Preservation, Curation, and Researching in the Archives
| Role | Name as printed | Affiliation as printed | Paper |
|---|---|---|---|
| Presenter | John Walter | Preserving Digital Scholarship: Variable Media Questionnaire Case Studies | |
| Presenter | Ian Golding | Unseen Anxieties: Uncovering Technology Tensions in a Hidden Archive | |
| Presenter | Lee Hibbard | Feminist Archiving as Phronesis: Archive of Our Own and Creating Space for Interactive Digital Curation | |
| Presenter | Madison Jewell | Contemporary scholarship in writing studies has consid ered social media from various angles, including how it may be incorporated into the classroom and academia in general. This panel seeks to continue discussions of how social media serve as a viable and robust site for culti vating meaning and identification though practitioner and student research. This panel discusses preservation, curation, and the boundaries of digital archiving and curation processes. John Walter uses the Variable Media Questionnaire, a preservation heuristic developed by the Guggenheim and the Langlois Foundation for ephemeral and multimodal art; Ian Golding reexamines the history of technology within the 1990s composition class through a previously undiscovered cache of twenty year-old writing student portfolios; and Lee Hibbard describes feminist archiving as phronetic process, highlighting the work of the website Archive of Our Own (AO3). 3D Printing and the Importance of STEM and Humanities Collaboration in Utilizing Emerging Technological Capabilities | |
| Presenter | Wright State University | Contemporary scholarship in writing studies has consid ered social media from various angles, including how it may be incorporated into the classroom and academia in general. This panel seeks to continue discussions of how social media serve as a viable and robust site for culti vating meaning and identification though practitioner and student research. This panel discusses preservation, curation, and the boundaries of digital archiving and curation processes. John Walter uses the Variable Media Questionnaire, a preservation heuristic developed by the Guggenheim and the Langlois Foundation for ephemeral and multimodal art; Ian Golding reexamines the history of technology within the 1990s composition class through a previously undiscovered cache of twenty year-old writing student portfolios; and Lee Hibbard describes feminist archiving as phronetic process, highlighting the work of the website Archive of Our Own (AO3). 3D Printing and the Importance of STEM and Humanities Collaboration in Utilizing Emerging Technological Capabilities | |
| Presenter | Haley Shea Barfield | Exploring the Ethical Concerns of Brain-Computer Interface (BCI) and Transhumanism: A Choose-Your-Own-Adventure Webgame | |
| Presenter | University of North Georgia | Exploring the Ethical Concerns of Brain-Computer Interface (BCI) and Transhumanism: A Choose-Your-Own-Adventure Webgame |
Source
Program on the WAC Clearinghouse. Names link to a person page only for people listed at two or more conferences.
The program prints names only, with no institutions. Poster presentations are one merged session.
Cite as: Computers and Writing Conference. “Preservation, Curation, and Researching in the Archives.” 2018 Conference Program, Fairfax, Virginia, session D.13. Via Computers and Writing Program Reader, November 03, 2026.