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Jimmy Butts
Listed at 10 conventions, 2011–2025, 10 listings.
changes of institution This name appears at several institutions in sequence and is read as one person changing jobs.
Career strip
2000 2005 2010 2015 2020 2025 1998
2011: speaker (1) 2014: speaker (1) 2015: chair (1) 2017: chair (1) 2018: speaker (1) 2020: chair (1) 2021: chair (1) 2022: speaker (1) 2023: speaker (1) 2025: speaker (1)
speaker chair respondent facilitator other Grey band: 2000–2003, not in the corpus.
Listings
Year Session Role Affiliation as printed
2011 Serious Games and Digital Rhetoric “Prison Play: A Manifesto Concerning the Politics of Escape” Speakers
Clemson University, SC → Clemson University 2014 The Future Will Be Open Access: Economics and Materiality of Links and Code “Will Apocalyptic Writing be Open Access?” Speakers
Wake Forest, Winston-Salem, NC 2015 Enacting Rhetorical Criticism in Scientific and Technical Discourses Chair
Wake Forest, Winston-Salem, NC 2017 Language, Learning, and Literacy in the Classroom and the Community Chair
Louisiana State University, Baton Rouge → Louisiana State University 2018 Complex Structures, Continuity, and Assessing WPA Work “Programs Aren’t Islands: Mapping the Interrelationships of Complex Writing Programs” Speakers
Louisiana State University, Baton Rouge → Louisiana State University 2020 Diverse and Common Places: Issues of Inclusion in Professional and Technical Writing Chair
Louisiana State University, Baton Rouge → Louisiana State University 2021 Uncommon Ground: A/typical Practices and Values in Composing New A/topias On-Demand Session Chair
Louisiana State University → Louisiana State University 2022 Composing in a Time of Trauma, Death, and Pandemic “WAD Curriculum: Teaching Students to Write the Unwritable” Speakers
Louisiana State University → Louisiana State University 2023 Historical Perspectives and Contemporary Composition “Cahiers De Doléances: Who Could Know the Genres of Hope and Disaster?” Speakers
Louisiana State University → Louisiana State University 2025 Listen: Synthesizers, Feedback Loops, and Sampling as Models in Composition Speaker(s)
LSU
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