.12The Sites, Moments, and Tools of Writing Transfer
College Writing and Reading
Individual 30-Minute Presentation1
MB.13Using Protest Music to Foster Criticality and Empathy in First-Year Composition Classrooms through International Collaboration
Language, Literacy, and Culture
Individual 30-Minute Presentation1
MB.14Writing Groups Remixed: Contemplative Approaches, a Global Citizenship Ethos, and Senior Capstone Writers
Writing Centers (including Writing and Speaking Centers)
Individual 30-Minute Presentation2
MW.1ACCESS in Action: Accessible and Inclusive Course Design Strategies
Inclusion and Access
Workshop3
MW.2Effective and Ethical Approaches to Sentence-Level Feedback on Student Writing
Approaches to Teaching and Learning
Workshop12
MW.3Extended Play: Exploring Generative AI in Online Writing Instruction
Information Literacy and Technology
Standing Group-Sponsored Workshop9
MW.4From Bad Ideas to Good Practices of AI and Writing in College
Approaches to Teaching and Learning
Workshop4
MW.5Generative AI and Writing Assessment: Cosponsored Workshop by the Writing Assessment SIG and the MLA-CCCC AI Task Force
Information Literacy and Technology
Workshop4
MW.6Humanizing Basic Writers, Transforming Basic Writing Programs: Enacting Mike Rose’s Model of Remix, Collaboration, and Creativity
Inclusion and Access
Standing Group-Sponsored Workshop12
MW.7Playing OUR Songs: CCCC Edits Wikipedia Canceled
Information Literacy and Technology
Workshop5
MW.8Remixing B-sides of AI in Writing Classrooms and Writing Programs
Information Literacy and Technology
Workshop5
MW.9Remixing the Writing Classroom for Social-Global Justice
Antiracism and Social Justice
Workshop3
MW.10Writing Programmatic Self-Studies: Gathering Data and Advocating for Change
Writing Programs
Workshop13
MW.11Writing Research Proposals Workshop
Theory, Research Methodologies, and Praxis
Standing Group-Sponsored Workshop7
MW.12Writing with Executive Dysfunction
Inclusion and Access
Workshop3
PS.1Undergraduate Researcher Poster Session
Theory, Research Methodologies, and Praxis
Poster20
PS.2“Benevolent Paternalism” and the Contingent Writing Faculty Experience: Developing an Action-Oriented Contingent Faculty Development Model (Poster Session)
Institutions: Labor Issues, Professional Lives, and Survival
Poster1
PS.3A Community Building Remix: Zine Workshop in a University Learning Center (Poster Session)
Writing Centers (including Writing and Speaking Centers)
Poster2
PS.5Communicating Heat Health in Rural Mexico: Formulating Rhetorical Decolonial Approaches to Research Challenges (Poster Session)
Professional and Technical Writing
Poster5
PS.6Decoding Bias and Diversity: Analyzing Representation in AI-Generated Wedding Imagery through Visual Communication and Social Justice Perspectives (Poster Session)
Antiracism and Social Justice
Poster3
PS.7From Exigence to Compassion: Remixing Rhetoric, Making It Real (Poster Session)
College Writing and Reading
Poster1
PS.8Reading Identity and Oppression in Composition Reading Scholarship: A Content Analysis Intended to Improve Disciplinary Specialization in Reading (Poster Session)
College Writing and Reading
Poster1
PS.9Remixing Writer Authority through Collaboration: How Writing Tutors Orient to Writer and Tutor Authority (Poster Session)
Writing Centers (including Writing and Speaking Centers)
Poster1
PS.10Alternative Assessment: Prevalent Scholarly Conceptions and Models (Poster Session)
Approaches to Teaching and Learning
Poster1
PS.11An AI Remix of First-Year Writing & Research Courses: Insights from a Pilot Study (Poster Session)
Information Literacy and Technology
Poster4
PS.12Bans, Challenges, Curation, and Trash: When Private Interests Dictate Public Resources (Poster Session)
Language, Literacy, and Culture
Poster1
PS.13Conversations and Collaborations: Mapping the Landscape of Secondary-University Writing (Poster Session)
College Writing and Reading
Poster3
PS.14Creating Accessible Texts with Adaptive Technologies: Remixing Access and Accessibility (Poster Session)
Inclusion and Access
Poster1
PS.15Developing Critical Reading and Feedback Skills: An Experimental Study of a Peer Review Unit in First-Year Composition (Poster Session)
First-Year Writing
Poster1
