Working draft. The text and tools are still being checked, and corrections are welcome.

← All areas

Teaching and pedagogy

600+ sessions. A heading name lists the sessions printed under it that year; a family name lists every session in the family.

YearCodeSession
2004B.13Research in English as a Second Language
2004B.27“But I Thought That Was OK”: Plagiarism and the Changing Rules of the Computer Composition Classroom
2004B.28Comfort Food: Nourishing Student Writing
2004B.29Genre as Rhetorical Action
2004B.30Good Writing Is Good Writing Is Good Writing?
2004B.31Advocating Multigenres for Writing, Teaching, Learning
2004B.32New Approaches to Research Writing
2004B.33Compelling Confessions: Advocacy and the Politics of Personal Disclosure in the Composition Classroom
2004B.34Teaching Writing, Teaching Advocacy
2004B.35Homosexuality and Christianity: Making Tolerance Matter in Composition and Rhetoric
2004B.36The Reconstruction of Our Fast-Food Nation
2004B.5Rhetorical Risks: Cross-Cultural Research Methods
2004C.27Repositioning Students: Accessing Alternate Identities
2004C.28The National Writing Project At 30: New Challenges, New Approaches
2004C.29Making Multimedia Matter: Layering Knowledge, Ethos, And Literacies In The Composition Classroom
2004C.30In and Out of “Class”: Repositioning Ourselves and Our Discourses So That Literacy Matters
2004C.31Helping Students Write from Where They Live: Pedagogies of Space and Place
2004C.32Understanding and Conflict in the “Contact Zone”
2004C.33All the World Is a Classroom: Online Partnering for Revision and Team Assignments at Community Colleges and Universities Here and Abroad
2004C.34Revising Writing Instruction: Rhetorical Solutions
2004C.35Deception In The Classroom
2004C.36Expanding the Composition of Learning Communities: Our Changing Roles As Interpreters of Culture
2004D.10Community Matters: Their Citizenry and Boundaries
2004D.14Identity Politics, Difference, And Literacies
2004D.23“Emily” Speaks, Composition Responds: Stereotyping Appalachian Students As (Ab)Normal
2004D.24Mentoring Dissertations as Teaching Writing
2004D.25Faithful Pedagogies: Negotiating Spirituality in Composition
2004D.26Reviving Rhetoric In The Two-Year College
2004D.27Technology Literacy Matters In Urban And Rural Environs
2004D.28Making Texts Public: Students as Intellectual Citizens
2004D.8Composition at the Crossroads: Teaching Teachers in an Urban-University Writing Center
2004D.9Lessons for Learning Diversity With Writing At Home And Abroad
2004E.15Inventing the Sentence: Sense and Style
2004E.16Three Perspectives on Composition: How Composition Matters within and outside Academia
2004E.17Some Days the Bear Gets You: Using Cautionary Tales to Make Teaching and Writing Matter
2004E.19Inquiry And Argument: Tools for Individual Discovery, Analysis, and Growth
2004E.20Writing for Evaluation: Reflexivity in Student Writing
2004E.21Making Reading Matter: Engaging ESL and Developmental Students and Promoting Writing Proficiency
2004E.22The Dark Matters of Composition: Experiencing Service, Research, Global Citizenry, and Identities as Routes into Mystery
2004E.23Composition With the Community: writing for Advocacy
2004E.24Bending the Rules: When Basic Writers Leave College
2004E.30Women’s Political Rhetoric
2004E.32Writing in/for Film and Media Studies
2004F.10It Takes a University to Raise a Good Writer: Making Composition Matter Beyond the Composition Classroom
2004F.14Making Future Citizens through Service Learning
2004F.15Academic English as a Foreign Language: Helping Students Crack the Code
2004F.26Why Subject Matter Matters: The Cases of Science, Civics, and Literature
2004F.27“Facing History and Ourselves” in a Composition Course: The Transformative Possibilities of Connecting Holocaust
2004F.28Teaching Research Writing: A Look Across Disciplines
2004F.29Between Sympathy and Surveillance: The Ethics of Mentoring Writing Instructors
2004F.6“Can You Hear Me Now?”: The Effects of Proximity on Class Discussion
2004F.7Composing Activism: Queer Pedagogies for Diverse Classrooms
2004F.8Moving Beyond the Classroom: Innovative First-Year Writing Pedagogies
2004FSI.12Teachers of Writing for the Deaf and Hard of Hearing
2004FSI.19Conference On Basic-Writing Special Interest Group
2004FSI.3Annual Meeting of the Association of Teachers of Advanced
2004FSI.8Environment, Advocacy, and the Teaching of Writing
2004G.10Scientific Research and Writing in the Composition Classroom
2004G.11Making Composition Matter: Nontraditional Students And The Research Paper
2004G.12Writing-Center Collaborations, Literature Reviews, and Building
2004G.6Shaping A New Generation of Teachers of Writing through International Collaboration
2004G.7Where Does Invention Go after First-Year Composition?
