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First-year composition

600+ sessions. A heading name lists the sessions printed under it that year; a family name lists every session in the family.

YearCodeSession
2015A.24Better Breathers are Better Learners
2015A.25Breaking Down Barriers: Risks and Rewards of Redesigning FYC Curriculum for the Multilingual Reality
2015A.26Taking Risks in Teaching Politics and Ethics in FYC
2015A.27Game On: Games and Gamification in First-Year Composition
2015B.33Staying Rooted in Composition while Branching out to STEM
2015B.34Living with Vampires: The Discourse of Disciplinarity in First-Year Composition
2015B.35Getting to Step 2: Pushing beyond a Skills-Based Approach to Critical Reading in FYC
2015B.36Engaged Students, Engaging Writing
2015B.37Risk into Reward: Enacting Translingual, Transcultural Pedagogies among Diverse Student Learners
2015C.32Translingual Practice: Rethinking, Responding, Enacting
2015C.33Starting Again: Re-Imagining the Role of FY Writing in the General Education Curriculum
2015C.34Rhetorics of Doubt and Students of Faith: Risking Engagement with Skeptical Readers
2015C.35Common Core State Standards, Meet the Framework for Success in Postsecondary Writing: A Risky, Rewarding
2015C.36Connecting STEM to FYC
2015C.37Teaching Academic Writing to Non-Native English Netalanguage, Formulas, and Feedback
2015D.31Issues in Dual Enrollment: Rigor, Credentials, Pedagogies, Transitions
2015D.32Testing Metacognition: The Risks and Rewards of Reflecting on Revision Practices
2015D.33Process, Plagiarism, and Pedagogy: Exploring the Benefits of Sampling for Composition Studies
2015D.34Approaches to Teaching L2 Writers in First-Year Writing and ESL Composition Courses
2015D.35Risky Writing and Rewarding Pedagogies
2015E.30Information Literacy Learning in First-Year Writing: Perspectives from National and Campus Research
2015E.31Comfortable but out of Your Comfort Zone: Creating Risky and Rewarding Pedagogical and Material Safe
2015E.32High-Tech, Low-Tech, No-Tech?: Divergent Implementa-tions of Technology and the Risks and Rewards for Student Writing
2015E.33Rethinking Course Design for First-Year Composition
2015E.34The Politics and Pragmatics of Space, Place, and Location in First-Year Composition
2015F.33#MultimodalFYC: The Peril and Purpose of Multimodality in First-Year Composition
2015F.34Fostering Student Engagement through Multimodality in FYC
2015F.35Dueling Forces in Dual Credit: The Risks and Rewards of Offering College Composition to High School Students
2015F.36“Diving into the Wreck” and Emerging Literate
2015F.37Service Learning Approaches in FYC
2015F.38Learning through Collaboration: Approaches to Research, Peer Review, Workshops, and Rubrics
2015F.39Getting Them Ready: Developing College Readiness through AP Courses, Partnerships, and Social Networks
2015G.30Teaching and Supporting Multimodal Composition via Campus Collaborations: When Instructors, Archivists, and Technologists Converge
2015G.31Tweeting, Timelines, and Transfer: Opening the Composition Classroom to Students’ Social Media
2015G.32Genre as Risk/Risk in Genre
2015G.33Writing about Communication in the Disciplines (WACID): A Synthesis of Established Pedagogies
2015G.34Risks and Rewards of Engaging Religion and Faith in FYC
2015G.35Considering Subjectivity, Voice, and Sovereignty for FYC Students
2015H.30Transformational Pedagogies: The Risks and Rewards of Multimodal Composition in First-Year Composition
2015H.31Risks and Rewards of Challenging the Homogenizing Narratives of “Student,” “Teacher,” and “Classroom”
2015H.32Violating Student and Programmatic Expectations to Introduce Transferable Writing Strategies: The Risk and Reward of Adopting a Writing about Writing Approach
2015H.33Pedagogy of the Oppressive: Responding Productively to Student Expressions of Privilege
2015H.34Flipping First-Year Composition
2015I.32Entering the Multiverse: Using Comics to Explore Multiliteracies, Multigenres, Multimodality, and Multilingualism in the FYC Classroom
2015I.33Rethinking and Fostering Transfer
2015I.34Writing about Writing: Implications for Assessment, Transfer, and Disciplinarity
2015I.35Cultivating Vulnerability in First-Year Composition
2015I.36Digital Literacy in FYC: Overcoming the Risks
2015I.37The Rewards of Reconsidering Placement and Access
2015J.33The High-Stakes Writing Classroom: Expectations, Risks, and Assessments
2015J.34Student Veterans, in Their Own Words: Results of a Longitudinal Research Project
2015J.35So What? Teaching Students to Craft Compelling Arguments
2015J.36Flipping the Hybrid First-Year Composition Classroom: Transforming Purpose, Roles, and Activities in Freshman
2015J.37A Bird in the Hand: Student Perceptions of the Risk of Multimodal Composition
2015J.38Precarious or Progressive?: Creativity, Digital Epistemology, and Hip Hop Rhetoric in an HBCU
2015K.29Taking Risks to Shift Paradigms of Writing Assignment Design
2015K.30The Argumentative Essay: New Approaches to Innovative Research and Argumentative Essay
2015K.31Primarily Curious: Using Archives to Stimulate Intellectual Curiosity in First-Year Composition
2015K.32Supporting Student Writers: Veterans, At-Risk Students, and Students with ADHD
2015L.21Examining, Valuing, and Applying Theories of Composition in FYC
2015L.22Researching Controversy: The Rhetorics of Stereotyping, Protest, Art, and Apology
2015L.23Intentions and Revisions: A Workshop in Responding to Student Writers
2015M.24Transfer, Metacognition, and Revision: Teaching the Writing Process with Digital and Visual Technologies
2016A.1Learning Re-abled Twenty Years Later: Re-Strategizing
2016A.25Development of Writing Transfer via Research, Assessment, and Faculty Training
2016A.32“It Takes Two to Make a Thing Go Right”: An Experiment
2016A.34College Writing in High School: Writing Our Way Out of Test Culture
2016AW.2Generating WAC/WID/WIC/WEC Action Plans: Strategies
2016B.15Partnering with Institutional Archivists: Exploring the Archives as Potential Sites for Undergraduate Research
2016B.20Perspectives on Preparation and Performance: A Qualitative Study of College Students’ Approaches
2016B.22Potentially Moving from Margin to Center: A Report on Arizona State University Writing Programs’ ProMod
2016B.31Inspiring Action by Enabling Agency in Interdisciplinary
2016B.34Writing Transfer in Three STEM Contexts: Teacher
2016C.10Multimodal Composition as a Strategic Approach to First-Year Writing
2016C.2If You Teach It, They Will Learn: Effects of Explicit Style
2016C.21Enacting Information Literacy: Strategies for Library–Classroom Collaboration
2016C.30Taking Action to Foster Student Responsibility in the Twenty-First-Century Composition Classroom
2016D.22Making Inequities Matter: Student Success as Action in Dual Enrollment Composition and Alternatives
2016D.29Other Englishes: The Need to Acknowledge and Support
2016D.3Antiracist Classroom Practices: Enacting Socially Just
2016D.9Scare Tactics: Working Theory into Action through Multimodal Praxis
2016E.18Writing: Dissertation, Thesis, and FYC
2016E.23In Search of the Genuine A: Challenges in Evaluating
2016E.28Readers, Reading, and Metacognition in Action
2016E.4Negotiating Competing Curricular, Institutional, and Disciplinary Interests in Advanced Composition
2016E.8Write Where You Live: Creating a Culture of Writing in Student Housing
2016F.11Asking Students to Do and to Be
2016F.17Student Voices: Learning Styles and Transitional Rhetorics
2016F.25Writing Program Administration in an Age of Reform
2016F.6Beyond the Workshop: Experiments in Big Comp
2016FSIG.14Contemplative Writing Pedagogies Special Interest
2016FSIG.22Working-Class Culture and Pedagogy
2016FSIG.7Progressive Approaches to Grammar, Punctuation, and Usage SIG
2016G.1The Purposes of Required Writing?
