Three Ripples on Performance: Across Authorship, Transgenre, and Dramatism
| Role | Name as printed | Affiliation as printed | Paper |
|---|---|---|---|
| Chair | Lane Davey | University of Hawaiʻi at Mānoa → University of Hawaiʻi at Mānoa | |
| Speakers | Gemma Cooper-Novack | Syracuse University, NY → Syracuse University | How Critical Audience Shapes Authorship: The Resuscitation of the Author |
| Speakers | Kristin LaFollette | Bowling Green State University, OH → Bowling Green State University | The Queer Art of Writing: (Re)Imagining Scholarship and Pedagogy through Transgenre Composing |
| Speakers | Valerie Vancza | Suffolk University, Boston, MA → Suffolk University | Upstage Center in Class to Backstage Right in Conference: Pentadic Writing Performances Unmasked |
Source
NCTE's program, near page 197 of the file. Names link to a person page only for people listed at two or more conventions.
Cite as: Conference on College Composition and Communication. “Three Ripples on Performance: Across Authorship, Transgenre, and Dramatism.” 2019 Convention Program, Pittsburgh, session G.31. Via CCCC Program Reader, November 3, 2026.