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First-Year and Basic Composition

111 sessions. A heading name lists the sessions printed under it that year; a family name lists every session in the family.

YearCodeSession
2020A.14Contract Grading as Inclusive Practice
2020A.16Art-Making and the Teaching of Writing
2020A.26“The New Grading” and the Future of College
2020A.27Taking Writing Knowledge outside the Classroom
2020A.28Being Self-Reflexive through Virtual Commonplaces: Building Student Autonomy and Flexible Instructor
2020A.29Four Teachers Teaching: Pedagogy in the ALP Classroom
2020AW.9Reconsidering Basic Writing in the Changing Landscape
2020B.11Writing about Writing (WAW) in Scholarly and Pedagogical Spaces
2020B.14Alternative Practices of Feedback
2020B.20Reimagining Basic Writing: Questioning Our
2020B.26A Thirdspace for Commonplaces: The Writing Studio
2020B.27Considering Student and Instructor Experiences across
2020B.28Re-Thinking Audience in Multilingual, Translingual, and Digital Composition Pedagogy
2020B.29Building Community/Building a Text: Reflections on the Collaborative Process of Creating an FYW Open Access
2020C.11Learning from Students: Autoethnography, Reflection, and Identity
2020C.13Opportunities for Learning in Post-Truth Writing
2020C.14Redefining the Commonplaces of Information Literacy
2020C.20Using Labor-Based Contract Grading to Promote Equity
2020C.26Mending Ruptured Spaces: Beychella as the Entry Point
2020C.27“Everything old is new again.” - Carole Bayer Sager and Peter Allen
2020C.28The Classroom as a Common Place: Creating a Culture
2020C.29Transfer as Commonplace
2020D.12Teaching Social and Political Engagement through Social
2020D.13Using Empathy in the Classroom to Foster Social Justice
2020D.14Student Writer as Solicitor of Feedback: Shifting the Feedback Paradigm
2020D.15Elevating English 101: Revising the University of Maryland’s FYW Curriculum toward Social Justice and Civic Engagement
2020D.20Thinking Spatially: Geography, Place, and Carto-Composition
2020D.26Does Teaching Metacognition Lead to Metaliteracy?
2020D.27Complicating Retention Commonplaces: A Conversation
2020D.28Not as Common as We Think: Decoding the Assignment
2020D.29(Re)Configuring First-Year Composition Courses as Common Places
2020E.11Responding to AB 705: Reimagining Curriculum in California Community Colleges
2020E.12Valuing Linguistic Diversity
2020E.13Teaching for Social Justice in an Age of Trump
2020E.14Designing Inclusive Multimodal Studio Spaces
2020E.26Research Writing as a Commonplace in Feminist
2020E.27A Poet, a Compositionist, and a Librarian Walk into a Class: An Evidence-Based Look at Critical Service-Learning
2020E.28Reorganizing the Commonplace: Lessons Learned from Merging Two Institutions, Writing Programs, Cultures, and Faculty
2020F.1A Critical Transition: Examining and Interrogating the Commonplaces at Work in High School to College
2020F.10Theorizing Genre in the First-Year Writing Classroom 103 A (Wisconsin Center)
2020F.13Dual Enrollment Composition: Complicating the Common/Places of First-Year Writing
2020F.14Seeking Interdisciplinary Collaboration in the First-Year Writing Classroom
2020F.17Pedagogies of Mindfulness and Contemplation in First-Year Writing and Beyond
2020F.18Places of Faith and “Religious Friction”: Engaging Student Beliefs in the First-Year Writing Classroom
2020F.20Beyond Commonplace Race in the Composition
2020F.21Rhetoric Reimagined in the First-Year Composition Classroom
2020FSIG.52Council on Basic Writing SIG: Collaboration, Community, Caucusing
2020G.13Creating a Conduit to the Academic Commonplace for First-Generation Students Enrolled in an Introductory
2020G.14Two-Year College Tensions: Research, Curriculum, Self-Determination
2020G.16Responding to the Chair’s Call: Extending Conversations
2020G.17Enhancing the Use of Peer Review in the Writing
2020G.18Building a First-Year Composition Course in a Canadian
2020G.20“Mental Brilliance Is Not Essential”: Acknowledging the Inherent Power of Spoken and Kinesthetic Language in the First-Year Writing Classroom
2020G.21Do I Belong Here? Using Disruption to Break through Common Barriers in Corequisite Courses