2004G.8The Student Writer as Critic and Consumer: Why Do We Get
2004G.9Caught In The Crossfire: Advocating for Composition in a Military Institution
2004H.12Engaging Technologies, Engaging Pedagogies
2004H.17Balancing Student Interest And Course Objectives: Toward a Tradition of Visual Technology in the Composition Classroom
2004H.2Why Don’t We Just Study “English?”: Composition As Orientation to Higher Learning
2004H.29Making the Implicit, Explicit: Helping Students Take Control Of Their Success
2004H.30Stories That Matter: Using Narrative to Stir Things Up in the Multicultural Classroom
2004H.31Practices for Energizing Basic Writing
2004H.32Disrupting Conventions: Making Originality Matter in Academic Writing
2004H.33Composing Others/Composing Selves: The Ethnographic Essay
2004H.34Active Engagement in Education and Writing: Theory and Practice, Teachers and Students
2004H.35Making Students’ Views Of Composition Matter
2004H.36Class, Cultures, and Learning Styles
2004H.9Storytelling, Curriculum Development, and Change
2004I.1Merging Ideals and Realities: Students, Accountability, and the Practice of Teaching Composition
2004I.18Tied To The Mast? The Alluring Sights and Sounds of Technology
2004I.27The Rondo Project: Integrating Community-Based Learning through Oral Histories
2004I.28Making Each Voice Matter: Teaching Strategies for the Speaking-Intensive Composition Course
2004I.29There Is a Text in This Class
2004I.30Rhetoric and the Teaching of Writing in 2004
2004I.31Resident Aliens: Teaching Students and Colleagues What “Composition” Means
2004I.32Making Research Matter: Working toward Critical Research Writing through a New Composition Curriculum
2004I.33If It Ain’t Broke, Fix It Up: Finding New Ways to Tweak Traditional Ideas in the Writing Center and Writing Classroom
2004I.34Negotiating the Self in Academic Discourse
2004I.35Style: Grammar and Imitation
2004I.36(Re)Constructing Academic Spaces for Differently-Abled Students
2004I.5Theories and Varied Sites for Visual Rhetoric
2004J.1The Legacies of Burke, Steiner, and Wittgenstein
2004J.15Boredom
2004J.16Wicked Wiki Rhetoric: How Fast, How Far
2004J.17Writing the Word and the World: Critical Textual Production in a Critical Research Seminar
2004J.18How To Read An Essay
2004J.19Relocating The Composition Classroom: Demythologizing Notions Of The Thirteenth Grade
2004J.20Write ’em Cowgirl: “Riding Herd” on the Rhetoric of Presidents And Place in the Classroom
2004J.21Forming Connections: High School and College Collaborations
2004J.33Going Critical: Communication and Judgment in Instructor–Led Peer Conferences
2004J.34Making Composition Matter in a Litcomp Course
2004J.36Digging the Narrative Roots in the Composition Classroom
2004K.1Scholarship in Practice and Historical Context
2004K.10Asking Questions That Matter: Problem-Based Learning And Writing Instruction
2004K.27Effacing Binaries: Blurring the Boundaries of Speaking, Reading, and Writing in the Writing Center and the Computer-Mediated Classroom
2004K.28Writing Difference
2004K.29Rethinking Plagiarism
2004K.3“I Can’t Read,” Tina Whispered, Placing Her Gucci Bag on the Desk between Us: Defining the Categories of Race/Ethnicity, Class, and Gender in the Composition Classroom
2004K.4Composition Practices and Public Matters: Achieving and Assessing Public Awareness In and Out of the Classroom
2004K.5Service with a Smile: The Heart of the Matter
2004K.7Lessons Learned from Online Commenting: Providing Effective Feedback to Students
2004K.8Writing on the Border
2004K.9Sticking to the Storyline: Technology, Argument, and Identity
2004L.1Matters Of Faith: Institutional Identity, Student Needs, and Composition At A Faith-Based University
2004L.14Valuing Assessment and Assessing Our Values
2004L.25Developing a Nomenclature of Style: Implications for First-Year Composition
2004L.26Coming To Matter: Rethinking Production and Process in Media-Rich Composition Classrooms
2004L.27Evaluator as Advocate: Grading Matters in Composition
2004L.28“I’m Nobody! Who Are You?”: an Activist Approach to Teaching Audience
2004L.29Two Students Speak for Themselves
2004L.30Group Writing Assignments in Online Classes
2004L.32Theories of Collaboration, Interactive Authorship, and Reader-Reader Writer Intersubjectivity
2004L.35Unmaking and Remaking the World: the Pedagogy of Identity
2004M.13Framing Matters: Visual Media and the Teaching of Writing
2004M.26Bridging Cultural Divides with Writing over War and Other
2004M.27Issues and Innovations with Graduate Student Teachers and Teaching
2004M.28Developmental Writers: Online, Across The Curriculum, in Transformation
2004M.29Problematizing Computers and Composition
2004M.30Using Concepts from Classical Rhetoric in the Postmodern
2004M.31Critical Theory, Critical Thinking, and The Writing Classroom
2004M.32New Pedagogies for First-Year Writing
2004M.33Best Practices for Countering Procrastination, Apathy, and Possibility
2004M.34Dealing With Dissent, Anger, and Trauma in the Writing Classroom
2004M.35Music, Creative Juxtapositions, and Performance Art In Composition Classes
2004N.11Art and Artifact: Writing About Art, Visual Text, and Cultural Artifacts
2004N.20Questions of Audience: From Universal to Particular
2004N.21Using Images to Stimulate Critical Thinking and Writing 0.11
2004N.22Interrogating Textual Constructions of Femininity
2004N.24At the Crossroads: The Wpa as Bridge Builder
2004N.29Approaches To Critical Thinking And Invention
2004N.30Service Learning: Methods And Impact
2004N.31Alternative Approaches to Literacies: Cultivating Community
2004N.32Medical Matters: Narratives of Emergency First-Responders, Healing, and Disability
2004N.6Composing Cultures: ESL Students in the Center and the Classroom
2004O.1Using Narrative Strategies to Teach Writing
2004O.17Making Personal Narratives Matter
2004O.18Race and Difference, Globally and Locally
2004O.2Preparing Citizens by Developing Rhetorical Awareness
2004O.24ESL and EFL in the Writing Center
2004O.3Fleeing the Ivory Tower: Alternative Sites for Teaching Writing
2004O.4Civic Writing and Citizenship through Composition
2004O.5Transitions from High School to College
2004O.6Civic Action and Literacy in Writing on War and Peace
2004O.7Computer-Mediated Composition: Online Writing Instruction and Students’ Critical Thinking
2004O.8Natural and Scientific Issues Concerning the Place of Writing