2016G.16After the Essay: Multimodal Revisions to FYC
2016G.24Disrupting Composition: Rhetorical and Activist
2016G.26Developing Institution-Wide Strategies for Graduate
2016G.7Action Research, Active Reflection: Interrogating the Threshold Concepts of Teaching First-Year Writing
2016H.14Getting around What Gets in the Way: Strategies for Success in FYC
2016H.22Hostile Writing: A Need to Explore These Forbidden
2016H.24Troublesome Contexts for Writing Transfer
2016H.26Breathe, Move, and Write: Embodied Thinking Creates
2016H.5Teaching through Strategic Troubling: Fostering Flexible
2016H.6Writing in the Global: Case Studies from WID and WAC
2016H.8No Longer “Experimental”: Collage as Normative
2016I.14Transfer: Strategies for Action, Strategies for Trouble?
2016I.20Tasting the Golden Waters: Exploring Different Writing Rhetorics
2016I.22Initiatives for Non-Traditional Students
2016I.24L2 Writing Practices
2016I.28Academic Integrity and the International Student: Supporting Multilingual Writers
2016I.9Do the Right Thing: Ethics as Classroom Action
2016J.13Challenges and Opportunities of Technological
2016J.21Albert E. Krahn Debates Peter Elbow at the 2016 CCCC
2016J.23Martin, Ministers, and Music: Listening to African
2016J.29Research as Action: Studying Metacognition in the Writing Classroom
2016J.4Flipped Professional Development for Hybrid Courses: Preparing Graduate Student Instructors to Teach in a Contemporary First-Year Writing Program
2016K.11Up for Negotiation: Politics and Pedagogy in Advanced
2016K.12Pathways to Success: Finding Your Academic Voice
2016K.20Rhetorical Listening: Difference, Materiality, and the Classroom
2016K.22Getting Involved: Civil and Legal Literacy
2016K.3Writing for Real This Time: Authenticity through WID in FYC Sequence Design
2016K.35Enacting Knowledge Transfer at the Community College: Three Case Studies of Writing Transfer across Disciplines
2016L.11Pedagogy and Ideas: The First-Year Composition Class
2016L.13Remixing Collaboration: (In)Visible Practice and Pedagogy
2016L.19Taking Action: Personal Writing, Ethnography, and Reflection
2016L.2Facilitating Transfer from FYC to Other Courses: Two
2016L.21Rap and Hip-Hop in the Writing Classroom
2016M.1Fostering “Rhetorical Researchers” and Developing
2016M.7Wanting Students to Succeed: Peer Conferences and Feedback
2016M.9New Frames for Transfer: Remix, Kairos, and Noticing
2016MW.18Tools, Not Rules: A Workshop in Progressive Grammar
2016MW.4Repurposing Assessment: Valuing Student Actions via
2016TSIG.12Dual Enrollment Studies SIG
2016TSIG.16Zen and the Art of English Teacher Maintenance: Finding Wiser Ways of Being, Teaching, and Inhabiting
2017A.11Fertile Ground: Cultivating Change through a First-Year Writing Conference
2017A.17Tracing Transfer: Examining Teaching for Transfer in Three Curricular Sites
2017A.25Google Classroom Hacks: How Technology Can Help Writing Instructors Cultivate Students’ Reflection, Metacognition, and Transfer of Learning
2017A.31The Future of College Writing and How to Stop It
2017A.50Cultivating Graduate Writing and Teaching
2017B.13Cultivating Capacity: Developing Research-Based Support for Graduate and Faculty Writers
2017B.22Composition and Dual-Credit Programs: Negotiating Boundaries between High School and College-Level
2017B.26Anyone Can Code-Mesh: Teaching and Tutoring
2017B.30Facilitating Political Discourse in the Classroom
2017B.32Serving the Underserved
2017B.41New Alliances: Computer Science Illuminates Linguistic Patterns in Student Essays
2017C.12Community Engagement and Critical Inquiry
2017C.15What Transfers? Developing Research Instruments to Assess Whether Comparative Genre Analysis Helps
2017C.38Cultivating New Possibilities through Dual-Enrollment First-Year Writing
2017C.39Teaching with Technology: Approaches for Online, Onsite, and Hybrid Teaching
2017C.52Content Conflict: An Argument for Alternative Approaches to “Writing about Writing”
2017D.21Using Rhetoric to Promote a Nurturing Space for Disproportionately Impacted Student Groups in Community College First-Year Composition (FYC)
2017D.36Learning to Write Disciplines: Cultivating Students’ Disciplinary Knowledge across Sites of Learning
2017D.44From Culling Sources to Cultivating Successful Habits of Mind: Reconsidering the Research Essay in the 21st
2017D.45Writing Program Pedagogies for STEM Education
2017D.52Implications of WAC: Sites of Writing Education for and in Scientific Majors and Programs
2017D.53Perforating Writing Studies: Exploring Content through Games, Networks, Software Development, and Digital
2017E.16Building a Mentor Program: Shadow Clusters, Immersion, and Integration
2017E.24Impact of Dual Enrollment on First-Year Composition
2017E.31Tracing Roots, Cultivating New Growth: A Retrospective Prospective Exploration of Transfer
2017E.33Approaches to Teaching Personal Narrative
2017E.7A Reasonable Faith: Rhetoric, Christianity, and the Teaching of Writing
2017F.21Critical Approaches to Integrating Reading and Writing
2017F.33Teaching for Transfer beyond First-Year Composition: Professional and Business Writing
2017F.39Regenerative Pedagogies for FYC: Multimodality, Rhetorical Grammar, Revision, and Reflection
2017F.51Cultivating Transfer with the Teaching-for-Transfer Writing Curriculum: A National Multi-Institutional Study
2017F.6Capacity, Action, and Change: 21st-Century Implications for Student Retention in First-Year Writing
2017G.19Exploring Narrative and Identity through Genre
2017G.27Twenty-Five Years of Faith in Writing: Religion and Composition, 1992–2017
2017G.39Cultivating Knowledge to Foster Program Development: Utilizing Data from a Five-Year Study of a Large