2020H.12Co-Wrecking Basic Writing: Imagining New FYC Models
2020H.13Teaching Rhetorical Education in the Age of Trump: Student Right-Wing Activism and the Commonplace of Accountability in First-Year Composition
2020H.14Constructing Writerly Identities: Basic Writing, Failure, and the Self
2020H.16Humor and Pop Culture as Pedagogical Tools to Analyze
2020H.17Rhetorical Practices for Understanding Our Students, Colleagues, and Campuses: Listening, Role-Play, and Dialogue
2020H.18A Community Commonplace: Using Archives to Build
2020H.20Accounting for Quality Teaching in a Data-Driven World: Student Success, Instructional Practice, and DFW Rates
2020H.21Placement Ideologies and Enacted Reform
2020I.12From Receiver to Actor: Achieving Agency, Access, and Equity in the Developmental Writing Classroom
2020I.13The Challenges and Opportunities of Disrupting Developmental Writing Commonplaces in Two-Year
2020I.14Multimodal Aftermath: Digging Deeper into Multimodal Assessment and Design
2020I.16What We Can Use from Sound and Song: Sonic
2020I.17Further Understanding Multimodality: Creative and Complex Approaches to Multimodal Projects
2020I.18Becoming Strategic, Self-Regulated Writers: A Research-Based Approach for Basic Writing
2020I.20Standing by Students: Finding Uncommon Ground in Writing Programs
2020I.21Neoliberal Commonplaces in the American University: Planning, Branding, and Publics
2020J.12Expanding the Commonplace: Connecting First-Year
2020J.13Find and Replace: Revisiting the Commonplaces of Composing Technologies in First-Year Writing
2020J.14Critically Engaging Acceleration Initiatives and Corequisite Support
2020J.16Primary Research in the Composition Classroom
2020J.17The Functions of Composition Textbooks
2020J.18Faith, Doubt, and Spaces Between: Encountering Local
2020J.20The Imagined Student: Three Programs Striving for Inclusivity at Iowa
2020J.21Emotional Labour in Writing Pedagogy: Creating Inclusive
2020K.10Thinking about Feeling: The Role of Emotion in Reflective
2020K.11Creating a Common Place between L2 Writing Courses
2020K.12Complicating Assessment
2020K.14Empowering First-Year Writers
2020K.17Integration or Division of Labor: The Impact of FYC
2020L.10Disrupting Digital Commonplaces: Engaging Student
2020L.11Let’s Play! Games in the Writing Classroom
2020L.12Strategies for Increasing Student Engagement and Community in Online Writing Instruction
2020L.13Reflecting on Literacy: Enhancing Student Learning
2020L.14Emerging Pedagogy: Graduate Teaching Assistant
2020L.16When the Common Place of First-Year Composition in General Education Becomes Less Obvious, What Do We
2020L.17Something to Say: Invention, Self-Authorship, and the First-Year Veteran Transition
2020M.10The Universal First-Year Writing Requirement: Rethinking
2020M.11Exploring Reading and Writing Connections: Purpose, Plagiarism, and Mimesis
2020M.12Using Digital and Multimodal Composing to Foster
2020M.13Building Students’ Writing Studies Disciplinary
2020M.14Supporting Multilingual Writers in the Composition
2020M.16Critical Reflections on Critical Pedagogies: Pushing
2020M.17Connecting, Composing, and Cultivating Commonplaces-of-Emotion in First-Year Writing Courses
2020MW.9Plagiarism as Educational Opportunity: Transforming
2020N.10A Collaborative Approach to Overcoming the Critical
2020N.11Questioning Inclusion in the Commonplace of Composition
2020N.12Engineering Writing, Writing by Engineering Students
2020N.13Theorizing the Impact of Multimodality and Technology in the Classroom
2020N.14Classroom Practices, Student Engagement, and Diverse
2020N.16Time to Teach Them: The Commonplace(s) of Basic
2020N.17Cultivating Culturally Responsive English Composition Curriculum at the Two-Year College
2020SW.4Avoiding Placement “Commonplaces”: The Nuts and Bolts of Implementing Directed Self-Placement
2020SW.5Turning Theory into Practice: Pedagogies for Engaging
2020TSIG.22Dual Enrollment Special Interest Group
2020TSIG.23Intersectional Approaches to First-Year Composition
2020W.4Dual Enrollment Composition: Complicating the Commonplace of First-Year Writing
2020W.5Response as a Place for Writerly Common Ground: Refining Our Practices to Include Students into Academic