| 2009 | Orchestrating Change: Harmonizing the Personal and the Digital in a “Community of Learning”
“The Many to the One: Dialogues between Students and the Program” | Speakers |
University of South Florida, Tampa → University of South Florida |
| 2010 | Re-Composition: Remixers’ Literacy, Legality, and Authority
“Fan Culture and Remix Literacies” | Speakers |
University of South Florida, Tampa → University of South Florida |
| 2011 | Code-Switching, Code-Meshing, and Contrastive Rhetoric | Chair |
University of South Florida, Tampa → University of South Florida |
| 2012 | The Liminality of Listening and Epistemologies of Sound
“Musical Rhetoric in the Delivery of the Digital and the Dance” | Speakers |
University of South Florida, Orlando → University of South Florida |
| 2013 | Serving Those Who Serve | Chair |
University of South Florida, Tampa → University of South Florida |
| 2014 | Who Defines Their Rights? Opening and Resisting Access | Chair |
Rockford University, IL → Rockford University |
| 2014 | Opening Doors for Multimodal Composers: Intellectual | Workshop Leaders |
Rockford College, IL |
| 2015 | Rhetorics of Risk, Loss, Nostalgia, and Connection in Sonic Composing Practices
“Composing Audiences, Influences, and Classical Music” | Speakers |
Rockford University, IL → Rockford University |
| 2016 | Critical Soundplay: An Audio Composing Workshop
“Remixing Copyrighted Music” | Speakers |
Rockford University → Rockford University |
| 2017 | Soundwriting Pedagogies: Teaching Audio and Cultivating Community | Speakers |
Rockford University → Rockford University |
| 2018 | Soundscaping Rhetoric
“Soundscape Surprises: Expectations in Music, Creative Writing, and Pedagogy” | Speakers |
Rockford University, IL → Rockford University |
| 2018 | Students’ Rights to Their Own Intellectual Property
“Students’ Rights to Their Own Intellectual Property” | Chair |
Rockford University, IL → Rockford University |
| 2019 | Is Breaking Bad? Creative Composing with Other People’s Intellectual Property | Speaker |
Rockford University, IL → Rockford University |
| 2019 | Soundwriting in the Composition Classroom: Why and How | Workshop Facilitators |
Rockford University, IL → Rockford University |
| 2023 | Sound | Speakers |
Rockford University → Rockford University |
| 2023 | Listening to Enhance Soundwriting | Speakers |
Rockford University → Rockford University |
| 2024 | Creative-Critical Methods That Prioritize Sensorial Meaning-Making
“Composing Archival Histories” | Speaker(s) |
Rockford University → Rockford University |
| 2025 | An Afternoon of Community Building through Audio Storytelling | Speaker(s) |
Rockford University → Rockford University |
| 2025 | CCCC Intellectual Property in Composition Studies Standing Group Business Meeting | Speaker(s) |
Rockford University → Rockford University |
| 2026 | Capturing Community Conversations: An Audio Storytelling Workshop | Workshop Leader |
Rockford University → Rockford University |
| 2026 | CCCC Intellectual Property in Composition Studies Standing Group Business Meeting | Roundtable Leader |
Rockford University → Rockford University |
| 2027 | Sound Publishing: Practical Perspectives from a Growing Sonic Rhetorical Field | Presenter |
Rockford University → Rockford University |