Terra Incognita: Methods and Strategies for Creating a Global Writing Curriculm
| Role | Name as printed | Affiliation as printed | Paper |
|---|---|---|---|
| Chair | Philip Kain | New York University, NY → New York University | |
| Speakers | Philip Kain | New York University, NY → New York University | The Global Campus: Using Pedagogy to Bridge Technology |
| Speakers | Suzanne Mengraj | New York University, NY → New York University | How to Write about Cultures You Haven’t Lived |
| Speakers | Carley Moore | New York University, NY → New York University | Florence, Istanbul, and New York: Reading City Streets in Student Writing |
| Speakers | James Polchin | New York University, NY → New York University | Can the Personal Essay Survive Globalization? |
| Speakers | Elayne Tobin | New York University, NY → New York University | Writing and Translation: New Questions for the Global Liberal Arts |
| Speakers | Christopher Packard | New York University, NY → New York University | Thick Listening |
| Speakers | Nina D’alessandro | New York University, NY → New York University | Improvising Strangers: Jazz as a Global Model for Reading Cultures |
Source
NCTE's program, near page 305 of the file. Names link to a person page only for people listed at two or more conventions.
Cite as: Conference on College Composition and Communication. “Terra Incognita: Methods and Strategies for Creating a Global Writing Curriculm.” 2009 Convention Program, San Francisco, session P.6. Via CCCC Program Reader, November 2, 2026.