2004SW.10Where Do We Begin: Providing Constructive Evaluation and Comments for Writers Facing Multiple Challenges
2004SW.8Instructor-Led Peer Conferences: An Alternate Approach to Peer-Response Groups and Collaborative Learning
2004TSI.16Service Learning and Community Literacy SIG
2004TSI.22Film and Television in the Writing Class
2005A.4Social Scenarios: Motivating Students to Perform at a Higher Level
2005A.5Internationalizing the Classroom: Contrastive Rhetoric in Composition Instruction
2005B.10Integrating the Writing/Learning Center: A Synergy that
2005B.2Testing the Waters of Mainstreaming: Why We Did It and What We Found
2005B.3From Here to There: Using Contrastive Linguistics to Teach ESL Writing
2005B.4(Re)composing Access: Reading War, Technology, and Difference at a Military School
2005B.5International Blogging: Research on Cross-Cultural Tutor Training
2005B.6Alternative Rhetorics for the Non-Elite: Thinking Outside Aristotle’s Box
2005B.7Clash Between Correctness and Error: Access Denied
2005B.8A Debate about Choosing Representational Texts
2005B.9International Insights on Teaching Composition
2005C.2New Research from Studies in Writing and Rhetoric
2005C.3Equal Access for Diverse Learners: Ensuring the Success of Marginally Prepared Students in the Standard Freshman Composition Sequence
2005C.34Connecting Access to Student Success: The Community College as the Golden Gate
2005C.4Emotional Access: Resistance and Control and Teaching for Critical Literacy
2005C.6Multiliterate Students, Multimodal Lifeworlds
2005C.8The Ins and Outs of Online Writing Instruction
2005C.9Reconciling the Two Sides in the Grammar War
2005D.10Accessing Reading: Creativity and Risk in the Reading Process
2005D.2Drawing Relationships: Teaching the Visual; Teaching Writing
2005D.3Critically Engaging Other(s): Pedagogical Encounters with Disability
2005D.35Improving Success in English as a Second Language through Puppetry, Poetry, and Contrastive Rhetoric
2005D.36Class and Privilege: Miami of Ohio’s Portfolios, Thinking, and Honors Composition
2005D.4To Change or Not to Change: Pedagogies of Resistance, Peer Tutoring, and Service-Learning in Basic Writing
2005D.5Global Access: Teaching, Writing, and Playing in a Shrinking World
2005D.6Challenging the College Game: The Role of Respect and Responsibility in Liberatory Education
2005D.7Access and Ownership for Deaf Students and Those with Visual Spatial Disorders and Aphasia
2005D.8Reassessing Writing Assessment: Imaginative Course Design, Active Learning, and Alternative Technologies
2005E.10The Rhetoric of Instructors’ End Comments to Student Writing
2005E.2Teaching Argumentation in Online and Hybrid
2005E.3Simulation Games in the Composition Classroom: Helping All Levels of Students Connect Reading and Writing
2005E.4Personal Writing: Laying the Groundwork for Access
2005E.5Tutoring Basic Writing: When to Raise the Lower Order Concerns
2005E.6Empathy in the Contact Zone: Producing Polydiscursive Writing in a First-Year Humanities Course
2005E.7Predictable Patterns of Wartime Rhetoric: Composition as Rhetorical Democracy
2005E.8Teaching Writing in Technological Contact Zones: Negotiating Access and Relationships
2005F.10Teaching Transferable Writing Skills in First-Year Composition
2005F.11Re-defining Success in Argumentative Writing: Helping Students Find Their Voice in Open-access Universities
2005F.12Accessing the Ruins: Questions of Value, Promise, and Epistemology in a Post-cultural University
2005F.13Writing Assessment for Design: Using Writing to Teach and Learn Engineering Design
2005F.2Bridging Rhetorical Gaps Where Religions Matter
2005F.3Queer/Transgendered Pedagogy and Creating Safe Spaces for Students
2005F.37A Tribute to Steve Witte
2005F.4Learning from Our Students and Each Other: Ways to Teach Writing across the Disciplines
2005F.5(Mis)Perceptions of Plagiarism
2005F.6Narratives in the Composition Class: Problems and Solutions
2005F.7Responding to Student Writing in Open, Nonviolent, and Constructive Ways
2005F.8With a Little Help from My Friends: Effective Uses of Peer Revising
2005F.9Opening the Gates of Grammar and Usage: The History of the Grammar Controversy and Teaching Usage
2005FSIG.17Conference on Basic Writing Special Interest Group
2005G.1Engaging Composition Students through Deep Learning
2005G.2Visual Rhetoric/Visual Literacies: Accessing the Image in Writing Curricula (TYCA Strand)
2005G.3E-Learning Spaces Where No One is Excluded and No
2005G.4“Welcome to the Ivory Tower”: New TAs, First Generation
2005G.5Disconnect between Student and Teacher Perceptions
2005G.6Learning Disabilities: Subjects of and for Writing
2005G.7Teaching Analysis and Argumentation through Accessible Assignments
2005G.8New Problems from a New Generation of Students
2005H.10The Golden Rule—A Golden Gate or Brick Wall in the Composition Classroom?—Exploring the Intersect of Religion/Spirituality in Discourse Theory and Pedagogy
2005H.11Ten Years after the Lindemann/Tate Debate: Literature, Composition, and Cultural Studies
2005H.12Writing from and for Reading: The Challenge of Difficult Texts
2005H.13Access Granted to the Contact Zone: Theorizing Pedagogical Methods for Diverse Student
2005H.14It’s Not Just Academic: Developing Successful Peer Review Practices Across
2005H.15First-Year Seminars: One Small College Examines the Effectiveness of Theme-Based Writing Courses
2005H.2Adjusting Our Concept of Service Learning: From Basic Writing Classes to Advanced Composition
2005H.3Strategies for Advanced Writing Courses
2005H.4Student Self-Assessment: Constructing Their Own Rubrics
2005H.5Finding a Nexus Between Access and Grammar
2005H.6Addressing Affirmative Action in Diverse and Non-ethnically Diverse Classrooms
2005H.7Writing for Action: Resistance, Power, and Activism
2005H.8You, Me, Them: Risking Difference and Accessing Academia
2005H.9Embodied Power Dynamics in Critical Composition Work
2005I.1Tricksters, Fishermen, and Others: The Changing Faces of Tutoring
2005I.10Anglo Teachers/Non-Anglo Students: Negotiating Cultural Literacies in the Composition Classroom
2005I.11Writing Studio Practice: Opening Places for “At-risk” Students
2005I.12Transforming the Lives of the Disadvantaged: Finding Their Own Voice (TYCA Strand)
2005I.13Multi-sensory and Hip-Hop Pedagogies: Access to Engagement
2005I.14Opening the Golden Gates?