2017G.40Dual Enrollment: Cultivating Inquiry and Considering Implications
2017G.42Strategies for Implementing Feedback and Assessment
2017G.47Crop Rotation: Toward a Holistic Cultivation of Graduate Writers
2017H.12Sustainable Multilingual Pedagogies for L2 Students
2017H.20Re-seeing the Self: Multifaceted Aspects of Passing as a Lens for First-Year Composition
2017H.25Inclusive ESL Pedagogies and Practices in First-Year Composition
2017H.32Sharing Threshold Concepts as the Foundation for Integrated Curricula, Collaborative Assessment, and Learning Transfer across Library-Writing Partnerships
2017H.52Outcomes and Frameworks: Cultivating Information Literacy Capacity in Composition Classrooms
2017I.14Coming to Our Senses: Enabling Multiple Sensory Pathways in Active Learning Methods
2017I.19Reaffirming Access: Strategies for Rhetorical and Linguistic Pedagogy
2017I.31Cultivating Students’ Agency: Confronting Trauma through First-Year Writing
2017I.37Recultivating Composition in a Sophomore-Level Classroom: Assemblage, Circulation, and ePortfolios
2017I.47The Role of Writing Criteria in Transparency, Agency, and Community-Building in the Disciplinary Writing
2017J.16Transforming Reluctant Writers’ Attitudes toward FYC: Cultivating Advocates for Change
2017J.24Cultivating (Meta)Transfer: Changing Individual, Programmatic, and Institutional Dispositions through a Revisioning of Stretch
2017J.27Naming What WE Know: A Roundtable on Knowledge Production in Composition
2017J.30Political Climate, Sustainability, and Paradigm Shifts
2017J.48The Role of the Personal, Empathy, Compassion, and Metacognition in First-Year Composition Pedagogy
2017K.10Writing about Writing and Teaching for Transfer
2017K.14Transfer’s Evolution: Changing Our Terms, Interrogating Our Methodologies for Studying Transfer
2017K.39Student Perceptions of Placement and Testing: Implications for Academic Identity and Success
2017K.41Converging Compositions: Teaching Dissoi-Polylogoi in the Networked Classroom
2017K.50Multimodal Composition
2017K.7Four Perspectives on Mentoring Graduate Student Teachers of Composition
2017L.12Cultivating Collaboration and Creativity: A Writing Center Grows a Writing Program
2017L.19Teacher Training in First-Year Composition
2017L.24Raise Your Voice! Make Some Noise!
2017L.27Genre and Transfer
2017L.9Resisting Extractivist Ideologies: Cultivating Rhetorical Capabilities in Multilingual Writers
2017M.10Gaming the System: Innovations in Teaching
2017M.20The Stakes Are High: Cultivating Identity via Graduate
2017M.23Writing and/vs. Research: Disciplinary Tensions in the Teaching of Researched Writing
2017M.9Writing, Humanizing, and Recognizing the Role of Emotion in First-Year Composition
2019A.10Genre Roles and Performativity: Reconsidering Rhetorical Imitation
2019A.12Pretending to Write: Performative Necessities in the Writing Classroom
2019A.16Performing Digital Literacy: Low-Bridge, High-Benefit Approaches for Teachers, Administrators, and Writing
2019A.32“Get Real”: Post-Truth Rhetoric and Coded Political Rhetoric in the Composition Classroom
2019A.33Identity Pedagogies of Race, Class, Sexuality, and Gender in Composition Classes
2019A.9Embodied Archives: Writing Partnerships to Build Effective Transfer Student Community
2019AW.3Bridging the Semiotic Channels: Teaching Discussion and Oral Performance in the Writing Classroom
2019B.11Researching Communities of Inquiry in Blended and
2019B.15Performing Group Grading of Multimodal Portfolios
2019B.34History Has Its Eyes on Us: Music Performance as Persuasive Teaching
2019B.35Transitions and Connections: Literacies of Work and Culture in Our Students’ Lives
2019B.5Stranger Things: Using Harry Potter, The Lord of the Rings, Sports, and Stranger Things as Agents for Social
2019B.9I Didn’t Think I Was Allowed to Do That: Performing Rigorous Undisciplined Research in First-Year
2019C.10Inclusivity as Performance in First-Year Writing
2019C.12Rethinking the Role of Feedback in Performance-Composition
2019C.34“Who You Wit?”: Negotiating Identity Representation in FYC
2019C.35Meditate on This: Mindful Community Building in the Composition Classroom
2019C.4Disrupting Narratives of Exclusion, 1955–2019: Exposing Inequities of Composition in Dual Enrollment
2019C.5“Can I Take ’Em to the Bridge?” Class, Student, Instructor as Performers
2019D.10Interdisciplinary Collaboration and the Development and Integration of a First-Year Writing Open Access Textbook
2019D.14The Powerful Problem of Pedagogy: Impacts of Performativity on Graduate Student Instructors
2019D.32Act Woke: Staging a Cultural Performance Access and Rhetorical Theory
2019D.33Multilingual Learners’ Developing Identities as Writers through Reflection, Response, and Self-Assessment
2019D.5BEAM[s] to Bridges: Collaborative Scaffolding of Research Skills in First-Year Writing
2019D.9Role-Playing Identities: Teaching Rhetorical Dexterity in the First-Year Writing Classroom and the Writing Center
2019E.10Intersectionality, Identity, and Instruction: Problems and Perspectives from inside and beyond the Classroom
2019E.31Acting Abilities or Acting Access
2019E.32Multimodal Remix Stage: Performing Translingual Power and Engagement in First-Year Writing
2019E.5Collaborating—No, Really Collaborating—with FYC Students on Curriculum Design
2019E.9Silence, Resilience, and Adaptation as Performative Responses in the Composition Classroom
2019F.10Stage, Page & Engage: Cross-Campus Collaboration in a First-Year Integrated Communication Classroom
2019F.31Author Networks and University Nodes
2019F.32Pedagogical Possibilities for L2 Learners in Composition: Transferable Skills, Lexical Bundles, Accelerated Models, and ePortfolios
