| 1998 | Phenomenology and Expressivism | Chair |
Arizona State University, Phoenix → Arizona State University |
| 2004 | Spinning Composition: PR, Techno, and Business Matters in Composition Studies | Chair |
Utah Valley State College, Orem → Utah Valley University |
| 2004 | Spinning Composition: PR, Techno, and Business Matters in Composition Studies
“Composition (Ironically) Matters: Critiquing Media Events and/vs. the Seduction of Media Love” | Presenters |
Utah Valley State College, Orem → Utah Valley University |
| 2004 | Junior Writing Program Administrators: Who Matters and Why?
“Gender Matters: WPA Work and What I Learned from the ‘Bully Broads’” | Presenters |
Utah Valley State College, Provo → Utah Valley University |
| 2006 | McCarthyism, Scapegoating, and Progressive
“‘Documenting’ a Genre/Coalition for Progressive Resistance” | Speakers |
Utah Valley State College, Orem → Utah Valley University |
| 2006 | SIG for The Teaching and Mentoring of TAs and Instructors in Composition
“Professional Shadows: ‘Unofficial’ Mentors in the Development Scene” | Speakers |
Utah Valley State College, Provo → Utah Valley University |
| 2006 | From Crisis to Panacea to Chaos to Dissensus to. . . | Chair |
Utah Valley State College, Provo → Utah Valley University |
| 2007 | 1963: The Origin of Modern Composition, Part 1
“Totally, Tenderly, Tragically: Godard’s Contempt & Identity Crises in Film Culture” | Speakers |
Utah Valley State College, Orem → Utah Valley University |
| 2008 | Composing Reality: Composing Virtual Pleasure
“Composing Reality: Virtual Shopping and/as The New Consumerism” | Speakers |
Utah Valley University, Orem → Utah Valley University |
| 2009 | Streaming New Media | Speakers |
Utah Valley University, Orem → Utah Valley University |
| 2010 | Questioning Traditional Connections between High School | Chair |
Utah Valley University, Orem → Utah Valley University |
| 2011 | How I Stopped Worrying the Book and Learned to Love | Chair |
Utah Valley University, Provo → Utah Valley University |
| 2011 | How I Stopped Worrying the Book and Learned to Love
“How I Learned to Stop Worrying the Book and Love Digital Filmmaking” | Speakers |
Utah Valley University, Provo → Utah Valley University |
| 2013 | The Stories We Tell: Reframing Instructional and Institutional Identities | Chair |
Utah Valley University, Provo → Utah Valley University |
| 2014 | Open Rhetorical Filmmaking: Aesthetics, Ethics, Cognition, and Production
“Open Aesthetics” | Speakers |
Lewis University, Romeoville, IL → Lewis University |
| 2015 | Making and Doing: Multimodal Reading and Digital Compositions
“DIY Digital Composing and/as Optimistic Failure” | Speakers |
Lewis University, Naperville, IL → Lewis University |
| 2016 | Citation Practice, Documentation Style, and Scholarly
“How Do I Cite the Stephen Hawking Hologram?” | Speakers |
Lewis University → Lewis University |
| 2017 | Cultivating Cinematically, Composing Collectively | Chair |
Lewis University → Lewis University |
| 2017 | Cultivating Cinematically, Composing Collectively
“Composing a Cruel Collective” | Speakers |
Lewis University → Lewis University |
| 2019 | Performance-Rhetorics and/as Affective Intensity: Chora, Film, Image, and Narrative | Speakers |
Northern Illinois University, DeKalb → Northern Illinois University |
| 2024 | We Are Too Much: Celebrating Cringe Comp and the Generative Joy of Vulnerability
“Cringe Benefits” | Speaker(s) |
North Central College → North Central College |
| 2025 | A Different Kind of Love: AI, Affect, and Authenticity | Speaker(s) |
Northern Illinois University → Northern Illinois University |
| 2025 | A Different Kind of Love: AI, Affect, and Authenticity | Speaker(s) |
Northern Illinois University → Northern Illinois University |
| 2025 | A Different Kind of Love: AI, Affect, and Authenticity | Speaker(s) |
Northern Illinois University → Northern Illinois University |