2005I.2Privileging The Old or The New?: The Impact of Choosing Reading Texts
2005I.3When is Basic Writing not Basic Writing?: Untangling Pedagogy and Assessment in the Small
2005I.4Toward a Nomenclature of Style: Modal Use in Freshman Writing
2005I.5Rhetoric, Media, and Politics: Classrooms as Contact Zones
2005I.6Empowering ESL Students through Argument, Cultural Criticism, and Peer Response
2005I.7Expecting Errors: Language and Stereotyping
2005I.8Questioning Mainstream Approaches to Teaching Composition
2005I.9Improving Access: Exchanging instead of Responding
2005J.10What about Writing in the English Methods Course?
2005J.11Writing Teachers Writing New Media
2005J.12Advanced Composition Toolbox to Access: Integrating Genre, Discourse Analysis, and Ethnography
2005J.2Making Research Matter
2005J.3Analog Asynchronicity: Competing Philosophies of Composition
2005J.4Class Matters
2005J.5Looking Backward, Looking Forward: Knowledge Transfer across the Curriculum
2005J.6At Play in the Fields of the Word: Creating Spaces for Radical Play in Writing Classrooms and Centers
2005J.7Access, Success, and Recess: Re-playing the College Game
2005J.8Student Access to University Discourse: Writing in the Disciplines, Dialogic Metalanguage, and Hybrid
2005J.9The Ethics and Integration of Service-learning: Resistance, Empowerment, and Responsibility
2005K.10Reconsidering Collaborative Learning
2005K.11Tools for Revising Our Own Teaching Practices: How Approaches to Universal Design in Teaching can
2005K.12Access beyond the Gates: Establishing Contact Zones Using Native American and African American Rhetorics in the Classroom
2005K.13Gateway to Writing, the Academy, and Beyond for Non-traditional Adult Learners: Student Access and Success
2005K.2Access and Excess: When Composition Theory and Composition Load Collide (TYCA Strand)
2005K.20Rethinking Competencies in Linguistically Diverse
2005K.24Open Wide the Gates: Accessing College Composition
2005K.3Applying Ethnography, Irony, and Sophistic Rhetoric to Popular Culture
2005K.4Situated Writing: The University as Place
2005K.5Integrating and Expanding Home Language to Empower
2005K.6Re-imagining the Community: Service-Learning as Access in the Writing Classroom
2005K.7Composing in the ‘Techno-Meritocracy’
2005K.8Piecing Together the Puzzle of Access in the Developmental English Class: Selecting Texts, Reading Texts, Writing about Text
2005K.9Educating Successful Writers/Rhetors: Project-, Problem-, and Client-Based Pedagogies in the Writing Classroom
2005L.1Keeping the Gate Open: Using Home Language, Ebonics, and Basic Writer’s
2005L.10Panning for Gold: Access Doesn’t Always Equal Success
2005L.2Online Instruction and Minority Students: Strategies for Success in Writing
2005L.3Addressing Gender Issues: Whose Theory Should We Use?
2005L.4Software and Its Problems and Benefits in Writing Classrooms
2005L.5The Trials and Triumphs of Textbook Publishing: The View from Authors, Publishers, and Reviewers
2005L.6A Collection of Collaborators: Four Views of Collaboration from Inside and Outside the Academy
2005L.7Ethnography of the University
2005L.8In Defense of Difficulty: Fostering Student Engagement with Complicated Texts
2005L.9Intersections and Impact of Incorporating Speaking in the Composition Classroom
2005M.10Feminist Ethics: Reframing Risk and Trust in the Writing Classroom
2005M.11As We Shape Space, So Space Shapes Us: Critical
2005M.12Nurturing Nascent Naysayers in a Yes-man’s Land: Encouraging Risk in Homogenous Cultures
2005M.2Bridging the Divide between Basic Writers and the Academy: Golden Gate or Wobbly Log (TYCA Strand)
2005M.3Recharge the Remote: Channeling Student Literacies
2005M.4Can We Teach Voice?