PS.16Embedding Analytical Writing in a Core Texts Program: A Case Study from the Humanities Program at Revelle College, UC San Diego (Poster Session)
First-Year Writing
Poster1
PS.17Ex Machina: Remixing AI through the Personalities of Classical Rhetoric (Poster Session)
Approaches to Teaching and Learning
Poster1
PS.18Longitudinal Study of Student Reading (Poster Session)
College Writing and Reading
Poster1
PS.19Remixing ELA Pedagogy with FRACAS: Enhancing Information Literacy through Play (Poster Session)
Information Literacy and Technology
Poster1
PS.20Tactical Workplace Literacy across Industries: Creative Workarounds and Remixes (Poster Session) Canceled
Professional and Technical Writing
Poster0
PS.21Collaborating with AI in an Online Class (Poster Session)
Information Literacy and Technology
Poster1
PS.22Creative or Complicated? Asking AI to Talk about Itself (Poster Session)
Theory, Research Methodologies, and Praxis
Poster1
PS.23Implementing a Successful Corequisite English Program in Rural Louisiana (Poster Session)
First-Year Writing
Poster1
PS.24Radio Killed the Vacation Vibes: Confronting Colonialism through Hawaiian Sovereignty Songs (Poster Session)
Community, Civic, and Public Contexts of Writing
Poster1
PS.25Remixes and B-sides: Tailoring Composition Curriculum for Enhanced Engagement through Dynamic Student Presentations (Poster Session)
First-Year Writing
Poster3
PS.26Remixing the Community: Composition Students’ Creative Engagement with Local Archives (Poster Session)
Histories of Rhetoric
Poster1
PS.27Strike a (Dis)Chord with Collaborative Learning: Resource Sharing and Digital Spaces (Poster Session)
Information Literacy and Technology
Poster1
PS.28The Graduate Writing Center as a B-side of Writing Support in Higher Education (Poster Session)
Writing Centers (including Writing and Speaking Centers)
Poster1
PS.30Viral Feminism: How the Feminist Movement Has Shaped Digital Rhetoric (Poster Session) Canceled
Information Literacy and Technology
Poster0
QRNQualitative Research Network
Theory, Research Methodologies, and Praxis
Workshop2
RNFResearch Network Forum
Theory, Research Methodologies, and Praxis
Workshop13
SW.1"You Are Entirely More than the Job Market”: Crafting Prefigurative Counterstories on the Job Market
Institutions: Labor Issues, Professional Lives, and Survival
Workshop4
SW.2An Afternoon of Community Building through Audio Storytelling
Information Literacy and Technology
Standing Group-Sponsored Workshop8
SW.3Community Writing Mentorship Workshop
Community, Civic, and Public Contexts of Writing
Workshop10
SW.4Engaging in Computer Love: Navigating toward Culturally Relevant Pedagogy and Multimodality in Composition
Approaches to Teaching and Learning
Workshop2
SW.5Exercises in Attunement: A Creative Work-in-Progress Workshop for Writing Teachers by CLJ’s Coda
Community, Civic, and Public Contexts of Writing
Workshop10
SW.6From Draft to Publication: A Hands-on, How-to Workshop on Publishing in Peer-Reviewed Journals
Institutions: Labor Issues, Professional Lives, and Survival
Workshop7
SW.7Shared Dancing at the Silent Disco: A Creative Nonfiction Writing Workshop
Creative Writing and Publishing
Standing Group-Sponsored Workshop9
SW.8Text Power Telling: Remixing Community and Technology to Create Safe Writing Spaces for Sexual Trauma Survivors
Community, Civic, and Public Contexts of Writing
Workshop3
T2TTeacher to Teacher
Approaches to Teaching and Learning
35
TSIG.1American Indian Caucus Business Meeting
Institutions: Labor Issues, Professional Lives, and Survival
Special Interest Group/Business Meeting3
TSIG.2Arab/Muslim Caucus Business Meeting
Institutions: Labor Issues, Professional Lives, and Survival
Special Interest Group/Business Meeting2
TSIG.3B-sides, Remix, Collaboration, and Creativity: NNESWIs’ Teaching and Research Practices
Theory, Research Methodologies, and Praxis
Special Interest Group/Business Meeting1
TSIG.4Black Caucus Business Meeting (MOVED from Thursday at 6:30 pm in Room 308)
Inclusion and Access
Special Interest Group/Business Meeting2
TSIG.5CCCC Intellectual Property in Composition Studies Standing Group Business Meeting
Community, Civic, and Public Contexts of Writing
Special Interest Group/Business Meeting6
TSIG.6CCCC Labor Caucus Business Meeting
Institutions: Labor Issues, Professional Lives, and Survival