2019F.39Spotlight Session: If We’re Going to Be Transgressive, Let’s Go All the Way ;) : Risk-Taking and Performance
2019F.8Creating Place: Transfer as Performance
2019F.9Making Space for Student Voices with ePortfolios and Grade Contracts
2019G.10The Ethics of Assessment: Practitioner Research and Evidence-Based Pedagogy
2019G.32Perform That! Actions in Peer Review, Multimodal Composing, Research, and Algorithms
2019G.38Spotlight Session: Teaching and Learning from the Student in the Trump Hat: Positioning Storytelling and Story-listening at the Heart of the Rural FYC Classroom
2019G.9Mega-Composition: Performing Teaching and Writing by Delivering First-Year Writing as a Large Lecture
2019H.30Centering on Student Identities of Culture and Language through Activist Pedagogies of Possibility
2019H.31Performing Pedagogical Constellation: ANT, Assault, and Ephemeral Rhetorics
2019H.38Spotlight Session: First-Year Writing Program Redesign to Facilitate Engagement and Retention of Resident
2019H.6Composing the First-Year Experience: Performance-Based Writing Projects for Personal, Intellectual, and Social Success
2019H.8Mindful Frauds: Rethinking Impostor Syndrome through Critical Race Theory, Gender Studies, and Disability
2019H.9The First-Year Writing Classroom and Beyond: Performance, Authority, and Activism
2019I.30Composition Revised! Performative Pedagogies of Agency, Empathy, Engagement, and Movement
2019I.31Rethinking Legal Writing: Epistemologies, Performance Writing, and the Profession
2019I.6Composition for Professional Development: Performance-Rhetoric beyond the Classroom
2019I.8New and Emerging Research on Dual Enrollment: Stakeholder Perspectives and Policy Approaches
2019I.9The Great American Writing Show: First-Year
2019J.31Spaces in Need of Activism: Tracing Global and Local Performances of Ethics and Education
2019J.7Directed Self-Placement: The Possibilities of Performance-Rhetoric/Composition
2019J.8Performative Rhetoric and Popular Artifacts
2019J.9Validating, Lyric-ing, and Performing: The Value of a Hip-Hop Infused Curriculum in the First-Year Writing
2019K.10Performing Composition in Different Contexts: Discussions about Secondary, FYW, and the Space
2019K.14Creativity, Critique & Citizenship: Performance-Based Approaches to Teaching First-Year Composition
2019K.29Connecting College and Community for Student Agency: Social Justice Writing, Oral History, Discovery Narratives, and Home Rhetorics
2019K.30Performance in Community Writing Pedagogies: Activist Sites for Research, Social Change, and Audience
2019K.4More Than a Textual Performance: How Students Experience Writing
2019L.12Composition’s Class Acts: Recognizing the Fluidity and Intersectionality of Class Identities
2019L.27Queer Performance Identities and Writing: Challenging Traditional Ideas in Pedagogy, Genre, Rhetorical Theory, and Methodology
2019L.3Writing Development before, during, and after College
2019L.9Performing for the Academy in First-Year Writing Courses
2019M.10Writing as Knowledge Performance: Ruminations on Teaching Writing in History
2019M.26Hip-Hop Magic
2019M.8Exploring the ENG/ESL Divide within Composition
2019M.9Performing Multimodally: The Creative Power of Digital
2019MW.4Engaging the Global: Performing Translingual/Transmodal
2019MW.5What Happens after Kansas City? Antiracist Activism in Composition
2019MW.6Podcasting in the Composition Classroom
2019N.10Research Activities for Multilingual Writers: Space for Rhetoric, Space for Culture
2019N.3Focus-Group Research: Transformative Approaches to Fostering Diversity and Inclusion in First-Year Writing
2019N.30Performance-Composition Approaches: Contract
2019N.9Performing Persistence and Displaying Dispositions: Writing Program Design for Engagement and Retention
2019SW.3Theater as Antiracist Pedagogy: Audience, Empathy, and Privilege
2020A.14Contract Grading as Inclusive Practice
2020A.16Art-Making and the Teaching of Writing
2020A.26“The New Grading” and the Future of College
2020A.27Taking Writing Knowledge outside the Classroom
2020A.28Being Self-Reflexive through Virtual Commonplaces: Building Student Autonomy and Flexible Instructor
2020A.29Four Teachers Teaching: Pedagogy in the ALP Classroom
2020AW.9Reconsidering Basic Writing in the Changing Landscape
2020B.11Writing about Writing (WAW) in Scholarly and Pedagogical Spaces
2020B.14Alternative Practices of Feedback
2020B.20Reimagining Basic Writing: Questioning Our
2020B.26A Thirdspace for Commonplaces: The Writing Studio
2020B.27Considering Student and Instructor Experiences across
2020B.28Re-Thinking Audience in Multilingual, Translingual, and Digital Composition Pedagogy
2020B.29Building Community/Building a Text: Reflections on the Collaborative Process of Creating an FYW Open Access
2020C.11Learning from Students: Autoethnography, Reflection, and Identity
2020C.13Opportunities for Learning in Post-Truth Writing
2020C.14Redefining the Commonplaces of Information Literacy
2020C.20Using Labor-Based Contract Grading to Promote Equity
2020C.26Mending Ruptured Spaces: Beychella as the Entry Point
2020C.27“Everything old is new again.” - Carole Bayer Sager and Peter Allen
2020C.28The Classroom as a Common Place: Creating a Culture
2020C.29Transfer as Commonplace
2020D.12Teaching Social and Political Engagement through Social
2020D.13Using Empathy in the Classroom to Foster Social Justice
2020D.14Student Writer as Solicitor of Feedback: Shifting the Feedback Paradigm
2020D.15Elevating English 101: Revising the University of Maryland’s FYW Curriculum toward Social Justice and Civic Engagement
2020D.20Thinking Spatially: Geography, Place, and Carto-Composition
2020D.26Does Teaching Metacognition Lead to Metaliteracy?