2005M.5Circumscribing the Limits of Academic and Professional
2005M.6Study Abroad: Students Opening Doors for Students
2005M.7The Heart of the Mattering: Writing that Merges Personal
2005M.8Taking the Low Road: Popular Culture and the Writing Classroom
2005M.9Environmental Affirmation: (Re)Writing Agency and Access through Ecocomposition
2005N.1Multimedia Approaches to Teaching and Using
2005N.15Rhetorical Provocations: From Jim Crow to Affirmative Action
2005N.3Home Words: City Writing
2005N.4“Now that there is not much racism in our society . . .” : Reading and Writing Race in the Composition
2005N.5Mainstreaming Re-imagined: An Ensemble Performance
2005N.6Access to Authority (Rhetorical and Otherwise) in the Composition Classroom
2005N.7Creative Access for All and Academic Malice towards
2005O.1Confronting Others as a Rhetorical Heuristic to Build an Appreciation of Difference in Ourselves
2005O.2Negotiating Identities in the 21st Century Classroom
2005O.3Helping Non-Traditional Students Claim Their Education
2005O.4Opening the Gates of Academia: Approaches to Promoting Student Success at the Community College
2005O.5Access, Privilege, Place, and Confessional Culture in the Composition Classroom
2005O.6Stanford’s “How I Write” Project: Creating a Writing Community
2005TSIG.14Service-learning Special Interest Group
2005TSIG.17Fun in the Writing Center: An Interactive Exploration
2006A.2Focusing Beyond Stereotypes
2006A.3Building Connections through Cross-Cultural Exploration
2006A.4“Who Am I Now?”: Negotiating Multiple Identities as a Writing Teacher
2006A.40Making Room for Culture in the Composition Classroom
2006A.41Mediating WAC: Collaborating across Difference, Building Trust
2006A.5Building Coalitions between Rhetoric, WAC, and Literature: Using Special Topoi to Introduce Students
2006A.6The Place of Religion in the Writing Classroom
2006A.7Building Identity through Writing
2006A.8The Body as a Site for Learning and Writing
2006A.9Developing Students’ Metacognitive Skills
2006B.2Movement as a Catalyst to Writing
2006B.3What To Do Next: Strategies for Helping Underprepared Students
2006B.37Entering Public Discourses: Situating Students as Authors
2006B.4Technologizing the Word
2006B.44From Project Management to Service Learning: Professional, Visual, and Liberal
2006B.45Decentered, Recentered: Writing in Katrina’s Wake
2006B.5Integrating Media and Pop Culture into the Writing
2006B.6Negotiating Student Resistance: Identifications within
2006B.7Whose Needs Are Being Served? Code-Switching, Opposition, and Dissonant Discourse
2006B.8How Writing Centers Respond to Writers’ Needs
2006C.2Marginalized Voices, Disenfranchised Communities, and Pedagogies of Difference: Questioning Culture and Building Coalitions in the Classroom
2006C.3Confronting Racism and Classism
2006C.4Ethics, Academic Integrity, and Plagiarism
2006C.42Building Community/Drawing on Community: Three Approaches to Theme-Based Courses
2006C.45Teaching Difficulty: Theory and Enactments
2006C.5(Re)Inventing, (Re)Creating, and (Re)Naming in the Writing Classroom
2006C.6Using Genre to Help Students Envision Themselves as Writers
2006C.7Mystic Writing: Tao and Zen in the Classroom
2006C.8Assessment in Context
2006D.2Fiction Weds Expository Prose: Creative Nonfiction in the College Classroom
2006D.3The Practice of Revision and the Revision of Practice: Three Stories of Teacher Change
2006D.39Building Classroom Culture with OCD/Asperger’s/NLD Composition Students: Case Studies and Strategies
2006D.4Technologically-Rich, Multimodal Composing: Have We Bridged the Digital Divide?
2006D.41Bringing Chicano/a Studies into the Center of Rhetoric and Composition Studies
2006D.45Gaining Voice(s): Student Feedback on Writing Courses about Writing
2006D.46Lessons from History: The African American Voice
2006D.5How Minds Matter: Some Lessons of Cognitive Science for Writing Pedagogy
2006D.6Wireless Computer Use in a Freshman Learning
2006D.7Bringing Students In from the Cold: Creating “Insiders” – and Better Writers – through Discourse Community Writing Projects
2006D.8Alternative Rhetorics in a Global Age: Making and Breaking the Center Space for “Nation” in College Composition
2006D.9More than Meets the Eye: Composition and Comics
2006E.2College Board Standards for College Success in Writing
2006E.3Closing the Gap between Process and Product: Building Bridges with Assessment Rubrics
2006E.4Shifting Centers: Is This a Private Fight or Can Anyone Join?
2006E.44Comp and Circumstance: Writing Assignments across English Departments
2006E.5The Students We Hate: How to Keep Problem Students from Destroying the Classroom Community
2006E.6Composition Teaching Practices, for Adjuncts, by Adjuncts
2006E.7Easing the Transition: Creating Communities for Transfer Students
2006E.8Mainstreaming Basic Writing: Addressing Institutional Goals and Student Needs
2006E.9Personal, Contrapuntal, and Teacherless Pedagogies
2006ES.6Center Spaces in the Basic Integrated Reading/Writing
2006ES.7Collaborative Teaching in Cyberspace: A Freshman Composition Project
2006ES.8Creating Communities from Contentious Cultures
2006F.2“Praise the Lord and Pass the Legislation”: Teaching Critical Analysis of Persuasion and Identification in the Discourse of Religious and Political Leaders
2006F.3How Other Disciplines Nourish Composition
2006F.4Re-Inventing the Media Classroom: Pedagogy, Ethics, and Public Computers in the Class Space
2006F.5The Discursive Spaces of Globalization: Returning the Centrality of Place in a Post-Multicultural World
2006F.6Making Authority Visible: Re-Centering the Student in the Composition Classroom
2006F.7Critical Reflection in the Center Space: Helping Generation Y Make Meaning from Melange
2006G.2Give the Basic Writers Some: Incorporating Digital Media into a Basic Writing
2006G.3Basic Writing Goes Public
2006G.4Rewriting the Image: Teaching Visual Representations of History and Nature in First-Year Composition
2006G.44Multimodal Discourse in Pedagogical Theory and Practice: Crossing the Boundaries between Visual, Oral, and Written Rhetoric
2006G.5Writing and the Word: Religion in Composition Spaces
2006G.6Using Personal Experience and Personalities in The Writing Classroom
2006G.7Self-Authoring by Design: Writing to Create Contexts for Learning in Engineering
2006G.8Composing a Collaborator: The Place for Writing in a Military Education
2006G.9The Impact of the SAT Writing Test on Composition: A Review of the NCTE Task Force Report
2006H.16Interrogating Our Research: Questioning the Good Idea
2006H.2Contrastive Rhetoric for Intercultural Competence: Lessons from African American Oral Rhetoric, African
2006H.3Not by Accident: Doing Something about Suffering
2006H.35Putting Theory into Practice: New Approaches to Discourse Communities as a Foundation for Writing
2006H.4Inside and Outside the University Classroom: What the (Dis)Connections Tell Us
2006H.5Triumph or Disaster: Building Community Through Teacher Response
2006H.6Composing in the Center Spaces: Community Literacy in Freshman Composition Courses
2006H.7Composing Borderlands: Helping Students Negotiate Academic Personas
2006I.2Crossing the Library/Classroom Border: Narratives of Truth and Consequences in Information
2006I.3Ethics Matters in Composition: School Sucks, Rate My Professors, and the Ethics of Caring—Less
2006I.4Weaving from the Center Space: New Patterns from the Warp and Woof of Globalism, Native American
2006I.5Moving Grief to Center Stage: How Students and Teachers Meet Death, Rape, Slavery, and the Holocaust
2006I.6Getting Out of the Garret: Creating Communities within Departments—What Can We Learn from Each Other?