Special Interest Group/Business Meeting1
TSIG.7CCCC Standing Group on Online Writing Instruction (OWI): 2025 Business Meeting
College Writing and Reading
Special Interest Group/Business Meeting1
TSIG.8Cognition and Writing Business Meeting
Approaches to Teaching and Learning
Special Interest Group/Business Meeting2
TSIG.9Community Writing and Public Rhetorics
Community, Civic, and Public Contexts of Writing
Special Interest Group/Business Meeting3
TSIG.10Council for Play and Game Studies: Business Meeting
Approaches to Teaching and Learning
Special Interest Group/Business Meeting2
TSIG.11Council on Basic Writing Special Interest Group
Inclusion and Access
Special Interest Group/Business Meeting1
TSIG.12Disability Studies Standing Group Annual Meeting
Inclusion and Access
Special Interest Group/Business Meeting2
TSIG.13Dual Enrollment Collective Standing Group Business Meeting
First-Year Writing
Special Interest Group/Business Meeting2
TSIG.14Environmental Rhetoric & Advocacy Standing Group Meeting
Community, Civic, and Public Contexts of Writing
Special Interest Group/Business Meeting1
TSIG.15High School/College Writing Connections SIG
College Writing and Reading
Special Interest Group/Business Meeting2
TSIG.16International Writing Centers Association Business Meeting
Writing Centers (including Writing and Speaking Centers)
Special Interest Group/Business Meeting2
TSIG.17Jewish Caucus Business Meeting
Inclusion and Access
Special Interest Group/Business Meeting1
TSIG.18Legal Writing & Rhetoric Standing Group Business Meeting
Professional and Technical Writing
Special Interest Group/Business Meeting1
TSIG.19Medical Rhetoric Standing Group Business Meeting
Community, Civic, and Public Contexts of Writing
Special Interest Group/Business Meeting1
TSIG.20Mothers in Rhetoric and Composition SIG
Institutions: Labor Issues, Professional Lives, and Survival
Special Interest Group/Business Meeting1
TSIG.21National Archives of Composition & Rhetoric SIG
Histories of Rhetoric
Special Interest Group/Business Meeting4
TSIG.22Second Language Writing Standing Group Business Meeting
Approaches to Teaching and Learning
Special Interest Group/Business Meeting4
TSIG.23ePortfolios and Multimodal Composition SIG
Approaches to Teaching and Learning
Special Interest Group/Business Meeting3
TSIG.24Teaching for Transfer Standing Group Business Meeting
Approaches to Teaching and Learning
Special Interest Group/Business Meeting3
TSIG.25The Internship Special Interest Group Meeting Canceled
Community, Civic, and Public Contexts of Writing
Special Interest Group/Business Meeting0
TSIG.26The Role of Reading in Composition Studies
College Writing and Reading
Special Interest Group/Business Meeting2
TSIG.27Undergraduate Research Standing Group: Open Meeting
Theory, Research Methodologies, and Praxis
Special Interest Group/Business Meeting4
TSIG.28Untenured and Alternative-Academic WPA Standing Group: Business Meeting
Writing Programs
Special Interest Group/Business Meeting4
TSIG.29WAC Standing Group Business Meeting
Writing Programs
Special Interest Group/Business Meeting4
TSIG.30Workplace Writing SIG
Professional and Technical Writing
Special Interest Group/Business Meeting1
ThinkTankThink-Tank for Newcomers: Developing Papers and Sessions for CCCC 2026
College Writing and Reading
Standing Group-Sponsored Panel2
W.1Creative-Critical Multimodal Play as Rhetorical Pedagogy and Practice
Theory, Research Methodologies, and Praxis
Workshop8
W.2Empowering Diverse Voices with Generative AI in Multilingual Composition Classrooms Canceled
First-Year Writing
Workshop0
W.3Feminist Workshop: Can I Get a Beat? Or, Collaboration and Publication in the Field
Creative Writing and Publishing
Standing Group-Sponsored Workshop34
W.4International Writing Research: Remixing Perspectives through Collaboration
Theory, Research Methodologies, and Praxis
Standing Group-Sponsored Workshop39
W.5Latinx Caucus Workshop
Inclusion and Access
Standing Group-Sponsored Workshop6
W.6Mixing It Up: Composing Undergraduate Research Practices into a New Tune
Approaches to Teaching and Learning
Workshop17
W.8The Generative AI Advantage in Teaching Writing
Information Literacy and Technology
Workshop3
WS-LWriting Studies-L Listening Session: From WPA-L to WS-L
Writing Programs
Session3