2020D.27Complicating Retention Commonplaces: A Conversation
2020D.28Not as Common as We Think: Decoding the Assignment
2020D.29(Re)Configuring First-Year Composition Courses as Common Places
2020E.11Responding to AB 705: Reimagining Curriculum in California Community Colleges
2020E.12Valuing Linguistic Diversity
2020E.13Teaching for Social Justice in an Age of Trump
2020E.14Designing Inclusive Multimodal Studio Spaces
2020E.26Research Writing as a Commonplace in Feminist
2020E.27A Poet, a Compositionist, and a Librarian Walk into a Class: An Evidence-Based Look at Critical Service-Learning
2020E.28Reorganizing the Commonplace: Lessons Learned from Merging Two Institutions, Writing Programs, Cultures, and Faculty
2020F.1A Critical Transition: Examining and Interrogating the Commonplaces at Work in High School to College
2020F.10Theorizing Genre in the First-Year Writing Classroom 103 A (Wisconsin Center)
2020F.13Dual Enrollment Composition: Complicating the Common/Places of First-Year Writing
2020F.14Seeking Interdisciplinary Collaboration in the First-Year Writing Classroom
2020F.17Pedagogies of Mindfulness and Contemplation in First-Year Writing and Beyond
2020F.18Places of Faith and “Religious Friction”: Engaging Student Beliefs in the First-Year Writing Classroom
2020F.20Beyond Commonplace Race in the Composition
2020F.21Rhetoric Reimagined in the First-Year Composition Classroom
2020FSIG.52Council on Basic Writing SIG: Collaboration, Community, Caucusing
2020G.13Creating a Conduit to the Academic Commonplace for First-Generation Students Enrolled in an Introductory
2020G.14Two-Year College Tensions: Research, Curriculum, Self-Determination
2020G.16Responding to the Chair’s Call: Extending Conversations
2020G.17Enhancing the Use of Peer Review in the Writing
2020G.18Building a First-Year Composition Course in a Canadian
2020G.20“Mental Brilliance Is Not Essential”: Acknowledging the Inherent Power of Spoken and Kinesthetic Language in the First-Year Writing Classroom
2020G.21Do I Belong Here? Using Disruption to Break through Common Barriers in Corequisite Courses
2020H.12Co-Wrecking Basic Writing: Imagining New FYC Models
2020H.13Teaching Rhetorical Education in the Age of Trump: Student Right-Wing Activism and the Commonplace of Accountability in First-Year Composition
2020H.14Constructing Writerly Identities: Basic Writing, Failure, and the Self
2020H.16Humor and Pop Culture as Pedagogical Tools to Analyze
2020H.17Rhetorical Practices for Understanding Our Students, Colleagues, and Campuses: Listening, Role-Play, and Dialogue
2020H.18A Community Commonplace: Using Archives to Build
2020H.20Accounting for Quality Teaching in a Data-Driven World: Student Success, Instructional Practice, and DFW Rates
2020H.21Placement Ideologies and Enacted Reform
2020I.12From Receiver to Actor: Achieving Agency, Access, and Equity in the Developmental Writing Classroom
2020I.13The Challenges and Opportunities of Disrupting Developmental Writing Commonplaces in Two-Year
2020I.14Multimodal Aftermath: Digging Deeper into Multimodal Assessment and Design
2020I.16What We Can Use from Sound and Song: Sonic
2020I.17Further Understanding Multimodality: Creative and Complex Approaches to Multimodal Projects
2020I.18Becoming Strategic, Self-Regulated Writers: A Research-Based Approach for Basic Writing
2020I.20Standing by Students: Finding Uncommon Ground in Writing Programs
2020I.21Neoliberal Commonplaces in the American University: Planning, Branding, and Publics
2020J.12Expanding the Commonplace: Connecting First-Year
2020J.13Find and Replace: Revisiting the Commonplaces of Composing Technologies in First-Year Writing
2020J.14Critically Engaging Acceleration Initiatives and Corequisite Support
2020J.16Primary Research in the Composition Classroom
2020J.17The Functions of Composition Textbooks
2020J.18Faith, Doubt, and Spaces Between: Encountering Local
2020J.20The Imagined Student: Three Programs Striving for Inclusivity at Iowa
2020J.21Emotional Labour in Writing Pedagogy: Creating Inclusive
2020K.10Thinking about Feeling: The Role of Emotion in Reflective
2020K.11Creating a Common Place between L2 Writing Courses
2020K.12Complicating Assessment
2020K.14Empowering First-Year Writers
2020K.17Integration or Division of Labor: The Impact of FYC
2020L.10Disrupting Digital Commonplaces: Engaging Student
2020L.11Let’s Play! Games in the Writing Classroom
2020L.12Strategies for Increasing Student Engagement and Community in Online Writing Instruction
2020L.13Reflecting on Literacy: Enhancing Student Learning
2020L.14Emerging Pedagogy: Graduate Teaching Assistant
2020L.16When the Common Place of First-Year Composition in General Education Becomes Less Obvious, What Do We
2020L.17Something to Say: Invention, Self-Authorship, and the First-Year Veteran Transition
2020M.10The Universal First-Year Writing Requirement: Rethinking
2020M.11Exploring Reading and Writing Connections: Purpose, Plagiarism, and Mimesis
2020M.12Using Digital and Multimodal Composing to Foster
2020M.13Building Students’ Writing Studies Disciplinary
2020M.14Supporting Multilingual Writers in the Composition
2020M.16Critical Reflections on Critical Pedagogies: Pushing