2006I.7New Perspectives on Personal Writing: The Personal as Communal, Connected, and Political
2006J.2Invisible Papers, Invisible Challenges: Coaching College Writers with AD/HD
2006J.20Assessment, Impact, and Consumption: Is Education a Business?
2006J.3Composing in Marginal Spaces: How Non-Traditional Students Respond to Teacher Feedback
2006J.33The Course That Dare Not Speak Its Name
2006J.34From the Margins to the Center: Four Approaches to Connecting Reading and Writing
2006J.4Pedagogy in the Center Space: Building a Student-Centered Learning Community
2006J.5Imagining a Transformed Reality: On the Web, Over the Airwaves, Around the Globe
2006J.6Trading (Center) Spaces: Writing Centers in Multidisciplinary Settings
2006J.7That’s Old News: Using Archives to Highlight Rhetorical Diversity in the Teaching of Composition
2006K.1Initiating, Structuring, and Maintaining a Learning
2006K.2Keeping Class in the Classroom: The Impact of Socio-Economic Class on Academic Discourse
2006K.29Language Learning and Identity
2006K.3When “The Middle” Is a Chasm: Where and How Shall We Meet?
2006K.35Navigating the Middle Passage between the Academy and the Workplace: Problem Solving, Professionalization, and Assessment
2006K.36Getting Personal: The Place for Students’ Stories in the Composition Classroom
2006K.4Building a Writing Community through Grammar
2006K.5Helping the Center Hold: Problem-Based Learning in the Composition Classroom
2006K.6Coalitions, Communities, and Spaces that Authorize
2006L.1When Expediency Upends Ideal: Working Conditions and Community
2006L.19Multimedia, Composing, and Community
2006L.2Sentences, Ethical Readers, and Automatic Essay Scoring (AES) in Evaluating Writing
2006L.26Narrative and Voice: A Springboard for Fluency in Writing
2006L.3Visual Rhetoric: Bridging the Gap between Theory and Practice
2006L.4New Media, New Curricula
2006L.5Writing Centers: Building Coalitions across Campus and across Communities
2006L.6Teaching Identities: Class/Race/Gender as In(visible) Differences in the First-Year Writing Classroom
2006L.7Space Management: Teachers on the Road, Hip-Hop Adjuncts, and Pub Storytellers
2006L.8WAC/WID and Composition Requirements: Engaging Different Frameworks
2006M.1The HSI Space: Situating Hispanic Serving Institutions
2006M.2An Intersection of Cultures: Thinking Outside the Box
2006M.24Collective, Perspective, and Privilege: Examining Diverse Student Cultures
2006M.25Commissions, Mandates, Controversies
2006M.26Conference on Compartmentalization, Categorization, and Caricaturization: Re-Theming CCCC
2006M.3Citizenship in Wisconsin: A Roundtable Discussion of a Collaborative State-wide English 101 Course
2006M.4Negotiating the Personal: Middle Voices and Deploying an Appealing Self
2006M.5Public and Private Spaces-People-Discourses
2006M.6TYCA Strand: Beyond ‘Adversarial’: Community Voices
2007A.12Selling Ideas or Selling Out?: Negotiating Identities in the Writing of Composition Textbooks
2007A.14Reclaiming the Craft of Composition
2007A.15The Composition of Identities in the Small Liberal Arts Col-lege: Experiments in Reconstructing First-Year Seminars
2007A.19Reperceiving Peer Review
2007A.27Writing Across Genres: Letters, Exposition, and Autoeth-nography
2007A.35Revisiting and Revising: Benefits of Using the 6+ Trait
2007A.9The Liberian Civil War and the Writing Classroom
2007B.1My Teacher Is What?!?!: Students’ Construction, Resis-tance, and (Mis)Perception of Teacher Identities
2007B.10Multimodal Composing and the Challenge of Assessment
2007B.18Sayin’ It Loud from an Inside Voice: Diversity Represents
2007B.21“Welcome—Here’s your Nametag: Interrogating, Negotiat-ing and I.D-ing in Academia”
2007B.22Raising the Bar for Teachers and Students: Cultivating
2007B.24Addressing Student Identities in Creating Shared Online
2007B.35Graphic Novels: Cross-Cultural Sites for Identity, Identifi-cation, and Critical Engagement
2007B.8Decisions and Revisions: Comp(osing/eting) Identities in Military Student Writing
2007C.1Rhetorical Grammar and the Construction of a Writer’s
2007C.12Identity and Higher Literacy: Theories of Literacy, Stories
2007C.14Situated Student Writing and Basic Composition
2007C.21Rationalizing, Supporting, and Assessing Digital
2007C.23Representing Chicano and Chicana Identities in Rhetoric
2007C.25Writing Multiple, Contingent Identities in Cross-National
2007C.31Women’s Voices and Rhetorical Pedagogies
2007C.35Writing Bodies: Integrating (Dis)Ability into the Composi-tion Classroom
2007C.6When Students Are “True Believers”: Critical Thinking and Identities of Ideology
2007D.18Students Becoming Scholars: Redefining Student/Teacher
2007D.22Locating Rhetorical Agency in Classrooms: Opening Up Spaces from Which to Write, Speak, and Act
2007D.23“Who Are You? Who Am I? Who are We?” Identity Forma-tion and Expectations: Programs, Teachers, and Students
2007D.29Claiming Identity in the Composition Classroom: Black-ness, Whiteness, and Brownness
2007D.3Twenty-First Century Collaborative Pedagogy: Transcul-tural, Transnational, and Digital Identities
2007D.35Decoding Hyphenated Identities
2007D.6By Audio, By Email, By Appointment: Shaping Our Identities as Readers
2007D.8Ten Thousand New Reasons For Never Adopting a Com-position Textbook
2007E.1Writing Teacher Education Thirty Years After “Balancing
2007E.12Students with Disabilities: Creating Accommodations and Inclusion within the Composition Classroom
2007E.13Conflicting Identities: Obstacles and Opportunities
2007E.18Confronting Our Own Invisibility: The Rhetorical Dilemmas
2007E.20Plagiarism: ESL and Deaf Students
2007E.3Approaches to Essay and Argument: Teaching “Moves” vs. Teaching Writers