2020M.17Connecting, Composing, and Cultivating Commonplaces-of-Emotion in First-Year Writing Courses
2020MW.9Plagiarism as Educational Opportunity: Transforming
2020N.10A Collaborative Approach to Overcoming the Critical
2020N.11Questioning Inclusion in the Commonplace of Composition
2020N.12Engineering Writing, Writing by Engineering Students
2020N.13Theorizing the Impact of Multimodality and Technology in the Classroom
2020N.14Classroom Practices, Student Engagement, and Diverse
2020N.16Time to Teach Them: The Commonplace(s) of Basic
2020N.17Cultivating Culturally Responsive English Composition Curriculum at the Two-Year College
2020SW.4Avoiding Placement “Commonplaces”: The Nuts and Bolts of Implementing Directed Self-Placement
2020SW.5Turning Theory into Practice: Pedagogies for Engaging
2020TSIG.22Dual Enrollment Special Interest Group
2020TSIG.23Intersectional Approaches to First-Year Composition
2020W.4Dual Enrollment Composition: Complicating the Commonplace of First-Year Writing
2020W.5Response as a Place for Writerly Common Ground: Refining Our Practices to Include Students into Academic
2021A.6Gathering in Common Spaces: Conversations in Teaching Undergraduate Research Prerecorded w/ Live Q&A
2021B.4The Avengers and the End of Composition? (The Sequel) Live
2021B.8Writing and the Science of Well-Being: Making Joy, Hope, and Well-Being More Commonplace in Writing Classes, Programs, and Institutions Prerecorded w/ Live Q&A
2021C.5A Balancing Act: Navigating the Successes and Failures of Teaching Writing Prerecorded w/ Live Q&A
2021D.6Incorporating Student-Designed Evaluation in Your Classroom: A Space for Conversation Prerecorded
2021D.8Writing to Change Oneself and the World: Adapting First-Year Writing during COVID-19 Prerecorded w/ Live Q&A
2021E.3Reframing the Narrative: An Intersectional Approach Live
2021G.1Complicating Retention Commonplaces: A Conversation on First-Year Composition’s Roles in Student Persistence
2021G.7Research-Informed Writer-Centered Pedagogical Practices for Multilingual Students Prerecorded
2021H.8Explorations of Implicit and Explicit Racism in Curricular Language, Requirements, and Implementation
2021H.9Contract Grading and Labor-Based Assessment
2021J.12Commonplace Books Updated: Pedagogies for Cultivating an Inclusive Student Commons
2021J.6Navigating First-Year Writing Curriculum Change from Multiple Perspectives Prerecorded w/ Live Q&A
2021K.2More Than Replication: Reimagining Online Writing Instruction Using Affordance-Forward Design Live
2021K.7The Struggles of Bringing Inoue’s Labor-Based Grading Contracts to Community Colleges Prerecorded
2021L.5Diversity, Equity, and Inclusion in Directed Self-Placement Prerecorded w/ Live Q&A
2021M.2New Possibilities in Online Writing Instruction: Considering Student Backgrounds to Achieve Inclusivity
2021N.1Disciplinarity and Transfer Ten Years Later: A Multi-Institutional Investigation into Student Perceptions of Learning to Write Live
2021N.3Supplemental Writing Workshop with Peer Mentors: Finding a Commonplace of Support for Developmental
2021N.5Empathy as Commonplace in the Online Composition Classroom Prerecorded w/ Live Q&A
2021O.1English Majors’ Career Preparation and Outcomes Live
2021O.113Teaching Humans Online: Holistic Reflections on Limits
2021O.114Teaching Multilingual Students Remotely: Exploring and Learning from Multimodal and Online Pedagogies
2021O.118The Practice of Digital Composition: Engaging Student
2021O.133Utilizing Theme-Based Language Instruction, Technology, and Home Languages and Literacies to Empower
2021O.140Writing from a Common Place: Rhetorical Analysis and Popular Culture in First-Year Composition On-Demand
2021O.147Activist and Antiracist Pedagogies for First-Year Writing
2021O.148Readers and Citizens: First-Year Writing and the Cultivation of Audience On-Demand Session
2021O.149Pedagogically Inclusive Constructs of Normativity and Success across FYC Environments On-Demand Session
2021O.150Approaches to Teaching Research and Writing about Sources On-Demand Session
2021O.164Negotiating FYW and Conflict: #BlackLivesMatter, Pandemic, and Mindful Pedagogical Practices
2021O.2Perspective and Context: Three Approaches to First-Year Writing Live
2021O.30CTRL+A /Select All: Evaluating Practices for Improving
2021O.36Developing Genre Knowledge: Adaptable, Evidence-Based Small Teaching Practices for FYW On-Demand
2021O.42Not What They Learn but How They Learn: Measuring
2021O.5Finding Common Ground with Students: Expertise as Performance and Process Prerecorded w/ Live Q&A
2021O.55Generating a Common Ethic: Controversial Topics in the Writing Classroom On-Demand Session
2021O.58Identities in Flux: STEM Genres in the First-Year Writing
2021O.6Practicing Faith and “Religious Friction”: Engaging Student Beliefs in the Composition Classroom
2021O.68Grading Revisited: Assessment Methods and the Future
2021O.78Open Access at Work from Home: How One FYW
2021O.84Users across Disciplines: Commonplaces for Innovation
2021O.94Reconsidering Common Spaces: Making the Case for Hybrid Writing Instruction On-Demand Session
2021W.2A Black Lives Matter/Critical Race Theory–Based, Culturally Responsive, Antiracist, and Race Radical
2022E.4#HumanizeArgumentation: A Possible Future for First-Year Composition Live
2022F.6Making Up the Rules: Dynamic Rubrics and Student-Centered Assessment Live
2022J.7Defining and Promoting Antiracist Genre Justice in FYW Classrooms Live
2022M.1Who’s In? Who’s Out? Addressing Dual Enrollment’s
2022OD.101Students Helping Students: First-Year Writers as Teaching Partners
2022OD.103Writing for Retention: Belonging-Centered Strategies for Supporting First-Generation Students in FYC
2022OD.111Collaboration and Coordination across the Institution in the Service of Equity in First-Year Composition
2022OD.115Opening Access through Self-Directed Writing Projects
2022OD.128Thematic Access, Institutional Access: Faculty
2022OD.139Equity and Inclusion Even in Times of Crises: Using
2022OD.150Establishing Equitable Foundations in First-Year
2022OD.151Challenging the Impact of Diverse Scholarship in First-Year Writing
2022OD.153Curriculum Redesign for Co-Conspirators: Detonating
2022OD.168Spelling without A–F: Ungrading, Grammar, and the Possibilities of the Sentence
2022OD.170Professionalizing and Preparing Graduate Student
2022OD.175Fact versus Opinion: Using Social Media as a Gateway
2022OD.180Transitioning Positionality: Critical Reflection in the Classroom
2022OD.181Writing Center Use, Self-Regulation, and Writing
2022OD.182Private Pathway to Educational Equity: Examining
2022OD.190“Antiracist” Reading Practices: Navigating the Affective
2022OD.195Writing Transfer in Online First-Year Writing Courses: Student Perceptions and Instructor Practices
2022OD.226Carrying Forward Pandemic Lessons on Self-Care and Empathy in First-Year Writing
2022OD.227Centering Student Writers in Project-Based Learning
2022OD.24Collaborative Writing Placement as a Model for Empowering Students and Fostering Equity
2022OD.246Engaging Pedagogies for First-Year Writing
2022OD.253Feminist Approaches to First-Year Writing, Medical
2022OD.256Helping Students Thrive in First Year Writing
2022OD.259Imagining, Enacting, and Enlarging Community in First-Year Writing
2022OD.287Of Critical Choices and Actionable Pedagogies
2022OD.319The Place of Rhetoric in First-Year Writing
2022OD.32Reimagining Purposes of Assessment: Lessons and Perceptions from a Contract Grading Pilot at a Large
2022OD.33Pursuing Our Promises in OWI: Toward Equity in Assessment, Linguistic Justice via Empathy, and Diversity through International Virtual Collaborations
2022OD.36Classroom-Based Writing Consultant Pedagogy
2022OD.43Creating a Welcoming Environment: Brandeis University
2022OD.56A Writing Program’s Collaborative Mentoring Initiative
2022OD.60Assessing Equity in Assignments: Assignments That
2022OD.61Merging Theory and Practice: Laying the Foundations of Antiracist Classrooms in Academic Textbook Publishing
2022OD.62The Work Is Never Done: Teaching Critical Listening in a Course Centering Students’ Languages and Cultures
2022OD.64Changing Metaphors: How Students Talk about Writing
2022OD.68Who Are Our Students? Strategies for Confronting the Complexities of Their (and Our) Identities
2022OD.73Compassionate or Cruel? Configuring Zones of Optimism
2022OD.87The Multimodal Remix as Feminist Practice: Fostering
2022OD.96Meeting Students Where They Are: Inclusive Practices for Inviting Well-Being into the Writing Process
2023A.25Can We Have a Deliberative Pedagogy? Conspiracies, Post-Truth, and Demagoguery in FYC
2023A.26Collaboration, Community, and Curiosity: Partnerships
2023A.27Critiquing Reality, Doing Hope: FYW, Its Programming, and Disciplinary Change
2023A.33Shifting Expertise, Breaking Teacher Control, and Ungrading
2023A.38Getting STEAMed up not Steamrolled: Advocating for Writing as a Content Course through Integrated Learning
2023B.15Hope: Re-Vision and Resistance in First-Year
2023B.24Equity Focused Writing Instruction: Lessons from a Majority Hispanic Serving Institution
2023B.3Listen, Memory: Metacognition As Community Action in the First-Year Writing Seminar
2023B.33Shifting Our Priorities toward Student Self-Sufficiency
2023C.17Feedback and Response Post(?) Pandemic: Perspectives
2023C.27Freewriting Set Free: Authorial Choices, Attention
2023C.33Show Me Your Stories
2023D.2The Open Movement: Faculty and Student Experiences
2023D.7Multilingual Writers, First-Year Writing, and Writing
2023E.10Professional Development for Co-Requisite Writing
2023E.11Designing Assignments and Aligning Grading Rubrics for Innovative Writing Assessments: Lessons for the FYW
2023F.20Crawling into FYW
2023F.22Course Design: Archives, Artifacts, and Active Learning
2023F.34Reclaiming Rhetorics
2023F.39First-Year Writing and ESL Writing Integration: A Case Study
2023G.23Please, Mind Me
2023G.29Radical Joy: Making Space in the First-Year International
2023G.36Who Are Our Students, and What Do They Hope For?
2023G.6Making a Way for Hope: A Rural College’s Adaptive
2023H.11Common Readings, Uncommon Readers
2023H.12Rhetorical Listening for Thesis Statements and Civic
2023H.17Let the Negotiations Begin
2023I.10Come Play with Us, CCCC! Play Pedagogies and Play(ing) in the Classroom
2023I.11Composting, Cookbooks, and Climate Change, Oh My!