2007E.35Two Alternative Identities in the Classroom: Hip-Hop and African American Homilectics
2007F.14Speaking for Ourselves: Undergraduates Talk about Writing
2007F.22The Power of Ethnographic Research: Investing Basic
2007F.23Collaborating on a Literature-and-Composition Course
2007F.24We Two—You, Me Talk on This Page: How Non-Traditional
2007F.25Grammatical Errors and Identity: The Connections between Cognitive Practices, Student
2007F.27But We’re _______, Not Writers: Re-imagining Collective Identity in the Classroom
2007F.28Student Identity and Rhetorical Agency: Classroom Strategies Beyond a “Edvfadsa”
2007F.29Evaluative and Response Techniques for Inspiring and Encouraging Student Writing
2007F.3First-year Honors Composition: the Other Margin of College Composition
2007F.32Interrogating Theory and Practices with ESL and Writing
2007F.35First-year Composition and the Writing-Research Gap
2007G.12Building Professional Identity Through Story: A Cross-Disciplinary Collaboration
2007G.15Who Am I and Why Am I Here?: Success Strategies for Re-sponding to Diverse Identities at a Metropolitan University
2007G.18Rehearsing Ethos: Performing as Writers, Readers, and Speakers
2007G.19Re-presenting Hegemony, Re-imagining Student Identities
2007G.23Debility and Expectation vs. Ability and Preparation: A Skills-Based Approach to Teaching Under-Prepared
2007G.24Writing and Overcoming: How Writing Adds Important
2007G.35Basic Economics: The Logical, Pathetic, and Ethical Identi-ties of Basic Writing
2007G.7Many Voices, One Work: Multigenre Texts and the Construction of Identity
2007H.15Identity and Intertextuality: Using Literature as a Vehicle
2007H.16Does Student Success + Composition Add Up?: Retention Matters in First-Year Writing(?)
2007H.20Re-Visioning the Identity of Instructor Comments: Scaling Writing Concerns in Electronic Environments
2007H.22Multiple Collaboration, Multiple Literacies: A Tale of Three Campuses
2007H.25Re-presenting Language Identities in Jamaican Composi-tion Classrooms
2007H.26Practicing Silence in the Writing Classroom
2007H.27Tools for the Writing Classroom--Exercises in Propaganda, Humor, and Critical Thinking
2007H.34Crossing Borders: Reconsidering Freire’s Legacy
2007H.35Bridging the Personal and the Academic: Intersecting Identities in the College Discourse Community
2007H.6Gray Hair in the Front Row, Cabbie in the Back: What Writ-ing Teachers Need to Know about Adult Learners
2007I.13Constructing Identity in the Multicultural Classroom: Pedagogies and Practices for Negotiating the Personal
2007I.18The New Media and the New Essay: Opportunities for Teaching Writing
2007I.19The Self-Identity of Basic Writers: Reading and Writing the Academy
2007I.23Revealing our Identities: External Portfolio Assessment in the First-Year Writing Classroom
2007I.26Negotiating Student Voice in First Year Composition: Listening, Seeing, Speaking, and Writing.
2007I.27Understanding the Transition to First-Year Composition
2007I.28Religious Identities and Personal Beliefs in Composition
2007I.35New Identities, New Approaches in WAC/WID
2007J.10“So What?”: The Impact of Formulaic Writing on First Year
2007J.12Authenticity, Representation, and Public Selves
2007J.19Should Professor Procrustes Teach Comp?
2007J.21“I Love the Eighties: How Pedagogical Conversations from the 1980’s Continue to Shape Our Professional Identities”
2007J.22Visual Culture and Technical Communication: Case Studies in Identity Construction
2007J.23Representing Identities: Rhetorical Analysis as the Means
2007J.30Advancing the Multiliteracy of ESL/EFL Students
2007J.31“That’s Not Writing!”: Problems of Identity and Definition
2007J.33Hold That Thought: Sustained Writing Projects and Identity Development
2007J.35Identity in Contemporary Community: Alternatives in Assessment, Cyberspace, and Rhetoric
2007K.12Improv/ed Writing: Performance and the Play of Composition
2007K.15Rhetorical Identities: (Re-)Identifying Identity
2007K.23Do Students REALLY Change Their Minds in Composition
2007K.24Multiple Responsibilities, Multiple Identities: I Teach College English . . . Sort Of
2007K.30Teaching for Morality and Social Justice
2007K.32Hidden Outcomes and Identity: An Assessment Plan for Measuring Unplanned and Unpredictable Learning
2007L.1Uncovering Identity through Dynamic Criteria Mapping
2007L.21Feminism, Composition and Pedagogy
2007L.22Taboo Teaching: Race, Authority, and Evil in the College Classroom
2007L.23Policing Plagiarism: Teaching Composition in an Electronic Age
2007L.24Representation of Identity in First-Year Composition Syllabi
2007M.17Talking and Walking through Academic Differences: Explority Pedagogical Practices for Adult and Basic Writers
2007M.18Pictures, Images, and Abu Ghraib: The Rhetoric of Visuals for Writing Practices and Instruction
2007M.19Contending with the Rhetoric of Gendered Discursive
2007M.20Critical Appraisals of Race Identifications in Composition
2007M.21Connecting to Students’ Personal Identities in Composition
2007M.22Beyond the Narrative and Case Study: Representing Stu-dent Identities in the Composition Classroom
2007N.13Giving Way, Here and There
2007N.19Genre and Cultural Action—Ethnography, Argument, and Journals
2007N.20Writing is Risky Business: Inmate Writers and Community Dissent
2007N.21Responding to Student Writing: Teacher Identities and Student Reactions
2007N.22Peers and Portfolios–Responding to Student Writing
2007N.33Blackness, Whiteness, Language, and Identity Construction
2007N.8Visual Composition: A Changing Professional Identity
2007O.13I, Netizen: What is a Netizen, and Why Should We Care?
2007O.24Renegotiating Identities in First-Year Writing Courses: Learning Contracts and Library Literacy
2007O.25Making Diversity a Resource in the Composition Classroom
2007O.26Disrupting the Norm: Re-presenting Resistors, Athletes, and the Marginalized
2007O.27Representing Writers: New Research on College Writing
2007O.34Constructing Identity through Visual Rhetoric
2007P.13Negotiating the Divide: Translations and Transitions between Multimodal Texts
2007P.16Rhetorical Scientific Plays and Students’ Identities
2007P.17The Uses of Grammar in Identity Constructions
2007P.18Rethinking Basic Writing: Pedagogies of Inclusion and Success
2007P.31Engaging Student and Teacher Responses
2007P.32Perspectives on the Writing-Intensive Classroom
2008A.25Reading and Writing Virtual Realities: Computer Games and Writing Instruction
2008A.26Writing Realities and the Intercultural Classroom: Embracing the Identities of African American Women, Alaskan Natives, and Chinese Students to Change Reali-ties in the Composition Classroom
2008A.27Gettin’ Schooled in the Groove: Songwriters in the Classroom and Center
2008A.28Designing Relevant and Responsible Writing Instruction
2008A.29Exposing Some Basic Realities: A Conversation about BW Strategy from Portfolios and Stretch Courses to Studios and Mainstreaming
2008A.30Inscribing Reflective, Organizational, and Public Realities: Problems and Solutions
2008A.31Ecocomposing in the FYC Classroom: Writing in the Service of Advocacy and Sustainability
2008A.32Writing in Spanish and English
2008A.33Articulating High School to College Writing Instruction
2008A.40Rebuilding Pedagogy for Realities in Composition Classes: Working with Students at HSIs and other Non-Traditional
2008B.28Shifting Realities: Third Space Ecocomposition and Sus-tainability Pedagogy
2008B.29Black Women Represent: Critical Reflections of Students’
2008B.30Where Are You Going, Where Have You Been?: Tracing Our Students’ Paths from Mexico to FYC
2008B.31Perspectives on Collaboration and Peer Review
2008B.32Writing at the Threshold of the Disciplines: How Methodological Assumptions Shape Student Writing
2008B.33What Composition Can Learn from TESOL: What TESOL Can Learn from Composition
2008B.34An Audience of Peers: How a Peer Writing Group Transformed the Way We Write
2008B.40The Freire Project: A Collaboration between Drexel Univer-sity Peer Writing Tutors in Training and Freire Charter High
2008B.42Academic Honesty: Multiple Disciplines, Multiple Realities
2008C.26Rethinking Invention and Delivery for Digital Spaces
2008C.27Appropriating Technologies in Writing Instruction
2008C.29The Ethics of Writing Realities
2008C.30Expanding Notions of Argument
2008C.31The Current Reality of the Small Group Workshop: Is it
2008C.32Helping Teachers Respond to Student Writing
2008C.33Rewriting the Pathway to Graduation
2008C.34The “Delaware Experiment”: Creating a Teaching Track at a Research University
2008C.35Exploring Identity, Narrative, and Personal Writing
2008C.41The Realities of Teaching the Research Process in First-Year Composition
2008D.32Adaptation IS Reality: The Search for Truth in Student Writ-ing through Adaptation and Antilogy
2008D.33Not Just “Waiting on the World to Change”: Research that Matters in Required Writing Courses
2008D.34Why Didn’t I Think of That? Writing Instruction at the Graduate Level
2008D.35Teaching Composition in New Spaces and with New Strat-egies
2008D.36Writing the Katrina Exodus: Displaced Students and Composition
2008D.37Designing Teacher Preparation to Acknowledge Student
2008D.41Addressing and Expanding Language Diversity in Writing
2008E.29Convergence Composition: Bridging the Digital Divide
2008E.30Grading Writing: International and Institutional Ideals and Realities
2008E.31Imagining Realities: Teaching Composition Theory to Undergraduates
2008E.32The Reality of Place: Region, Identity, and Why Memoir Matters
2008E.33Transitions to College Writing and Reading: Cultivating
2008E.34Writing Pictures, Changing Writing
2008E.35Reconciling Disparate Cultural Realities through Serving
2008E.36Representin’ Colored Realities: Writing Policy and Commitment to Speakers of Ebonics
2008E.37Re-visioning the Writing Classroom as a Site for Other(ed)
2008E.41Daybooks as the Center of Reading, Writing, and Thinking
2008E.42From Soap Boxing to MySpacing: Critical Pedagogy and Multimodal Composition
2008F.22Mardi Gras: Made in China, from Filming Realities to Writing Realities
2008F.23Composition Assessment without Rubrics: An Experiment
2008F.24Writing our World in the Pop Culture Zone
2008F.25Who Cares?: A Care-full Examination of First-Year Writing
2008F.26Mapping the Past, Creating a Future
2008F.27Encouraging Student Learning and Motivation
2008F.28Reality Check: Anticipating, Acknowledging, and Attend-ing to the Developing Identities of Student Writers
2008F.29Feedback and Response in the Writing Classroom