2023I.25Curriculuming for Hope: Modifications for a More Equitable Future
2023I.31Reconceptualizing Composition I: Inclusion of Project-Based Learning and Collaboration to Enhance Student
2023I.37Toward an Antiracist Writing Program: The Pace of Change and the Need for It
2023J.10#HumanizeArgumentation: A Possible Future for First-Year Composition
2023J.17Centering Neurodiversity in First-Year Writing and WAC
2023J.2Multimodal Texts and Interdiscursivity: Social Media and Video Games in First-Year Writing
2023J.29Strengthening Writing Pedagogy through Partnerships
2023J.32Teach Me How to Read
2023J.38Your Story, Your Way
2023K.1Doing Hope through Active Learning, Classroom
2023K.23Juntos at the Table
2023K.27Healing as a Collective
2023K.29Student Agency and Academic Success: Results from a Study of Directed Self-Placement
2023K.36Writing Wellness, Doing Hope
2023K.4Doing Comp Differently: An Invitation to Reimagine the First-Year Writing Classroom, Curriculum, and Graduate
2023L.20It’s All Technicalities
2023L.22Somatic Literacies: Bodies of Knowledge in Composition
2023L.23Just Literacies in Vulnerable Times
2023L.26Humanizing Composition: Identities, Compassion, and Engagement
2023L.35Visual Archives: Medieval Manuscripts, Maps, and Multimodality
2023M.19Existing Strengths in L2 Learners: Case Studies
2023M.21Let’s Collab
2023M.31Take it Outside
2023M.35Writing Campus Communities, Disrupting Campus
2023M.8Pedagogical Futures for First-Year Writing
2023OD.16Chasing a More Peaceable Classroom in FYC: Doing
2023OD.20Connecting the Local with the Global: Teaching Civic
2023OD.31Embracing Vulnerability: Personal Narratives as Methods
2023OD.38Feminist Design and Rhetorical Practices: Doing Less
2023OD.61Meaningful Research Writing in the First-Year Writing
2023OD.7Assessment in Backward Planning for Teaching and Learning First-Year Writing in US Higher Education
2023OD.80Take Back the Write: Technology, Feedback, and System
2023OD.85The Hope in Play: Making Space for Play Pedagogy in the College Composition Classroom
2023OD.88Towards a New Pedagogy of Transfer: Supporting
2023OD.96Collaboration, Community, and Curiosity: Partnerships
2023SW.9Dual Enrollment Composition: Building Our Story
2023TSIG.11Dual Enrollment Collective
2024A.01Natural Abundance: Teaching for Ecological Literacy and Environmental Awareness in FYW
2024A.04Human and/or Robot? Laboring, Learning, and Creating Knowledge with AI
2024A.08A/r/tography as First-Year Writing Practice
2024A.10Abundant Narrative Forms: Multimodal Counterstories in First-Year Writing Classrooms
2024A.25When Abundance Creates Scarcity: How Efficiency, Distraction, and Disinformation Colonize the First-Year International Writing Classroom
2024B.20Rhetoric in Abundance: Adding Multimodal Communication to the First-Year Writing Program
2024B.21Students with Choice: An Assessment of a Guided Student Placement Program for First-Year Writing
2024B.28Teaching Active Student Engagement in an Age of Abundance
2024C.04Training for Abundant Teaching: Inclusive and Collaborative Professional Development
2024C.09Abundant Policy and Sustainable Practice: Access, Technology, Reading, and Feedback
2024C.25The FYW Syllabus Project & FYC Archive: Toward Abundant Knowledge for First-Year Writing
2024C.28Civic Engagement in Theory and Pedagogical Practice
2024C.29Examining Subversive Techniques in Antiracist First-Year Writing
2024D.01Transferring Literacies: Researching Writing Transfer in Local Contexts
2024D.04A Dance of Abundance: Writing Instruction in the Age of Serial Disruption
2024D.09Composition as Communities of Care: Writing Abundance in the Cocurricular Classroom
2024E.07Basic Writing as a “Usable Past” for the Corequisite and Concurrent Enrollment Era
2024E.15Plain Language Acquisition in the Composition Classroom
2024E.19Talking about Language Diversity in FYW at PWIs: Engagement and Resistance
2024E.20The Reformist Opportunities of Abundant Autoethnography
2024E.27Abundancy of Placement Models
2024E.28Exploring Genre and Writing about Writing in a Time of Abundance
2024F.01Revisiting the Writing Process in First-Year Writing
2024F.02Open Access Practice and Abundant Opportunities: Interrogating the Creation of an Interactive FYW OER to Promote Student Engagement
2024G.15Facilitating an Environment of Temporal, Emotional, and Empowering Abundance in the College Writing Classroom
2024G.30Considering Decolonial Approaches to First-Year Writing
2024H.05Creative Explorations of Teaching with AI as a Composition Tool
2024H.30Voice and Choice: Encouraging Feedback Literacy, Abundant Dialogues, and Self-Advocacy for First-Year Writing Students
2024I.06Supporting Students’' and Instructors'' Linguistic Identities and Communities in FYW
2024I.08Abundance by Design: Inclusivity, Citational Justice, and Place-Based Learning in First-Year Writing Assignments
2024I.12Bringing Culturally Responsive Practices to (Classroom & Standardized) Writing Assessment—Past, Present, and (Hopefully) Yet to Come
2024I.20Minoritized Students as Standard-Bearers: Challenging Deficit Thinking about Information Literacy Learning
2024I.28Voices of Service: Exploring the Experiences and Transitions of Student-Veterans through Oral History and Digital Composition
2024I.29The Abundance of Multimodal Knowledge in First-Year Composition
2024J.05Teaching under Siege
2024J.07Abundance of Genres: Science Fiction in the First-Year Composition Classroom
2024J.13Expanding Shared Responsibility: Access, Equity, and Agency in Placement in First-Year Writing in the University of Alaska System
2024J.18Placement as Problem, Placement as Opportunity: Insights from a Self-Study
2024J.28Restorying Literacies in Developmental Writing
2024J.30Critical, Responsive Teaching Strategies in an Antiracist First-Year Writing Context
2024L.28Abundantly Creative in the Teaching of Writing
2024M.11Incremental Change and Wholesale Reform: Reflecting on and Revising an R1 First-Year Writing Program
2024M.16Professionalizing Teachers to Support Students in Dual Credit Writing Instruction: Stories and Strategies from FYC Dual Enrollment Coordinators
2024M.23Transactional to Transformational: The Role of Rhetoric in Teaching Writing to Healthcare Students
2024M.26An Abundance of Assessment Approaches
2024POS.13Step by Step: How a Heuristic Promotes Critical Reading (Poster Session)
2024SW.02Back to the ABCs: Advocacy, Belonging, and Community within a Modular Framework for First-Year Writing
2024SW.03Community and Collaboration in First-Year Writing Classes
2024TSIG.10Dual Enrollment Composition Collective Standing Group Meeting
2024TSIG.24Writing about Writing Standing Group Meeting
2024W.02Dual Enrollment Composition: An Abundance of Opportunity for Equity and Access
2025A.11Remixing First-Year Writing and Contesting Standardized English: Music as Inspiration in the Classroom
2025AA.10Recomposing Student Perceptions of First-Year Writing: Creating Space for Introspective Engagement Canceled
2025AA.2"Music That Moves Us”: An Innovative Framework for a Music-Focused FYC Experience Promoting Student Engagement, Creativity, and Success
2025AA.5“More Meaningful, Less Stressful”: Collaborative Grading as a B-side to Writing Assessment
2025AA.7Decadent AI and "Draft Aesthetics" in First-Year University Writing
2025AB.13Writing about Writing, Embedded Writing Consultants, and Laboratory Teaching: Centerpieces to Developing a WID Program at SUNY Polytechnic
2025AW.5Liberation through Writing: Remixing First-Year Composition through Unique Lenses